Garfield Jackson, Nicholas Logie, Douglas Boyd, Stephen Hough - Britten: Chamber & Instrumental Works (2013)
BAND/ARTIST: Garfield Jackson, Nicholas Logie, Douglas Boyd, Stephen Hough
- Title: Britten: Chamber & Instrumental Works
- Year Of Release: 2013
- Label: Warner Classics
- Genre: Classical
- Quality: flac lossless (tracks)
- Total Time: 06:33:56
- Total Size: 1.35 gb
- WebSite: Album Preview
Tracklist
CD1
01. Rhapsody for string quartet (1929)
02. Quartettino (1930): I. Andante - Allegro molto e con fuoco
03. Quartettino (1930): II. Poco adagio ma con moto
04. Quartettino (1930): III. Allegro molto vivace
05. Elegy (1930)
06. String Quartet in D: I. Allegro maestoso
07. String Quartet in D: II. Lento ed espressivo
08. String Quartet in D: III. Allegro giocoso
09. Phantasy in F minor
CD2
01. Phantasy Op. 2
02. 3 Divertimenti: March
03. 3 Divertimenti: Waltz
04. 3 Divertimenti: Burlesque
05. Alla marcia
06. String Quartet No. 1 in D Op 25: I. Andante sostenuto
07. String Quartet No. 1 in D Op 25: II. Allegretto con slancio
08. String Quartet No. 1 in D Op 25: III. Andante calmo
09. String Quartet No. 1 in D Op 25: IV. Molto vivace
CD3
01. String Quartet No. 2 in C Op 36: I. Allegro calmo senza rigore
02. String Quartet No. 2 in C Op 36: II. Vivace
03. String Quartet No. 2 in C Op 36: III. Chacony (Sostenuto)
04. String Quartet No. 3 Op 94: I. Duets (with moderato movement)
05. String Quartet No. 3 Op 94: II. Ostinato (Very fast)
06. String Quartet No. 3 Op 94: III. Solo (Very calm)
07. String Quartet No. 3 Op 94: IV. Burlesque (Fast, con fuoco)
08. String Quartet No. 3 Op 94: V. Recitative and Passacaglia 'La Srenissima' (Slow)
CD4
01. Suite No. 1 in G for Solo Cello Op.72: Canto Primo: Sostenuto e largamente
02. Suite No. 1 in G for Solo Cello Op.72: I Fuga: Andante moderato
03. Suite No. 1 in G for Solo Cello Op.72: II Lamento: Lento rubato
04. Suite No. 1 in G for Solo Cello Op.72: Canto Secondo: Sostenuto
05. Suite No. 1 in G for Solo Cello Op.72: III Serenata: Allegretto (pizzicato)
06. Suite No. 1 in G for Solo Cello Op.72: IV Marcia: Alla marcia moderato
07. Suite No. 1 in G for Solo Cello Op.72: Canto Terzo: Sostenuto
08. Suite No. 1 in G for Solo Cello Op.72: V Bordone: Moderato quasi recitativo
09. Suite No. 1 in G for Solo Cello Op.72: VI Moto perpetuo e Canto quarto: Presto
10. Suite No. 2 in D for Solo Cello Op.80: I Declamato: Largo
11. Suite No. 2 in D for Solo Cello Op.80: II Fuga: Andante
12. Suite No. 2 in D for Solo Cello Op.80: III Scherzo: Allegro molto
13. Suite No. 2 in D for Solo Cello Op.80: IV Andante lento
14. Suite No. 2 in D for Solo Cello Op.80: V Ciaccona: Allegro
15. Suite No. 3 for Solo Cello Op. 87: I Introduzione: Lento
16. Suite No. 3 for Solo Cello Op. 87: II Marcia: Allegro
17. Suite No. 3 for Solo Cello Op. 87: III Canto: Con moto
18. Suite No. 3 for Solo Cello Op. 87: IV Barcarola: Lento
19. Suite No. 3 for Solo Cello Op. 87: V Dialogo: Allgretto
20. Suite No. 3 for Solo Cello Op. 87: VI Fuga: Andante espressivo
21. Suite No. 3 for Solo Cello Op. 87: VII Recitativo: Fantastico
22. Suite No. 3 for Solo Cello Op. 87: VIII Moto perpetuo: Presto
23. Suite No. 3 for Solo Cello Op. 87: IX Passacaglia: Lento solenne
CD5
01. Holiday Diary Op. 5: I. Early Morning Bathe
02. Holiday Diary Op. 5: II. Sailing
03. Holiday Diary Op. 5: III. Funfair
