Simon Johnson - B.A.C.H: Anatomy of a Motif (2022) [Hi-Res]
![Simon Johnson - B.A.C.H: Anatomy of a Motif (2022) [Hi-Res]](https://www.dibpic.com/uploads/posts/2022-01/1643272542_simon-johnson-b_a_c_h-anatomy-of-a-motif-2022.jpg)
BAND/ARTIST: Simon Johnson
- Title: B.A.C.H: Anatomy of a Motif
- Year Of Release: 2022
- Label: Chandos
- Genre: Classical
- Quality: flac lossless (image +.cue, log, artwork)/ flac 24bits - 96.0kHz +Booklet
- Total Time: 02:15:07
- Total Size: 574 mb / 2.19 gb
- WebSite: Album Preview
Tracklist
CD1
01. Art of the Fugue in D Minor, BWV 1080 (Roger Vuataz Orchestration): Contrapunctus XIV a4 "Unfinished Fugue"
02. Sonata on the Choral O Haupt voll Blut und Wunden: I. Choral
03. Sonata on the Choral O Haupt voll Blut und Wunden: II. Fuga
04. Sonata on the Choral O Haupt voll Blut und Wunden: III. Finale
05. Sechs Fugen über den Namen B.A.C.H, Op. 60: Fuga I
06. Sechs Fugen über den Namen B.A.C.H, Op. 60: Fuga II
07. Sechs Fugen über den Namen B.A.C.H, Op. 60: Fuga III
08. Sechs Fugen über den Namen B.A.C.H, Op. 60: Fuga IV
09. Sechs Fugen über den Namen B.A.C.H, Op. 60: Fuga V
10. Sechs Fugen über den Namen B.A.C.H, Op. 60: Fuga VI
11. Fugue, WoO 8
CD2
01. Ricercar à 6
02. Präludium und Fuge über den Namen B.A.C.H, S. 260: I. Präludium
03. Präludium und Fuge über den Namen B.A.C.H, S. 260: II. Fuga
04. Präludium und Fuge über den Namen B.A.C.H, S. 260: III. Allegro
05. Präludium und Fuge über den Namen B.A.C.H, S. 260: IV. Maestoso
06. Fantasie und Fuge über B.A.C.H, Op. 46: I. Fantasie
07. Fantasie und Fuge über B.A.C.H, Op. 46: II. Fuge
08. Passacaglia and Fugue on B.A.C.H, Op. 150: I. Introduzione
09. Passacaglia and Fugue on B.A.C.H, Op. 150: II. Prima parte
10. Passacaglia and Fugue on B.A.C.H, Op. 150: III. Seconda parte
11. Passacaglia and Fugue on B.A.C.H, Op. 150: IV. Terza parte
12. Passacaglia and Fugue on B.A.C.H, Op. 150: V. Adagio e piano
13. Passacaglia and Fugue on B.A.C.H, Op. 150: VI. Fuga
![Simon Johnson - B.A.C.H: Anatomy of a Motif (2022) [Hi-Res]](https://www.dibpic.com/uploads/posts/2022-01/1643272551_simon-johnson-b_a_c_h-anatomy-of-a-motif-2022-back.jpg)
In musical notation in Germany, the letter ‘h’ is used to represent the note b natural. So, the name ‘Bach’ forms an elegant phrase of two pairs of falling semitones. This proved an inspiration to Johann Sebastian, whose musical ‘signature’ appears again and again throughout his extensive output. Two shining examples are included on this album – the ‘unfinished fugue’ Contrapunctus XIV à 4 from Die Kunst der Fuge (as completed by Lionel Rogg) and the exquisite Ricercar à 6 from Musikalisches Opfer. Bach’s signature – as well as musical invention – has directly influenced scores of other composers down the years, as evidenced by the works included here, from Mendelssohn to Karg-Elert. The organist and, from 2008 until 2021, Assistant Director of Music at St Paul’s Cathedral, Simon Johnson has used his knowledge and insight to construct this program to demonstrate the extraordinary range and scope of the cathedral’s organ. Expertly recorded by the Chandos technical team, this album provides an outstanding testament to this fine instrument and to the unique acoustic of the world-renowned cathedral in which it sits.
CD1
01. Art of the Fugue in D Minor, BWV 1080 (Roger Vuataz Orchestration): Contrapunctus XIV a4 "Unfinished Fugue"
02. Sonata on the Choral O Haupt voll Blut und Wunden: I. Choral
03. Sonata on the Choral O Haupt voll Blut und Wunden: II. Fuga
04. Sonata on the Choral O Haupt voll Blut und Wunden: III. Finale
05. Sechs Fugen über den Namen B.A.C.H, Op. 60: Fuga I
06. Sechs Fugen über den Namen B.A.C.H, Op. 60: Fuga II
07. Sechs Fugen über den Namen B.A.C.H, Op. 60: Fuga III
08. Sechs Fugen über den Namen B.A.C.H, Op. 60: Fuga IV
09. Sechs Fugen über den Namen B.A.C.H, Op. 60: Fuga V
10. Sechs Fugen über den Namen B.A.C.H, Op. 60: Fuga VI
11. Fugue, WoO 8
CD2
01. Ricercar à 6
02. Präludium und Fuge über den Namen B.A.C.H, S. 260: I. Präludium
03. Präludium und Fuge über den Namen B.A.C.H, S. 260: II. Fuga
04. Präludium und Fuge über den Namen B.A.C.H, S. 260: III. Allegro
05. Präludium und Fuge über den Namen B.A.C.H, S. 260: IV. Maestoso
06. Fantasie und Fuge über B.A.C.H, Op. 46: I. Fantasie
07. Fantasie und Fuge über B.A.C.H, Op. 46: II. Fuge
08. Passacaglia and Fugue on B.A.C.H, Op. 150: I. Introduzione
09. Passacaglia and Fugue on B.A.C.H, Op. 150: II. Prima parte
10. Passacaglia and Fugue on B.A.C.H, Op. 150: III. Seconda parte
11. Passacaglia and Fugue on B.A.C.H, Op. 150: IV. Terza parte
12. Passacaglia and Fugue on B.A.C.H, Op. 150: V. Adagio e piano
13. Passacaglia and Fugue on B.A.C.H, Op. 150: VI. Fuga
In musical notation in Germany, the letter ‘h’ is used to represent the note b natural. So, the name ‘Bach’ forms an elegant phrase of two pairs of falling semitones. This proved an inspiration to Johann Sebastian, whose musical ‘signature’ appears again and again throughout his extensive output. Two shining examples are included on this album – the ‘unfinished fugue’ Contrapunctus XIV à 4 from Die Kunst der Fuge (as completed by Lionel Rogg) and the exquisite Ricercar à 6 from Musikalisches Opfer. Bach’s signature – as well as musical invention – has directly influenced scores of other composers down the years, as evidenced by the works included here, from Mendelssohn to Karg-Elert. The organist and, from 2008 until 2021, Assistant Director of Music at St Paul’s Cathedral, Simon Johnson has used his knowledge and insight to construct this program to demonstrate the extraordinary range and scope of the cathedral’s organ. Expertly recorded by the Chandos technical team, this album provides an outstanding testament to this fine instrument and to the unique acoustic of the world-renowned cathedral in which it sits.
Year 2022 | Classical | FLAC / APE | CD-Rip | HD & Vinyl
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