Nick Van Bloss - Schumann: Kreisleriana, Op. 16 & Études Symphoniques, Op. 13 (2015)
BAND/ARTIST: Nick Van Bloss
- Title: Schumann: Kreisleriana, Op. 16 & Études Symphoniques, Op. 13
- Year Of Release: 2015
- Label: Nimbus Alliance
- Genre: Classical Piano
- Quality: flac lossless (tracks)
- Total Time: 01:11:23
- Total Size: 208 mb
- WebSite: Album Preview
Tracklist
01. Kreisleriana, Op. 16: I. Ausserst bewegt
02. Kreisleriana, Op. 16: II.Sehr innig und nicht zy rasch
03. Kreisleriana, Op. 16: III. Sehr aufgeregt
04. Kreisleriana, Op. 16: IV. Sehr langsam
05. Kreisleriana, Op. 16: V. Sehr lebhaft
06. Kreisleriana, Op. 16: VI. Sehr langsam
07. Kreisleriana, Op. 16: VII. Sehr rasch
08. Kreisleriana, Op. 16: VIII. Schnell und spielend
09. Études Symphoniques, Op. 13: Thema
10. Études Symphoniques, Op. 13: Etude I
11. Études Symphoniques, Op. 13: Variation III
12. Études Symphoniques, Op. 13: Etude II
13. Études Symphoniques, Op. 13: Etude III
14. Études Symphoniques, Op. 13: Variation I
15. Études Symphoniques, Op. 13: Etude IV
16. Études Symphoniques, Op. 13: Etude V
17. Études Symphoniques, Op. 13: Etude VI
18. Études Symphoniques, Op. 13: Etude VII
19. Études Symphoniques, Op. 13: Variation II
20. Études Symphoniques, Op. 13: Etude VIII
21. Études Symphoniques, Op. 13: Etude IX
22. Études Symphoniques, Op. 13: Variation IV
23. Études Symphoniques, Op. 13: Etude X-Variation V-Etude X da capo
24. Études Symphoniques, Op. 13: Etude XI
25. Études Symphoniques, Op. 13: Etude XII
Most of Robert Schumann's best works for piano were composed in the decade between his twentieth and thirtieth birthdays, after his own prowess as a pianist was permanently crippled by a self-inflicted finger injury (he used a clumsy contrivance with which he tried to strengthen the fourth finger of his right hand). His interest in keyboard virtuosity then declined in favour of a more poetic style, less ornate than either Chopin or Liszt, and with more facility in variation-form and the like than in the larger sonata structures.
01. Kreisleriana, Op. 16: I. Ausserst bewegt
02. Kreisleriana, Op. 16: II.Sehr innig und nicht zy rasch
03. Kreisleriana, Op. 16: III. Sehr aufgeregt
04. Kreisleriana, Op. 16: IV. Sehr langsam
05. Kreisleriana, Op. 16: V. Sehr lebhaft
06. Kreisleriana, Op. 16: VI. Sehr langsam
07. Kreisleriana, Op. 16: VII. Sehr rasch
08. Kreisleriana, Op. 16: VIII. Schnell und spielend
09. Études Symphoniques, Op. 13: Thema
10. Études Symphoniques, Op. 13: Etude I
11. Études Symphoniques, Op. 13: Variation III
12. Études Symphoniques, Op. 13: Etude II
13. Études Symphoniques, Op. 13: Etude III
14. Études Symphoniques, Op. 13: Variation I
15. Études Symphoniques, Op. 13: Etude IV
16. Études Symphoniques, Op. 13: Etude V
17. Études Symphoniques, Op. 13: Etude VI
18. Études Symphoniques, Op. 13: Etude VII
19. Études Symphoniques, Op. 13: Variation II
20. Études Symphoniques, Op. 13: Etude VIII
21. Études Symphoniques, Op. 13: Etude IX
22. Études Symphoniques, Op. 13: Variation IV
23. Études Symphoniques, Op. 13: Etude X-Variation V-Etude X da capo
24. Études Symphoniques, Op. 13: Etude XI
25. Études Symphoniques, Op. 13: Etude XII
Most of Robert Schumann's best works for piano were composed in the decade between his twentieth and thirtieth birthdays, after his own prowess as a pianist was permanently crippled by a self-inflicted finger injury (he used a clumsy contrivance with which he tried to strengthen the fourth finger of his right hand). His interest in keyboard virtuosity then declined in favour of a more poetic style, less ornate than either Chopin or Liszt, and with more facility in variation-form and the like than in the larger sonata structures.
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