Cinzia Guarino, Paolo Rigano - Boccherini, de Murcia, & Others: Music for Archlute, Baroque Guitar, Organ & Harpsichord (2022) [Hi-Res]
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BAND/ARTIST: Cinzia Guarino, Paolo Rigano
- Title: Boccherini, de Murcia, & Others: Music for Archlute, Baroque Guitar, Organ & Harpsichord
- Year Of Release: 2022
- Label: Tactus
- Genre: Classical
- Quality: flac lossless (tracks) / flac 24bits - 96.0kHz +Booklet
- Total Time: 00:46:13
- Total Size: 249 / 885 mb
- WebSite: Album Preview
Tracklist
01. Canario (Arr. P. Rigano & C. Guarino for Baroque Guitar & Harpsichord)
02. Quintet in D Major, G. 448: No. 4, Fandango (Arr. P. Rigano & C. Guarino for Baroque Guitar & Harpsichord)
03. Keyboard Sonata in D Minor, Kk. 32 (Arr. P. Rigano & C. Guarino for Archlute & Harpsichord)
04. Sonata No. 1 in D Major: VI. Toccata in G Minor (Arr. P. Rigano & C. Guarino for Archlute & Harpsichord)
05. Toccata dell'arcangelo (Arr. P. Rigano & C. Guarino for Archlute & Organ)
06. Chaconne in parte variate alla vera spagnuola (Arr. P. Rigano & C. Guarino for Baroque Guitar & Harpsichord)
07. Giga (After A. Corelli) [Arr. P. Rigano & C. Guarino for Baroque Guitar & Harpsichord]
08. Sonate d'intavolatura di leuto, Op. 1, Sonata No. 1: IV. Sarabanda largo (Arr. P. Rigano & C. Guarino for Archlute & Organ)
09. Sonata in D Minor, Kk. 517 (Arr. P. Rigano & C. Guarino for Archlute & Harpsichord)
10. Intavolatura di liuto et di chitarrone, Book 1: No. 7, Toccata (Arr. P. Rigano & C. Guarino for Archlute & Harpsichord)
11. Códice Saldívar No. 4: No. 12, Fandango (Arr. P. Rigano & C. Guarino for Baroque Guitar & Harpsichord)
12. Corrispondenze
Among the motivations of this disc, the most important one is the wish to present the various styles and periods in a clear, simple way, endeavouring to avoid superabundance and the accumulation of crossover deposits that are often heard where it seems that the music of the past cannot be self-sufficient and needs an extra chromatic and rhythmic shove in order to catch the listeners’ attention, inducing them to compare it with the commercial, repetitive entertainment repertoire. In this musical journey between Italy and Spain of the Baroque era, Paolo Rigano on the archlute and baroque guitar and Cinzia Guarino on the harpsichord are interpreting a singular anthology of pieces enriching the playing through the practice of the basso continuo that marked the entire musical period from the Renaissance to the late Baroque.
01. Canario (Arr. P. Rigano & C. Guarino for Baroque Guitar & Harpsichord)
02. Quintet in D Major, G. 448: No. 4, Fandango (Arr. P. Rigano & C. Guarino for Baroque Guitar & Harpsichord)
03. Keyboard Sonata in D Minor, Kk. 32 (Arr. P. Rigano & C. Guarino for Archlute & Harpsichord)
04. Sonata No. 1 in D Major: VI. Toccata in G Minor (Arr. P. Rigano & C. Guarino for Archlute & Harpsichord)
05. Toccata dell'arcangelo (Arr. P. Rigano & C. Guarino for Archlute & Organ)
06. Chaconne in parte variate alla vera spagnuola (Arr. P. Rigano & C. Guarino for Baroque Guitar & Harpsichord)
07. Giga (After A. Corelli) [Arr. P. Rigano & C. Guarino for Baroque Guitar & Harpsichord]
08. Sonate d'intavolatura di leuto, Op. 1, Sonata No. 1: IV. Sarabanda largo (Arr. P. Rigano & C. Guarino for Archlute & Organ)
09. Sonata in D Minor, Kk. 517 (Arr. P. Rigano & C. Guarino for Archlute & Harpsichord)
10. Intavolatura di liuto et di chitarrone, Book 1: No. 7, Toccata (Arr. P. Rigano & C. Guarino for Archlute & Harpsichord)
11. Códice Saldívar No. 4: No. 12, Fandango (Arr. P. Rigano & C. Guarino for Baroque Guitar & Harpsichord)
12. Corrispondenze
Among the motivations of this disc, the most important one is the wish to present the various styles and periods in a clear, simple way, endeavouring to avoid superabundance and the accumulation of crossover deposits that are often heard where it seems that the music of the past cannot be self-sufficient and needs an extra chromatic and rhythmic shove in order to catch the listeners’ attention, inducing them to compare it with the commercial, repetitive entertainment repertoire. In this musical journey between Italy and Spain of the Baroque era, Paolo Rigano on the archlute and baroque guitar and Cinzia Guarino on the harpsichord are interpreting a singular anthology of pieces enriching the playing through the practice of the basso continuo that marked the entire musical period from the Renaissance to the late Baroque.
Year 2022 | Classical | FLAC / APE | HD & Vinyl
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