Joaquín Achúcarro - Schumann: Fantaisie, Kreisleriana (2013) CD-Rip
BAND/ARTIST: Joaquín Achúcarro
- Title: Schumann: Fantaisie, Kreisleriana
- Year Of Release: 2013
- Label: La Dolce Volta
- Genre: Classical
- Quality: FLAC (image+.cue,log,scans)
- Total Time: 74:38
- Total Size: 262 Mb
- WebSite: Album Preview
Tracklist:
Robert Schumann (1810-1856)
Fantasie Op. 17
1. Durchaus Phantastich Und Leidenschaftlich Vorzutragen (Il Tutto Fantastico Ed Appassionato)
2. Mäsig. Durchaus Energisch (Moderato Con Energia)
3. Langsam Getragen. Durchweg Leise Zu Halten (Lento Sostenuto. Il Tutto Piano)
Kreisleriana, Op. 18
4. Äusserst Bewegt
5. Sehr Innig Und Nicht Zu Rasch
6. Sehr Aufgeregt
7. Sehr Langsam
8. Sehr Lebhaft
9. Sehr Langsam
10. Sehr-Rasch
11. Schell Und Spielend
Performers:
Joaquín Achúcarro - piano
Robert Schumann (1810-1856)
Fantasie Op. 17
1. Durchaus Phantastich Und Leidenschaftlich Vorzutragen (Il Tutto Fantastico Ed Appassionato)
2. Mäsig. Durchaus Energisch (Moderato Con Energia)
3. Langsam Getragen. Durchweg Leise Zu Halten (Lento Sostenuto. Il Tutto Piano)
Kreisleriana, Op. 18
4. Äusserst Bewegt
5. Sehr Innig Und Nicht Zu Rasch
6. Sehr Aufgeregt
7. Sehr Langsam
8. Sehr Lebhaft
9. Sehr Langsam
10. Sehr-Rasch
11. Schell Und Spielend
Performers:
Joaquín Achúcarro - piano
The long total timings for Joaquín Achúcarro’s newly reissued Schumann C major Fantasy and Kreisleriana (recorded for Ensayo in 2003) do not necessarily indicate slow tempos, but rather reflect the Spanish pianist’s ample yet judiciously proportioned rubatos, together with his tendency to let resolutions and cadences breathe and resonate. Achúcarro’s insightful and well-varied balancing of lines in the Fantasy’s first movement compensates for whatever may be lacking in forward impetus and surface bravura. Is that an ambient change, a noticeable splice, or merely Achúcarro working his tone-color magic when the main theme returns 13 minutes into the movement? Tiny agogic adjustments and an overall light touch help keep the central movement’s obsessive march rhythms alive, while the coda’s treacherous leaps prove no problem for the then-71-year-old virtuoso’s cultivated fingers. Ironically, Achúcarro’s rhetorical phrasing in the lyrical finale sometimes causes the music’s long arcs to dissipate, unlike, say, Sergio Fiorentino’s equally spacious yet more rhythmically focused conception.
Among Kreisleriana’s memorable moments are unorthodox accentuations in the first movement, more strongly articulated little notes than usual in No. 3, a biting, clipped approach to No. 5, and effective crescendos throughout No. 7’s central fugal section. On the other hand, No. 8’s slight tempo manipulations sound more forced than organic, while No. 2’s broadly paced main theme plods. Still, one readily perceives Achúcarro’s cultivated, seasoned artistry, and piano connoisseurs will find much to savor.
Among Kreisleriana’s memorable moments are unorthodox accentuations in the first movement, more strongly articulated little notes than usual in No. 3, a biting, clipped approach to No. 5, and effective crescendos throughout No. 7’s central fugal section. On the other hand, No. 8’s slight tempo manipulations sound more forced than organic, while No. 2’s broadly paced main theme plods. Still, one readily perceives Achúcarro’s cultivated, seasoned artistry, and piano connoisseurs will find much to savor.
Classical | FLAC / APE | CD-Rip
As a ISRA.CLOUD's PREMIUM member you will have the following benefits:
- Unlimited high speed downloads
- Download directly without waiting time
- Unlimited parallel downloads
- Support for download accelerators
- No advertising
- Resume broken downloads