Curley Bridges - Curley Bridges Live at the Silver Dollar Room (2009)
BAND/ARTIST: Curley Bridges
- Title: Curley Bridges Live at the Silver Dollar Room
- Year Of Release: 2009
- Label: Electro-Fi Records
- Genre: Blues
- Quality: flac lossless (tracks)
- Total Time: 01:00:34
- Total Size: 383 mb
- WebSite: Album Preview
Tracklist
01. Where Did My Baby Go? (Live)
02. Honey Hush (Live)
03. Since I Met You Baby (Live)
04. Walk On (Live)
05. 3 O'Clock Blues (Live)
06. Give Me One Reason (Live)
07. Happy Birthday Curley Boogie - Julian Fauth (Bonus Track)
08. Mr. Rock 'n' Soul
09. Caledonia
10. Sloop John B
11. You're the One
12. Mojo Re:Worked
Curley Bridges is not a long lost and forgotten Bluesman playing obscure songs, instead he harkens back to an era when men never left home without their hat, women go-go danced in cages, everyone enjoyed 3 martini lunches and perhaps most surprising of all, Blues music was part of the Popular Culture, particularly in Canada where Curley Bridges played a major role beginning in 1955, in introducing live R&B and Rock ‘n’ Roll, as the vocalist and keyboard player for Frank Motley and his Motley Crew, the first African American unit to tour Canada playing this music, to both eager audiences and a whole generation of younger Canadian musicians.
Born February 7th, 1934 in Fuquay Varina, North Carolina, Curley snuck out as a child to hear Big Joe Turner and Louis Jordan when they passed through nearby Raleigh, but it was not until after he attended a U.S.O. performance by piano titans, Albert Ammons and Pete Johnson, after being drafted into the U.S. Army and stationed in Washington, D.C., that he himself considered making music. Soon drawn into the Red Hot Jazz and Blues scene in D.C. then thriving around the Howard Theatre. He was soon gigging and recording regularly with Dual Trumpeter extraordinaire Frank Motley. Their Pre-Elvis Atomic powered version of Big Mama Thornton’s “Hound Dog” perked up a lot of ears, including those of Colonel Harold Kuddlets of Hamilton, who offered them a week of work in Toronto, which was soon extended to alternating six week stands between Toronto and the Esquire Show Bar in the then wide open City of Montreal. The success of the Motley Crew in Canada emboldened the Colonel to look even further south the next year and to next import Rompin’ Ronnie Hawkins from Arkansas, whose locally recruited group The Hawks would soon evolve into The Band.
01. Where Did My Baby Go? (Live)
02. Honey Hush (Live)
03. Since I Met You Baby (Live)
04. Walk On (Live)
05. 3 O'Clock Blues (Live)
06. Give Me One Reason (Live)
07. Happy Birthday Curley Boogie - Julian Fauth (Bonus Track)
08. Mr. Rock 'n' Soul
09. Caledonia
10. Sloop John B
11. You're the One
12. Mojo Re:Worked
Curley Bridges is not a long lost and forgotten Bluesman playing obscure songs, instead he harkens back to an era when men never left home without their hat, women go-go danced in cages, everyone enjoyed 3 martini lunches and perhaps most surprising of all, Blues music was part of the Popular Culture, particularly in Canada where Curley Bridges played a major role beginning in 1955, in introducing live R&B and Rock ‘n’ Roll, as the vocalist and keyboard player for Frank Motley and his Motley Crew, the first African American unit to tour Canada playing this music, to both eager audiences and a whole generation of younger Canadian musicians.
Born February 7th, 1934 in Fuquay Varina, North Carolina, Curley snuck out as a child to hear Big Joe Turner and Louis Jordan when they passed through nearby Raleigh, but it was not until after he attended a U.S.O. performance by piano titans, Albert Ammons and Pete Johnson, after being drafted into the U.S. Army and stationed in Washington, D.C., that he himself considered making music. Soon drawn into the Red Hot Jazz and Blues scene in D.C. then thriving around the Howard Theatre. He was soon gigging and recording regularly with Dual Trumpeter extraordinaire Frank Motley. Their Pre-Elvis Atomic powered version of Big Mama Thornton’s “Hound Dog” perked up a lot of ears, including those of Colonel Harold Kuddlets of Hamilton, who offered them a week of work in Toronto, which was soon extended to alternating six week stands between Toronto and the Esquire Show Bar in the then wide open City of Montreal. The success of the Motley Crew in Canada emboldened the Colonel to look even further south the next year and to next import Rompin’ Ronnie Hawkins from Arkansas, whose locally recruited group The Hawks would soon evolve into The Band.
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