Charles Schlueter - Retrospective - A Life in Trumpet (2022)
BAND/ARTIST: Charles Schlueter
- Title: Retrospective - A Life in Trumpet
- Year Of Release: 2022
- Label: MSR Classics
- Genre: Classical
- Quality: FLAC (tracks)
- Total Time: 222:38 min
- Total Size: 848 MB
- WebSite: Album Preview
Tracklist:
1. Intrada for Solo Trumpet in C
2. Intrada for Trumpet and Piano
3. Sonata for Trumpet and Piano: I. Sarabande
4. Sonata for Trumpet and Piano: II. Intermède
5. Sonata for Trumpet and Piano: III. Spiritual
6. Chamber Music VIII: A Sonata for Trumpet in C and Piano: I. Ballade
7. Chamber Music VIII: A Sonata for Trumpet in C and Piano: II. Invocation
8. Chamber Music VIII: A Sonata for Trumpet in C and Piano: III. Procession
9. Chamber Music VIII: A Sonata for Trumpet in C and Piano: IV. Departure
10. Marsha’s Gift for Trumpet and Piano
11. A Song from the Heart for Trumpet and Piano
12. Duo Concerto for Trumpet and Organ
13. Sonata for Trumpet in D and Cello: I. Allegro vivo
14. Sonata for Trumpet in D and Cello: II. Lento, con indifferenzia
15. Sonata for Trumpet in D and Cello: III. Andante
16. Sonata for Trumpet in D and Cello: IV. Lento
17. Sonata for Trumpet in D and Cello: V. Vivace
18. Chamber Music VII : Ceremonies for Trumpet and Piano: I. Calls and Echoes (Allegro)
19. Chamber Music VII : Ceremonies for Trumpet and Piano: II. Calls and Echoes (Adagio)
20. Chamber Music VII : Ceremonies for Trumpet and Piano: III. Procession
21. Sonata for Trumpet and Piano: I. Mit Kraft
22. Sonata for Trumpet and Piano: II. Mässig bewegt, Lebhaft
23. Sonata for Trumpet and Piano: III. Trauermusik, Sehr langsam
24. Fanfare for a New Theatre for Two Trumpets
25. Sonata for Horn, Trumpet and Trombone: I. Andante moderato
26. Sonata for Horn, Trumpet and Trombone: II. Andante
27. Sonata for Horn, Trumpet and Trombone: III. Rondeau
28. Ave Verum Corpus for Three Trumpets
29. Fanfare for St. Edmundsbury for Three Trumpets
30. Septet in E:Flat Major: I. Préambule
31. Septet in E:Flat Major: II. Menuet
32. Septet in E:Flat Major: III. Intermède
33. Septet in E:Flat Major: IV. Gavotte et finale
34. Trumpet Concerto in E Major: I. Allegro con spirito
35. Trumpet Concerto in E Major: II. Andante
36. Trumpet Concerto in E Major: III. Rondo
37. Prayer of Saint Gregory
38. Odyssey: I. Turning Point
39. Odyssey: II. Dancing on the Abyss
40. Odyssey: III. Shifting Currents
41. On the Cusp
42. Duo Fantastique for Two Trumpets
43. Statements: I. Prologue
44. Statements: II. Soliloquy
45. Statements: III. Scherzo
46. Statements: IV. Cantilena
47. Statements: V. Bravura
The Trumpet Shall Sound! This retrospective set featuring Charlie Schlueter covers a wide range of moods and styles: Bravura and virtuosic, poignant and evocative, solo trumpet and chamber music, and trumpet featured as soloist with both orchestral and wind ensemble accompaniment.
Charlie Schlueter was one of the world’s greatest orchestral principal trumpeters for over four decades, culminating in positions with the Minnesota Orchestra and the Boston Symphony Orchestra. He has appeared worldwide as soloist, teacher and clinician, and many of Charlie’s former students in Cleveland, Minneapolis and Boston have gone on to have their own successful careers.
