Constantinople - Constantinople: Memoria Sefardi (2002)
BAND/ARTIST: Constantinople
- Title: Constantinople: Memoria Sefardi
- Year Of Release: 2002
- Label: ATMA Classique
- Genre: Classical
- Quality: flac lossless (tracks) +Booklet
- Total Time: 01:04:06
- Total Size: 304 mb
- WebSite: Album Preview
Tracklist
01. Ya soi desposado / Oy comamos y bebamos
02. El rey que muncha madruga
03. Abenamar / La Rose enflorence
04. Hija mía mi querida
05. La Cantiga de la Ley
06. Puncha puncha
07. Aman minoush
08. El rey de francia
09. Avrid migalanica
10. El regateode las
11. La Vida es un passahe
12. Las Compras del Rabiner
13. Si abra
14. El cervel mi fa Nocte idie
15. Jançu Janto
The music on this collection had its roots in the Jewish and Christian musical cultures of medieval Spain, but the album's subtitle, "Jewish and Christian Music of Spain," is slightly misleading. Since the expulsion of the Jews from Spain in 1492, their music remained alive primarily in the other regions around the Mediterranean in which they settled. Much of the music has been transmitted from generation to generation, and the Canadian early music ensemble Constantinople gathered it directly from those areas where the Spanish Jews settled -- Smyrna, Morocco, Rhodes, Cassaba, and Istanbul. Other selections are taken from a notated source, the Cancionero Musical de Palacio, a collection of over 350 songs assembled during the reign of Ferdinand and Isabella. Perhaps because its performance practice is so closely linked to living folk traditions rather than merely hypothetical reconstructions of sketchily notated music from more than half a millennium ago, Constantinople's performances of this repertoire are remarkably lively and nuanced. The ensemble plays like that of a group of folk musicians for whom this repertoire is second nature, giving the members the freedom to perform it with an unaffected naturalness and abandon. The rhythmic vitality and flexibility of their playing is especially engaging. Any listener who associates early music with dusty and pallid performances should sample Constantinople's refreshingly lively approach to this repertoire. Atma's sound is immaculate, clean, and natural.
01. Ya soi desposado / Oy comamos y bebamos
02. El rey que muncha madruga
03. Abenamar / La Rose enflorence
04. Hija mía mi querida
05. La Cantiga de la Ley
06. Puncha puncha
07. Aman minoush
08. El rey de francia
09. Avrid migalanica
10. El regateode las
11. La Vida es un passahe
12. Las Compras del Rabiner
13. Si abra
14. El cervel mi fa Nocte idie
15. Jançu Janto
The music on this collection had its roots in the Jewish and Christian musical cultures of medieval Spain, but the album's subtitle, "Jewish and Christian Music of Spain," is slightly misleading. Since the expulsion of the Jews from Spain in 1492, their music remained alive primarily in the other regions around the Mediterranean in which they settled. Much of the music has been transmitted from generation to generation, and the Canadian early music ensemble Constantinople gathered it directly from those areas where the Spanish Jews settled -- Smyrna, Morocco, Rhodes, Cassaba, and Istanbul. Other selections are taken from a notated source, the Cancionero Musical de Palacio, a collection of over 350 songs assembled during the reign of Ferdinand and Isabella. Perhaps because its performance practice is so closely linked to living folk traditions rather than merely hypothetical reconstructions of sketchily notated music from more than half a millennium ago, Constantinople's performances of this repertoire are remarkably lively and nuanced. The ensemble plays like that of a group of folk musicians for whom this repertoire is second nature, giving the members the freedom to perform it with an unaffected naturalness and abandon. The rhythmic vitality and flexibility of their playing is especially engaging. Any listener who associates early music with dusty and pallid performances should sample Constantinople's refreshingly lively approach to this repertoire. Atma's sound is immaculate, clean, and natural.
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