04. Holiday Diary Op. 5: IV. Night
05. Three Character Pieces (1930): I. John (Poco allegro vivace)
06. Three Character Pieces (1930): II. Daphne (Poco andante grazioso)
07. Three Character Pieces (1930): III. Michael (Poco presto e molto capriccioso)
08. Night Piece (Notturno) (1963)
09. Moderato and Nocturne (Sonatina romantica, 1940): Moderato
10. Moderato and Nocturne (Sonatina romantica, 1940): Nocturne
11. Twelve Variations (1931)
12. Five Walztes (Waltzes) (1923-5/1969): I. Rather fast and nervous
13. Five Walztes (Waltzes) (1923-5/1969): II. Quick, with wit
14. Five Walztes (Waltzes) (1923-5/1969): III. Dramatic
15. Five Walztes (Waltzes) (1923-5/1969): IV. Rhythmic; not fast
16. Five Walztes (Waltzes) (1923-5/1969): V. Variations: Quiet and simple
17. Two Lullabies (1936): Lullaby
18. Two Lullabies (1936): Lullaby for a Retired Colonel
19. Mazurka elegiaca Op. 23 No. 2
20. Introduction and Rondo alla burlesca Op. 23 No. 1: Introduction -
21. Introduction and Rondo alla burlesca Op. 23 No. 1: Rondo alla burlesca
CD6
01. Suite for violin and piano Op. 6: I. Introduction (Andante maestoso)
02. Suite for violin and piano Op. 6: II. March (Allegro alla marcia)
03. Suite for violin and piano Op. 6: III. Moto perpetuo (Allegro molto e con fuoco)
04. Suite for violin and piano Op. 6: IV. Lullaby (Lento tranquillo)
05. Suite for violin and piano Op. 6: V. Waltz (Alla valse: vivace e rubato)
06. Cello Sonata in C Op. 65: I. Dialogo (Allegro)
07. Cello Sonata in C Op. 65: II. Scherzo-pizzicato (Allegretto)
08. Cello Sonata in C Op. 65: III. Elegia (Lento)
09. Cello Sonata in C Op. 65: IV. Marcia (Energico)
10. Cello Sonata in C Op. 65: V. Moto perpetuo (Presto)
11. Six Metamorphoses after Ovid Op. 49: 1. Pan (Senza misura)
12. Six Metamorphoses after Ovid Op. 49: 2. Phaeton (Vivace ritmico)
13. Six Metamorphoses after Ovid Op. 49: 3. Niobe (Andante)
14. Six Metamorphoses after Ovid Op. 49: 4. Bacchus (Allegro pesante)
15. Six Metamorphoses after Ovid Op. 49: 5. Narcissus (Lento piacevole)
16. Six Metamorphoses after Ovid Op. 49: 6. Arethusa (Largamente)
17. Nocturnal after John Dowland Op. 70: I. Musingly (Meditation) (Meditation)
18. Nocturnal after John Dowland Op. 70: II. Agitated (Molto agitatavo)
19. Nocturnal after John Dowland Op. 70: III. Restless (Inquieto)
20. Nocturnal after John Dowland Op. 70: IV. Uneasy (Ansioso)
21. Nocturnal after John Dowland Op. 70: V. March-like (Quasi una marcia)
22. Nocturnal after John Dowland Op. 70: VI. Dreaming (Sognanti)
23. Nocturnal after John Dowland Op. 70: VII. Greatly rocking (Cullante)
24. Nocturnal after John Dowland Op. 70: VIII. Passacaglia (Misurato)
25. Nocturnal after John Dowland Op. 70: IX. Slow and quiet (Molto tranquillo)
Voilà un album exhaustif qui propose la totalité de la musique de chambre de Britten dans d'excellentes interprétations. On y trouve ses premiers essais d'enfant jusqu'au dernier Quatuor à cordes, écrit en 1975, comme un écho à son opéra Mort à Venise. Parmi les nombreux interprètes de ce vaste album, on peut citer le Quatuor Endellion s’investissant avec un art consommé de la litote et de l'intimité. Le violoncelliste Truls Mork, très inspiré par les Suites pour violoncelle solo ou le pianiste Stephen Hough qui semble vraiment s'amuser en jouant les valses écrites par un tout jeune homme de dix ans...
