Paul Crossley - Debussy: Complete Works for Solo Piano (2012)
BAND/ARTIST: Paul Crossley
- Title: Debussy: Complete Works for Solo Piano
- Year Of Release: 2012
- Label: Sony Classical
- Genre: Classical Piano
- Quality: flac lossless (tracks)
- Total Time: 05:06:59
- Total Size: 736 mb
- WebSite: Album Preview
Tracklist
CD1
01. Préludes, Book 1, L. 117: No. 1, Danseuses de Delphes
02. Préludes, Book 1, L. 117: No. 2, Voiles
03. Préludes, Book 1, L. 117: No. 3, Le vent dans la plaine
04. Préludes, Book 1, L. 117: No. 4, Les sons et les parfums tournent dans l'air du soir
05. Préludes, Book 1, L. 117: No. 5, Les collines d'Anacapri
06. Préludes, Book 1, L. 117: No. 6, Des pas sur la neige
07. Préludes, Book 1, L. 117: No. 7, Ce qu'a vu le vent d'ouest
08. Préludes, Book 1, L. 117: No. 8, La fille aux cheveux de lin
09. Préludes, Book 1, L. 117: No. 9, La sérénade interrompue
10. Préludes, Book 1, L. 117: No. 10, La cathédrale engloutie
11. Préludes, Book 1, L. 117: No. 11, La danse de Puck
12. Préludes, Book 1, L. 117: No. 12, Minstrels
13. Images, Book 1, L. 110: No. 1, Reflets dans l'eau
14. Images, Book 1, L. 110: No. 2, Hommage à Rameau
15. Images, Book 1, L. 110: No. 3, Mouvement
16. Images, Book 2, L. 111: No. 1, Cloches à travers les feuilles
17. Images, Book 2, L. 111: No. 2, Et la lune descend sur le temple qui fut
18. Images, Book 2, L. 111: No. 3, Poissons d'or
CD2
01. Preludes, Book II (1912): I. ...Brouillards. Modere
02. Preludes, Book II (1912): II. ...Feuilles mortes. Lent et melancolique
03. Preludes, Book II (1912): III. ...La Puerta del Vino. Mouvement de Habanera
04. Preludes, Book II (1912): IV. ..."Les Fees sont d'exquises danseuses". Rapide et leger
05. Preludes, Book II (1912): V. ...Bruyeres. Calme
06. Preludes, Book II (1912): VI. ...General Lavine-eccentric. Dans le style et le Mouvement d'un Cake-Walk
07. Preludes, Book II (1912): VII. ...Le terrasse des audiences du clair de lune. Lent
08. Preludes, Book II (1912): VIII. ...Ondine. Scherzando
09. Preludes, Book II (1912): IX. ...Hommage a S. Pickwick Esq. P. P. M. P. C.. Grave
10. Preludes, Book II (1912): X. ...Canope. Tres calme et doucement triste
11. Preludes, Book II (1912): XI. ...Les tierces alternees. Moderement anime
12. Preludes, Book II (1912): XII. ...Feux d'Artifice. Moderement anime
13. Estampes, L. 100: I. Pagodes. Moderement anime
14. Estampes, L. 100: II. La soiree dans Grenade. Mouvement de Habanera
15. Estampes, L. 100: III. Jardins sous la pluie. Net et vif
16. Children's Corner: I. Doctor Gradus ad Parnassum. Moderement anime
17. Children's Corner: II. Jumbo's Lullaby. Assez modere
18. Children's Corner: III. Serenade for the Doll. Allegretto ma non troppo
19. Children's Corner: IV. The Snow is Dancing. Moderement anime
20. Children's Corner: V. The Little Shepherd: Tres modere
21. Children's Corner: VI. Golliwogg's Cake-walk. Allegro giusto
22. La plus que lente (1910)
CD3
01. 12 Études, L. 136: I. Pour les cinq doigts (d'après Monsieur Czerny). Sagement
02. 12 Études, L. 136: II. Pour les tierces. Moderato, ma non troppo
03. 12 Études, L. 136: III. Pour les quartes. Andantino con moto
04. 12 Études, L. 136: IV. Pour les sixtes. Lento
05. 12 Études, L. 136: V. Pour les octaves. Joyeux et emporté, librement rythmé
06. 12 Études, L. 136: VI. Pour les huit doigts. Vivamente, molto leggiero legato
07. 12 Études, L. 136: VII. Pour les degrés chromatiques. Scherzando, animato assai
