Mary Lou Williams - I Made You Love Paris (1954)
BAND/ARTIST: Mary Lou Williams
- Title: I Made You Love Paris
- Year Of Release: 2000
- Label: Gitanes Jazz Productions [013 141-2]
- Genre: Jazz, Bop, Swing
- Quality: FLAC (image + .cue,log,scans) | MP3/320 kbps
- Total Time: 56:39
- Total Size: 301 MB(+3%) | 135 MB(+3%)
- WebSite: Album Preview
Tracklist
01 - Avalon
02 - Scratchin' In The Gravel
03 - Rock Me
04 - I Made You Love Paris
05 - Nancy Is In Love With The Colonel
06 - Swingin' For The Guys
07 - Club Francais Blues
08 - Freight Train Blues
09 - Memories Of You
10 - Leg'n Lou
11 - Mary Lou Blues
12 - Between The Devil And The Deep Blue Sea
13 - There's A Small Hotel
14 - En Ce Temps-Lа
15 - Lover
16 - Carioca
17 - Nicole
18 - Tire Tire l'Aiguille
19 - Autumn in New York
Mary Lou Williams spent a fair amount of time in Europe in the early '50s, prior to a temporary hiatus from jazz. This CD from Verve's Jazz in Paris series compiles two separate sessions from 1954; one features a trio, a quintet, and a pair of vocals by blues singer Beryl Bryden, and the other is purely a trio. All of the selections are fairly brief, with only one running over three-and-a-half minutes. The first 11 songs are a bit of a mixed bag. The strongest tracks feature Williams alone ("I Made You Love Paris" and her "Club Francais Blues") or with her trio ("Avalon," "Swingin' for the Guys," and "Memories of You"). Weaker are the four tracks with trumpeter Nelson Williams and tenor saxophonist Ray Lawrence, who aren't up to the playing level of horn players who typically worked with the pianist, though bassist Buddy Banks somewhat makes up for their shortcomings by contributing an enjoyable original ("Leg'n Lou") and a strong solo. Least important is the pair of vocals by Bryden, including a cover of bluesman Piano Red's "Rock Me" and Trixie Smith's "Freight Train Blues." The eight tracks from the other session are more consistent. With Banks again in tow and drummer Jean-Louis Viale, Williams sounds more relaxed and less encumbered during a set that is heavily weighted with standards like "There's a Small Hotel," "Between the Devil and the Deep Blue Sea," "Lover," and "Autumn in New York." An obscure, oddly constructed blues by the pianist, "Nicole," is also well worth hearing. This is hardly among the best recordings from Williams' long career, but with a paucity of CD reissues of her work,it still merits purchasing.~Ken Dryden
01 - Avalon
02 - Scratchin' In The Gravel
03 - Rock Me
04 - I Made You Love Paris
05 - Nancy Is In Love With The Colonel
06 - Swingin' For The Guys
07 - Club Francais Blues
08 - Freight Train Blues
09 - Memories Of You
10 - Leg'n Lou
11 - Mary Lou Blues
12 - Between The Devil And The Deep Blue Sea
13 - There's A Small Hotel
14 - En Ce Temps-Lа
15 - Lover
16 - Carioca
17 - Nicole
18 - Tire Tire l'Aiguille
19 - Autumn in New York
Mary Lou Williams spent a fair amount of time in Europe in the early '50s, prior to a temporary hiatus from jazz. This CD from Verve's Jazz in Paris series compiles two separate sessions from 1954; one features a trio, a quintet, and a pair of vocals by blues singer Beryl Bryden, and the other is purely a trio. All of the selections are fairly brief, with only one running over three-and-a-half minutes. The first 11 songs are a bit of a mixed bag. The strongest tracks feature Williams alone ("I Made You Love Paris" and her "Club Francais Blues") or with her trio ("Avalon," "Swingin' for the Guys," and "Memories of You"). Weaker are the four tracks with trumpeter Nelson Williams and tenor saxophonist Ray Lawrence, who aren't up to the playing level of horn players who typically worked with the pianist, though bassist Buddy Banks somewhat makes up for their shortcomings by contributing an enjoyable original ("Leg'n Lou") and a strong solo. Least important is the pair of vocals by Bryden, including a cover of bluesman Piano Red's "Rock Me" and Trixie Smith's "Freight Train Blues." The eight tracks from the other session are more consistent. With Banks again in tow and drummer Jean-Louis Viale, Williams sounds more relaxed and less encumbered during a set that is heavily weighted with standards like "There's a Small Hotel," "Between the Devil and the Deep Blue Sea," "Lover," and "Autumn in New York." An obscure, oddly constructed blues by the pianist, "Nicole," is also well worth hearing. This is hardly among the best recordings from Williams' long career, but with a paucity of CD reissues of her work,it still merits purchasing.~Ken Dryden
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