Phil Woods, Vic Juris - Songs One (2014)
BAND/ARTIST: Phil Woods, Vic Juris
- Title: Songs One
- Year Of Release: 2014
- Label: Philology
- Genre: Jazz
- Quality: flac lossless (tracks)
- Total Time: 00:59:27
- Total Size: 240 mb
- WebSite: Album Preview
Tracklist
01. Golden Earrings (From 1947 Film: Golden Earrings)
02. I Heard You Cried Last Night (From 1943 Film: Cinderella Swings It)
03. Long Ago & Far Away (From Movie "Cover Girl" 1944)
04. I'll Never Be the Same
05. Who Cares? (From 1931 Musical: Of Three I Sing)
06. What'll I Do? (From 1938 Film: Alexander's Rag Time Band-And from 1923 Music Box Revue)
07. Lover Man
08. Suppertime (From 1933 Review "As Thousands Cheer")
09. Why Did I Choose You? (From 1965 Musical "The Yearling")
10. Gone with the Wind
11. These Foolish Things
12. I'll Never Stop Loving You (From 1955 Film: Love Me or Leave Me)
Phill Woods:
One of the true masters of the bop vocabulary, Phil Woods had his own sound beginning in the mid-'50s and stuck to his musical guns throughout a remarkably productive career. There was never a doubt that he was one of the top alto saxophonists in jazz, and he lost neither his enthusiasm nor his creativity through the years.
Woods' first alto was left to him by an uncle, and he started playing seriously when he was 12. He gigged and studied locally until 1948, when he moved to New York. Woods studied with Lennie Tristano, at the Manhattan School of Music, and at Juilliard, where he majored in clarinet. He worked with Charlie Barnet (1954), Jimmy Raney (1955), George Wallington, the Dizzy Gillespie Orchestra, Buddy Rich (1958-1959), Quincy Jones (1959-1961), and Benny Goodman (for BG's famous 1962 tour of the Soviet Union), but mostly headed his own groups after 1955, including co-leadership of a combo with fellow altoist Gene Quill in the '50s logically known as "Phil & Quill." Woods, who married the late Charlie Parker's former wife Chan in the 1950s (and became the stepfather to singer Kim Parker), was sometimes thought of as "the new Bird" due to his brilliance in bop settings, but he never really sounded like a copy of Parker.
Vic Juris:
His guitar playing first began to attract attention in the early and mid-70s thanks to appearances and recordings with Phil Woods, Dizzy Gillespie, and Miroslav Vitous. Subsequently, he became part of the jazz fusion movement by joining keyboardist Barry Miles' group and also performing in duets with guitarist Larry Coryell. Vics ability to play in acoustic and electric jazz formats without loss of integrity ensured popular acceptance. Juris has also recorded and performed with: David Liebman, Freddie Hubbard, Gary Peacock, John Abercrombie, Bireli Lagrene and Lee Konitz to name a few.
Vic plays with fluent lyricism, choosing to seduce his listeners with subtle phrasing and engaging harmonies. Not surprisingly, therefore, his playing of ballads is particularly attractive, allowing the romantic element to blossom. In addition to his inventive playing, Juris has also composed many songs, some of which he has recorded on the Steeplechase Record Label.
01. Golden Earrings (From 1947 Film: Golden Earrings)
02. I Heard You Cried Last Night (From 1943 Film: Cinderella Swings It)
03. Long Ago & Far Away (From Movie "Cover Girl" 1944)
04. I'll Never Be the Same
05. Who Cares? (From 1931 Musical: Of Three I Sing)
06. What'll I Do? (From 1938 Film: Alexander's Rag Time Band-And from 1923 Music Box Revue)
07. Lover Man
08. Suppertime (From 1933 Review "As Thousands Cheer")
09. Why Did I Choose You? (From 1965 Musical "The Yearling")
10. Gone with the Wind
11. These Foolish Things
12. I'll Never Stop Loving You (From 1955 Film: Love Me or Leave Me)
Phill Woods:
One of the true masters of the bop vocabulary, Phil Woods had his own sound beginning in the mid-'50s and stuck to his musical guns throughout a remarkably productive career. There was never a doubt that he was one of the top alto saxophonists in jazz, and he lost neither his enthusiasm nor his creativity through the years.
Woods' first alto was left to him by an uncle, and he started playing seriously when he was 12. He gigged and studied locally until 1948, when he moved to New York. Woods studied with Lennie Tristano, at the Manhattan School of Music, and at Juilliard, where he majored in clarinet. He worked with Charlie Barnet (1954), Jimmy Raney (1955), George Wallington, the Dizzy Gillespie Orchestra, Buddy Rich (1958-1959), Quincy Jones (1959-1961), and Benny Goodman (for BG's famous 1962 tour of the Soviet Union), but mostly headed his own groups after 1955, including co-leadership of a combo with fellow altoist Gene Quill in the '50s logically known as "Phil & Quill." Woods, who married the late Charlie Parker's former wife Chan in the 1950s (and became the stepfather to singer Kim Parker), was sometimes thought of as "the new Bird" due to his brilliance in bop settings, but he never really sounded like a copy of Parker.
Vic Juris:
His guitar playing first began to attract attention in the early and mid-70s thanks to appearances and recordings with Phil Woods, Dizzy Gillespie, and Miroslav Vitous. Subsequently, he became part of the jazz fusion movement by joining keyboardist Barry Miles' group and also performing in duets with guitarist Larry Coryell. Vics ability to play in acoustic and electric jazz formats without loss of integrity ensured popular acceptance. Juris has also recorded and performed with: David Liebman, Freddie Hubbard, Gary Peacock, John Abercrombie, Bireli Lagrene and Lee Konitz to name a few.
Vic plays with fluent lyricism, choosing to seduce his listeners with subtle phrasing and engaging harmonies. Not surprisingly, therefore, his playing of ballads is particularly attractive, allowing the romantic element to blossom. In addition to his inventive playing, Juris has also composed many songs, some of which he has recorded on the Steeplechase Record Label.
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