CD1
01. Rhapsody for string quartet (1929)
02. Quartettino (1930): I. Andante - Allegro molto e con fuoco
03. Quartettino (1930): II. Poco adagio ma con moto
04. Quartettino (1930): III. Allegro molto vivace
05. Elegy (1930)
06. String Quartet in D: I. Allegro maestoso
07. String Quartet in D: II. Lento ed espressivo
08. String Quartet in D: III. Allegro giocoso
09. Phantasy in F minor
CD2
01. Phantasy Op. 2
02. 3 Divertimenti: March
03. 3 Divertimenti: Waltz
04. 3 Divertimenti: Burlesque
05. Alla marcia
06. String Quartet No. 1 in D Op 25: I. Andante sostenuto
07. String Quartet No. 1 in D Op 25: II. Allegretto con slancio
08. String Quartet No. 1 in D Op 25: III. Andante calmo
09. String Quartet No. 1 in D Op 25: IV. Molto vivace
CD3
01. String Quartet No. 2 in C Op 36: I. Allegro calmo senza rigore
02. String Quartet No. 2 in C Op 36: II. Vivace
03. String Quartet No. 2 in C Op 36: III. Chacony (Sostenuto)
04. String Quartet No. 3 Op 94: I. Duets (with moderato movement)
05. String Quartet No. 3 Op 94: II. Ostinato (Very fast)
06. String Quartet No. 3 Op 94: III. Solo (Very calm)
07. String Quartet No. 3 Op 94: IV. Burlesque (Fast, con fuoco)
08. String Quartet No. 3 Op 94: V. Recitative and Passacaglia 'La Srenissima' (Slow)
CD4
01. Suite No. 1 in G for Solo Cello Op.72: Canto Primo: Sostenuto e largamente
02. Suite No. 1 in G for Solo Cello Op.72: I Fuga: Andante moderato
03. Suite No. 1 in G for Solo Cello Op.72: II Lamento: Lento rubato
04. Suite No. 1 in G for Solo Cello Op.72: Canto Secondo: Sostenuto
05. Suite No. 1 in G for Solo Cello Op.72: III Serenata: Allegretto (pizzicato)
06. Suite No. 1 in G for Solo Cello Op.72: IV Marcia: Alla marcia moderato
07. Suite No. 1 in G for Solo Cello Op.72: Canto Terzo: Sostenuto
08. Suite No. 1 in G for Solo Cello Op.72: V Bordone: Moderato quasi recitativo
09. Suite No. 1 in G for Solo Cello Op.72: VI Moto perpetuo e Canto quarto: Presto
10. Suite No. 2 in D for Solo Cello Op.80: I Declamato: Largo
11. Suite No. 2 in D for Solo Cello Op.80: II Fuga: Andante
12. Suite No. 2 in D for Solo Cello Op.80: III Scherzo: Allegro molto
13. Suite No. 2 in D for Solo Cello Op.80: IV Andante lento
14. Suite No. 2 in D for Solo Cello Op.80: V Ciaccona: Allegro
15. Suite No. 3 for Solo Cello Op. 87: I Introduzione: Lento
16. Suite No. 3 for Solo Cello Op. 87: II Marcia: Allegro
17. Suite No. 3 for Solo Cello Op. 87: III Canto: Con moto
18. Suite No. 3 for Solo Cello Op. 87: IV Barcarola: Lento
19. Suite No. 3 for Solo Cello Op. 87: V Dialogo: Allgretto
20. Suite No. 3 for Solo Cello Op. 87: VI Fuga: Andante espressivo
21. Suite No. 3 for Solo Cello Op. 87: VII Recitativo: Fantastico
22. Suite No. 3 for Solo Cello Op. 87: VIII Moto perpetuo: Presto
23. Suite No. 3 for Solo Cello Op. 87: IX Passacaglia: Lento solenne
CD5
01. Holiday Diary Op. 5: I. Early Morning Bathe
02. Holiday Diary Op. 5: II. Sailing
03. Holiday Diary Op. 5: III. Funfair
04. Holiday Diary Op. 5: IV. Night
05. Three Character Pieces (1930): I. John (Poco allegro vivace)
06. Three Character Pieces (1930): II. Daphne (Poco andante grazioso)
07. Three Character Pieces (1930): III. Michael (Poco presto e molto capriccioso)
