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Orchestre de Chambre Nouvelle-Aquitaine, Jean-François Heisser, Jean-Frédéric Neuburger - Olivier Messiaen: Des canyons aux étoiles (2022) [Hi-Res]

Orchestre de Chambre Nouvelle-Aquitaine, Jean-François Heisser, Jean-Frédéric Neuburger - Olivier Messiaen: Des canyons aux étoiles (2022) [Hi-Res]
  • Title: Olivier Messiaen: Des canyons aux étoiles
  • Year Of Release: 2022
  • Label: Mirare
  • Genre: Classical
  • Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
  • Total Time: 01:32:47
  • Total Size: 365 MB / 1.58 GB
  • WebSite:
Tracklist:

1. Messiaen: Des canyons aux étoiles, Part 1: I. Le désert (4:00)
2. Messiaen: Des canyons aux étoiles, Part 1: II. Les Orioles (6:03)
3. Messiaen: Des canyons aux étoiles, Part 1: III. Ce qui est écrit sur les étoiles… (6:20)
4. Messiaen: Des canyons aux étoiles, Part 1: IV. Le Cossyphe d'Heuglin (5:24)
5. Messiaen: Des canyons aux étoiles, Part 1: V. Cedar Breaks et le Don de Crainte (7:18)
6. Messiaen: Des canyons aux étoiles, Part 2: VI. Appel interstellaire (5:02)
7. Messiaen: Des canyons aux étoiles, Part 2: VII. Bryce Canyon et les rochers rouge-orange (13:47)
8. Messiaen: Des canyons aux étoiles, Part 3: VIII. Les réssuscités et le chant de l'étoile Aldébaran (7:51)
9. Messiaen: Des canyons aux étoiles, Part 3: IX. Le moqueur polyglotte (12:54)
10. Messiaen: Des canyons aux étoiles, Part 3: X. La grive des bois (4:32)
11. Messiaen: Des canyons aux étoiles, Part 3: XI. Omao, Leiothrix, Elepaio, Shama (9:28)
12. Messiaen: Des canyons aux étoiles, Part 3: XII. Zion Park et la Cité Céleste (10:11)

Without a doubt, it is urgent to get back to essentials, to retrace the path from the canyons to the stars, to celebrate "the beauties of the earth (it's rocks, it's birdsongs), the beauties of the material sky, the beauties of the spiritual sky" as Messiaen writes at the head of his score. According to Jean-François Heisser, "there is a grandeur in this work that sweeps aside reservations about the composer; something in the music escapes us and instantly grips the audience". One cannot deny this work exemplifies the "too big for me" of which Gilles Deleuze spoke.



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  • User offline
  • platico
  •  wrote in 21:52
    • Like
    • 1
gracias...
  • User Online
  • olga1001
  •  wrote in 10:50
    • Like
    • 0
I'm not familiar with this work and I don't have score but dose it have program like Catalogue d'oiseaux ?
Fast !
It sounds better than Marius Constant, Myung-Whun Chung and Christoph Eschenbach but how about Sylvain Cambreling ?
At least I need to compare them when I'm back at home :p
Thanks