08. 12 Études, L. 136: VIII. Pour les agréments. Lento, rubato e leggiero
09. 12 Études, L. 136: IX. Pour les notes répétées. Scherzando
10. 12 Études, L. 136: X. Pour les sonorités opposées. Modéré sans lenteur
11. 12 Études, L. 136: XI. Pour les arpèges composés. Dolce e lusingando
12. 12 Études, L. 136: XII. Pour les accords. Décidé, rythmé, sans lourdeur
13. Masques (1904)
14. D'un cahier d'esquisses (1903)
15. L'isle joyeuse, L. 106
16. Berceuse héroïque (1914)
17. Page d'album (1915)
18. Élégie (1915)
19. Hommage à Haydn (1909)
20. Le petit nègre (1909)
CD4
01. Suite Bergamasque, L. 75: I. Prélude. Moderato (tempo rubato)
02. Suite Bergamasque, L. 75: II. Menuet. Andantino
03. Suite Bergamasque, L. 75: III. Clair de lune. Andante très expressif
04. Suite Bergamasque, L. 75: IV. Passepied. Allegretto ma non troppo
05. Images (oubliées) (1894): No. 1: Lent (Mélancolique et doux)
06. Images (oubliées) (1894): No. 3: Quelques aspects de Nous n'irons plus au bois parce qu'il fait un temps insupportable. Très vite
07. Pour le piano (1894-1901): I. Prélude. Assez animé et très rythmé
08. Pour le piano (1894-1901): II. Sarabande. Avec une élégance grave et lente
09. Pour le piano (1894-1901): III. Toccata. Vif
10. Deux Arabesques, L. 66: I. Andantino con moto
11. Deux Arabesques, L. 66: II. Allegretto scherzando
12. Ballade (1890/1903): Andantino con moto
13. Rêverie: Andantino sans lenteur
14. Valse romantique (1890): Tempo di valse (Allegro moderato)
15. Nocturne in D-Flat Major (1892): Lent
16. Mazurka (?1890): Scherzando (assez animé)
17. Danse bohémienne (1880): Allegro
18. Danse (Tarentelle styrienne) (1890/1903): Allegretto
19. Morceau de concours (1904): Assez animé et très rythmé
English pianist Paul Crossley is world-renowned for his expertise and artistry in the interpretation of twentieth century keyboard literature. Although he has made his reputation as a pianist, Crossley began his studies on the organ at Mansfield College in Oxford; he first undertook serious instruction on piano in Leeds with Fanny Waterman, later founder of the Leeds International Piano Competition. In 1967 Crossley was awarded a scholarship to France in order to study with Yvonne Loriod and Olivier Messiaen and in 1968 won first prize in the Messiaen Piano Competition.
Paul Crossley first came to prominence in the concert world at the 1973 Bath Festival, premiering the Piano Sonata No. 3 of Michael Tippett; likewise, Tippett's Piano Sonata No. 4 (1983-1984) would be entrusted to Crossley for its first performance. On the concert circuit, Crossley is most readily associated with "new music." He has given the first performances of piano works by composers Magnus Lindberg, Nicholas Maw, Hans Werner Henze, George Benjamin, Toru Takemitsu, John Adams, and Henryk Górecki. He has also made something of a specialty of the significant piano part in Messiaen's Turangalîla Symphony and has recorded it with Esa-Pekka Salonen and the Los Angeles Philharmonic. As a recording artist, Crossley has appeared on more than 50 releases, and has recorded the complete keyboard output of composers such as Tippett, Ravel, Poulenc, and Debussy. Crossley became an Internet music marketing pioneer in 2001 when he offered his complete recording of the piano works of Takemitsu through an Internet download at www.gmn.com before he released it at the retail level.
