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Kocian Quartet & Jaromir Klepac - Ernő Dohnányi String Quartets Nos. 1 & 3, Ruralia Hungarica (2022) [Hi-Res]

Kocian Quartet & Jaromir Klepac - Ernő Dohnányi String Quartets Nos. 1 & 3, Ruralia Hungarica (2022) [Hi-Res]
  • Title: Ernő Dohnányi String Quartets Nos. 1 & 3, Ruralia Hungarica
  • Year Of Release: 2010/2022
  • Label: Praga Digitals
  • Genre: Classical
  • Quality: flac lossless (tracks) / flac 24bits - 96.0kHz +Booklet
  • Total Time: 01:02:01
  • Total Size: 311 mb / 1.1 gb
  • WebSite:
Tracklist

01. String Quartet No. 1 in A Major, Op. 7: I. Allegro
02. String Quartet No. 1 in A Major, Op. 7: II. Allegretto grazioso
03. String Quartet No. 1 in A Major, Op. 7: III. Molto adagio con espressione
04. String Quartet No. 1 in A Major, Op. 7: IV. Finale. Vivace
05. Ruralia Hungarica, for Cello and Piano, Op. 32d: Andante rubato, alla zingaresca
06. String Quartet No. 3 in A Minor, Op. 33: I. Allegro agitato e appassionato
07. String Quartet No. 3 in A Minor, Op. 33: II. Andante religioso con variazioni
08. String Quartet No. 3 in A Minor, Op. 33: III. Vivace giocoso


Though heralded as a national hero in his native Hungary, the music of Ernö Dohnányi is often and mysteriously neglected. Dohnányi was not only an accomplished and well-respected composer, he was a brilliant pianist, a much-sought conductor, and a champion of the next generation of Hungarian composers including Bartók and Kodály. His string quartets provide a microcosm of the composer's development over time. Heard here on this Praga Digitals disc is the First Quartet -- written very much in the Brahmsian tradition -- and the Third Quartet -- still not as progressive as his successors but demonstrating the influence of the next generation of musicians. Performing these underappreciated jewels of the repertoire is the Kocian Quartet, well-known for its masterful interpretations of music from its native Hungary. On this album, Kocian demonstrates just how it earned its reputation: powerful rhythmicity, driven tempos, conservative vibrato, rich, full sound, and a fluid balance between the four. From an interpretive standpoint, the performances here can scarcely be topped. Yet there is something lacking in the playing; intonation, sadly, is unreliable at best. It is especially frustrating to have many bars played perfectly in tune only to have things completely fall apart a few measures later. Listeners for whom intonation is a major sticking point when determining the quality of a recording will be disappointed here. Those who simply want an intense, committed recording of these works and can overlook some blemishes will find it more satisfactory.




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