08. Night Piece (Notturno) (1963)
09. Moderato and Nocturne (Sonatina romantica, 1940): Moderato
10. Moderato and Nocturne (Sonatina romantica, 1940): Nocturne
11. Twelve Variations (1931)
12. Five Walztes (Waltzes) (1923-5/1969): I. Rather fast and nervous
13. Five Walztes (Waltzes) (1923-5/1969): II. Quick, with wit
14. Five Walztes (Waltzes) (1923-5/1969): III. Dramatic
15. Five Walztes (Waltzes) (1923-5/1969): IV. Rhythmic; not fast
16. Five Walztes (Waltzes) (1923-5/1969): V. Variations: Quiet and simple
17. Two Lullabies (1936): Lullaby
18. Two Lullabies (1936): Lullaby for a Retired Colonel
19. Mazurka elegiaca Op. 23 No. 2
20. Introduction and Rondo alla burlesca Op. 23 No. 1: Introduction -
21. Introduction and Rondo alla burlesca Op. 23 No. 1: Rondo alla burlesca
CD6
01. Suite for violin and piano Op. 6: I. Introduction (Andante maestoso)
02. Suite for violin and piano Op. 6: II. March (Allegro alla marcia)
03. Suite for violin and piano Op. 6: III. Moto perpetuo (Allegro molto e con fuoco)
04. Suite for violin and piano Op. 6: IV. Lullaby (Lento tranquillo)
05. Suite for violin and piano Op. 6: V. Waltz (Alla valse: vivace e rubato)
06. Cello Sonata in C Op. 65: I. Dialogo (Allegro)
07. Cello Sonata in C Op. 65: II. Scherzo-pizzicato (Allegretto)
08. Cello Sonata in C Op. 65: III. Elegia (Lento)
09. Cello Sonata in C Op. 65: IV. Marcia (Energico)
10. Cello Sonata in C Op. 65: V. Moto perpetuo (Presto)
11. Six Metamorphoses after Ovid Op. 49: 1. Pan (Senza misura)
12. Six Metamorphoses after Ovid Op. 49: 2. Phaeton (Vivace ritmico)
13. Six Metamorphoses after Ovid Op. 49: 3. Niobe (Andante)
14. Six Metamorphoses after Ovid Op. 49: 4. Bacchus (Allegro pesante)
15. Six Metamorphoses after Ovid Op. 49: 5. Narcissus (Lento piacevole)
16. Six Metamorphoses after Ovid Op. 49: 6. Arethusa (Largamente)
17. Nocturnal after John Dowland Op. 70: I. Musingly (Meditation) (Meditation)
18. Nocturnal after John Dowland Op. 70: II. Agitated (Molto agitatavo)
19. Nocturnal after John Dowland Op. 70: III. Restless (Inquieto)
20. Nocturnal after John Dowland Op. 70: IV. Uneasy (Ansioso)
21. Nocturnal after John Dowland Op. 70: V. March-like (Quasi una marcia)
22. Nocturnal after John Dowland Op. 70: VI. Dreaming (Sognanti)
23. Nocturnal after John Dowland Op. 70: VII. Greatly rocking (Cullante)
24. Nocturnal after John Dowland Op. 70: VIII. Passacaglia (Misurato)
25. Nocturnal after John Dowland Op. 70: IX. Slow and quiet (Molto tranquillo)
Voilà un album exhaustif qui propose la totalité de la musique de chambre de Britten dans d'excellentes interprétations. On y trouve ses premiers essais d'enfant jusqu'au dernier Quatuor à cordes, écrit en 1975, comme un écho à son opéra Mort à Venise. Parmi les nombreux interprètes de ce vaste album, on peut citer le Quatuor Endellion s’investissant avec un art consommé de la litote et de l'intimité. Le violoncelliste Truls Mork, très inspiré par les Suites pour violoncelle solo ou le pianiste Stephen Hough qui semble vraiment s'amuser en jouant les valses écrites par un tout jeune homme de dix ans...
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