CD1
01. Préludes, Book 1, L. 117: No. 1, Danseuses de Delphes
02. Préludes, Book 1, L. 117: No. 2, Voiles
03. Préludes, Book 1, L. 117: No. 3, Le vent dans la plaine
04. Préludes, Book 1, L. 117: No. 4, Les sons et les parfums tournent dans l'air du soir
05. Préludes, Book 1, L. 117: No. 5, Les collines d'Anacapri
06. Préludes, Book 1, L. 117: No. 6, Des pas sur la neige
07. Préludes, Book 1, L. 117: No. 7, Ce qu'a vu le vent d'ouest
08. Préludes, Book 1, L. 117: No. 8, La fille aux cheveux de lin
09. Préludes, Book 1, L. 117: No. 9, La sérénade interrompue
10. Préludes, Book 1, L. 117: No. 10, La cathédrale engloutie
11. Préludes, Book 1, L. 117: No. 11, La danse de Puck
12. Préludes, Book 1, L. 117: No. 12, Minstrels
13. Images, Book 1, L. 110: No. 1, Reflets dans l'eau
14. Images, Book 1, L. 110: No. 2, Hommage à Rameau
15. Images, Book 1, L. 110: No. 3, Mouvement
16. Images, Book 2, L. 111: No. 1, Cloches à travers les feuilles
17. Images, Book 2, L. 111: No. 2, Et la lune descend sur le temple qui fut
18. Images, Book 2, L. 111: No. 3, Poissons d'or
CD2
01. Preludes, Book II (1912): I. ...Brouillards. Modere
02. Preludes, Book II (1912): II. ...Feuilles mortes. Lent et melancolique
03. Preludes, Book II (1912): III. ...La Puerta del Vino. Mouvement de Habanera
04. Preludes, Book II (1912): IV. ..."Les Fees sont d'exquises danseuses". Rapide et leger
05. Preludes, Book II (1912): V. ...Bruyeres. Calme
06. Preludes, Book II (1912): VI. ...General Lavine-eccentric. Dans le style et le Mouvement d'un Cake-Walk
07. Preludes, Book II (1912): VII. ...Le terrasse des audiences du clair de lune. Lent
08. Preludes, Book II (1912): VIII. ...Ondine. Scherzando
09. Preludes, Book II (1912): IX. ...Hommage a S. Pickwick Esq. P. P. M. P. C.. Grave
10. Preludes, Book II (1912): X. ...Canope. Tres calme et doucement triste
11. Preludes, Book II (1912): XI. ...Les tierces alternees. Moderement anime
12. Preludes, Book II (1912): XII. ...Feux d'Artifice. Moderement anime
13. Estampes, L. 100: I. Pagodes. Moderement anime
14. Estampes, L. 100: II. La soiree dans Grenade. Mouvement de Habanera
15. Estampes, L. 100: III. Jardins sous la pluie. Net et vif
16. Children's Corner: I. Doctor Gradus ad Parnassum. Moderement anime
17. Children's Corner: II. Jumbo's Lullaby. Assez modere
18. Children's Corner: III. Serenade for the Doll. Allegretto ma non troppo
19. Children's Corner: IV. The Snow is Dancing. Moderement anime
20. Children's Corner: V. The Little Shepherd: Tres modere
21. Children's Corner: VI. Golliwogg's Cake-walk. Allegro giusto
22. La plus que lente (1910)
CD3
01. 12 Études, L. 136: I. Pour les cinq doigts (d'après Monsieur Czerny). Sagement
02. 12 Études, L. 136: II. Pour les tierces. Moderato, ma non troppo
03. 12 Études, L. 136: III. Pour les quartes. Andantino con moto
04. 12 Études, L. 136: IV. Pour les sixtes. Lento
05. 12 Études, L. 136: V. Pour les octaves. Joyeux et emporté, librement rythmé
06. 12 Études, L. 136: VI. Pour les huit doigts. Vivamente, molto leggiero legato
07. 12 Études, L. 136: VII. Pour les degrés chromatiques. Scherzando, animato assai
08. 12 Études, L. 136: VIII. Pour les agréments. Lento, rubato e leggiero
09. 12 Études, L. 136: IX. Pour les notes répétées. Scherzando
10. 12 Études, L. 136: X. Pour les sonorités opposées. Modéré sans lenteur