Essays by former students and colleagues that beautifully attest to Charlie’s character and accomplishments as a teacher, musician, trumpet player and human being appear in the appendix of his just:released book, Indirection. The Charles Schlueter Foundation continues to celebrate and preserve the trumpet’s cultural and artistic heritage, commission works for brass instruments, promote music performance and education, support professional achievement and international collaboration, and encourage young musicians by providing lessons, master classes and workshops.
As a performer, teacher and friend, Charlie’s authenticity, empathy and insight are a unique set of traits that have touched the lives of many people. Humor―that most important human quality―is so abundantly present in Charlie. It’s easy to understand how listeners fall in love with Charlie’s sound. A musician’s sound tells you who they are―and since Charlie is a tremendously honest, caring and secure person, he and his sound will always be one and the same.
And what a sound! At its most focused, it seems to coalesce into a shimmering river, equal parts core and resonance, the substance of which is like a bridge that can carry thousands of tons and is built to carry a million more―a sound that can leave listeners astonished, with all of their molecules resonating in perfect alignment. He’s also a master of dynamic range, from a dominating fortissimo to the most gossamer of pianissimi. If the world were full of such people, traits such as gender, age, skin color, physical appearance, history and ethnic background would mean nothing, and we’d all be making music together.
In Charlie’s teaching, he conveys to his students the most fundamental principles regarding “wind and song,” using his own Zen approach, and he’s always attended many of his students’ recitals. Charlie possesses the greatest gift a teacher can have: The ability to see each student for who they are. His ownership of the concepts of note shape, phrasing, musicality and sound quality are seminal and transformative. Charlie Schlueter has been and continues to be a force for beauty and love in the world, exemplifying the words of Emerson: The only true gift is a portion of thyself. It’s a beautiful thing when someone so giving has such an extraordinary amount to give.
Charlie Schlueter was one of the world’s greatest orchestral principal trumpeters for over four decades, culminating in positions with the Minnesota Orchestra and the Boston Symphony Orchestra. He has appeared worldwide as soloist, teacher and clinician, and many of Charlie’s former students in Cleveland, Minneapolis and Boston have gone on to have their own successful careers.
Essays by former students and colleagues that beautifully attest to Charlie’s character and accomplishments as a teacher, musician, trumpet player and human being appear in the appendix of his just:released book, Indirection. The Charles Schlueter Foundation continues to celebrate and preserve the trumpet’s cultural and artistic heritage, commission works for brass instruments, promote music performance and education, support professional achievement and international collaboration, and encourage young musicians by providing lessons, master classes and workshops.
As a performer, teacher and friend, Charlie’s authenticity, empathy and insight are a unique set of traits that have touched the lives of many people. Humor―that most important human quality―is so abundantly present in Charlie. It’s easy to understand how listeners fall in love with Charlie’s sound. A musician’s sound tells you who they are―and since Charlie is a tremendously honest, caring and secure person, he and his sound will always be one and the same.
And what a sound! At its most focused, it seems to coalesce into a shimmering river, equal parts core and resonance, the substance of which is like a bridge that can carry thousands of tons and is built to carry a million more―a sound that can leave listeners astonished, with all of their molecules resonating in perfect alignment. He’s also a master of dynamic range, from a dominating fortissimo to the most gossamer of pianissimi. If the world were full of such people, traits such as gender, age, skin color, physical appearance, history and ethnic background would mean nothing, and we’d all be making music together.
In Charlie’s teaching, he conveys to his students the most fundamental principles regarding “wind and song,” using his own Zen approach, and he’s always attended many of his students’ recitals. Charlie possesses the greatest gift a teacher can have: The ability to see each student for who they are. His ownership of the concepts of note shape, phrasing, musicality and sound quality are seminal and transformative. Charlie Schlueter has been and continues to be a force for beauty and love in the world, exemplifying the words of Emerson: The only true gift is a portion of thyself. It’s a beautiful thing when someone so giving has such an extraordinary amount to give.
Year 2022 | Classical | FLAC / APE
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