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Mie Miki - S'il vous plait (2011) [Hi-Res]

Mie Miki - S'il vous plait (2011) [Hi-Res]

BAND/ARTIST: Mie Miki

  • Title: S'il vous plait
  • Year Of Release: 2011
  • Label: BIS
  • Genre: Classical Organ
  • Quality: flac lossless (tracks) / flac 24bits - 44.1kHz +Booklet
  • Total Time: 01:09:26
  • Total Size: 295 / 602 mb
  • WebSite:
Tracklist

01. Premier livre de pieces de clavecin, Suite No. 3: No. 15. Le Coucou (arr. for accordion)
02. Pieces de clavecin: Suite in E minor: VI. Rigaudons I-II (arr. for accordion)
03. Keyboard Sonata in C minor, K.11/L.352/P.67 (arr. for accordion)
04. Keyboard Suite No. 5 in E major, HWV 430: IV. Air and Variations, "Harmonious Blacksmith" (arr. for accordion)
05. Divertissement for Accordion: Serenade
06. 6 Moments musicaux, Op. 94, D. 780 (arr. for accordion): No. 3 in F minor: Allegro moderato
07. 6 Moments musicaux, Op. 94, D. 780 (arr. for accordion): No. 5 in F minor: Allegro vivace
08. 11 Chorale Preludes, Op. 122: No. 8. Es ist ein Ros' entsprungen (arr. for accordion)
09. Histoires (arr. for accordion): III. Le vieux mendiant
10. Histoires (arr. for accordion): II. Le petit ane blanc
11. Tango (Arr. For Accordion)
12. Modern Love Waltz (arr. for accordion)
13. Miss Karting
14. Novelty Polka
15. Les parapluies de Cherbourg (arr. for accordion)
16. S.V.P. (S'il vous plait)
17. Chiquilin de Bachin (arr. for accordion)
18. Chau Paris (arr. for accordion)
19. La Bicicleta Blanca (Arr. For Accordion)
20. Dizzy Fingers (arr. P. Deiro)
21. Road Runner
22. Polonaise No. 13 in A minor, "Farewell to the Fatherland" (arr. for accordion)
23. 5 Pieces for 2 Violins and Piano: No. 4. Waltz (arr. for accordion)

Mie Miki's S'il Vous Plaît is akin to the "favorite encores" collections that violinists put together. The brief selections here range from Baroque to contemporary works, classical and pop, most arranged or transcribed for the accordion, but a few written for Miki's instrument. For those who like the accordion, it will be hard not to like at least one or two things she's chosen. The Baroque pieces, originally for harpsichord, are given more dimension and character because of the accordion's ability to sustain notes; she can make secondary melodies come out a little more than they would on the original instrument. That capability also makes it possible to perform Brahms' chorale prelude Es ist ein Ros' entsprungen, originally for organ. Miki makes it very touching, as she does Ibert's "Le vieux mendiant" and Piazzolla's La bicicleta blanca. Of course, the fun side of the accordion is there in pieces like the Novelty Polka of André Astier and Joë Rossi, Zez Confrey's Dizzy Fingers, and John Zorn's Road Runner. In that last one, Miki interprets Zorn's improvisational guidelines as if the work were more of a musical stream-of-consciousness than a cartoon soundtrack. Things that might otherwise be sound effects blend in with the snippets of Beethoven, tango, and other melodies. Even Handel's Harmonious Blacksmith is frequently insouciant, not always remaining as dignified as its theme. The eclectric selections don't necessarily hold together as a recital program might, but it does give listeners a good idea of the range of the accordion and Miki's talent, plus a peek into her personality and why she enjoys her instrument and playing music.




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  • olga1001
  •  wrote in 22:56
    • Like
    • 1
Thanks for 24-44.1 of my favorite :)
In spite of ultimate legato, is she conscious of messa di voce in Baroque ?
In Tango, she differentiates Accordion from Bandoneon !
Track 23 (Michał Ogiński: Polonaise "Farewell to my Homeland") is a little known masterpiece, so touching, used in film "Ashes and Diamonds" of Andrzej Wajda !