11. 12 Études, L. 136: XI. Pour les arpèges composés. Dolce e lusingando
12. 12 Études, L. 136: XII. Pour les accords. Décidé, rythmé, sans lourdeur
13. Masques (1904)
14. D'un cahier d'esquisses (1903)
15. L'isle joyeuse, L. 106
16. Berceuse héroïque (1914)
17. Page d'album (1915)
18. Élégie (1915)
19. Hommage à Haydn (1909)
20. Le petit nègre (1909)
CD4
01. Suite Bergamasque, L. 75: I. Prélude. Moderato (tempo rubato)
02. Suite Bergamasque, L. 75: II. Menuet. Andantino
03. Suite Bergamasque, L. 75: III. Clair de lune. Andante très expressif
04. Suite Bergamasque, L. 75: IV. Passepied. Allegretto ma non troppo
05. Images (oubliées) (1894): No. 1: Lent (Mélancolique et doux)
06. Images (oubliées) (1894): No. 3: Quelques aspects de Nous n'irons plus au bois parce qu'il fait un temps insupportable. Très vite
07. Pour le piano (1894-1901): I. Prélude. Assez animé et très rythmé
08. Pour le piano (1894-1901): II. Sarabande. Avec une élégance grave et lente
09. Pour le piano (1894-1901): III. Toccata. Vif
10. Deux Arabesques, L. 66: I. Andantino con moto
11. Deux Arabesques, L. 66: II. Allegretto scherzando
12. Ballade (1890/1903): Andantino con moto
13. Rêverie: Andantino sans lenteur
14. Valse romantique (1890): Tempo di valse (Allegro moderato)
15. Nocturne in D-Flat Major (1892): Lent
16. Mazurka (?1890): Scherzando (assez animé)
17. Danse bohémienne (1880): Allegro
18. Danse (Tarentelle styrienne) (1890/1903): Allegretto
19. Morceau de concours (1904): Assez animé et très rythmé
English pianist Paul Crossley is world-renowned for his expertise and artistry in the interpretation of twentieth century keyboard literature. Although he has made his reputation as a pianist, Crossley began his studies on the organ at Mansfield College in Oxford; he first undertook serious instruction on piano in Leeds with Fanny Waterman, later founder of the Leeds International Piano Competition. In 1967 Crossley was awarded a scholarship to France in order to study with Yvonne Loriod and Olivier Messiaen and in 1968 won first prize in the Messiaen Piano Competition.
Paul Crossley first came to prominence in the concert world at the 1973 Bath Festival, premiering the Piano Sonata No. 3 of Michael Tippett; likewise, Tippett's Piano Sonata No. 4 (1983-1984) would be entrusted to Crossley for its first performance. On the concert circuit, Crossley is most readily associated with "new music." He has given the first performances of piano works by composers Magnus Lindberg, Nicholas Maw, Hans Werner Henze, George Benjamin, Toru Takemitsu, John Adams, and Henryk Górecki. He has also made something of a specialty of the significant piano part in Messiaen's Turangalîla Symphony and has recorded it with Esa-Pekka Salonen and the Los Angeles Philharmonic. As a recording artist, Crossley has appeared on more than 50 releases, and has recorded the complete keyboard output of composers such as Tippett, Ravel, Poulenc, and Debussy. Crossley became an Internet music marketing pioneer in 2001 when he offered his complete recording of the piano works of Takemitsu through an Internet download at www.gmn.com before he released it at the retail level.
Classical | Discography | FLAC / APE
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