Shizuka Ishikawa, František Xaver Thuri, Libor Pešek, Dvorák Chamber Orchestra - Mysliveček: Complete Violin Concertos (2022)
BAND/ARTIST: Shizuka Ishikawa, František Xaver Thuri, Libor Pešek, Dvorák Chamber Orchestra
- Title: Mysliveček: Complete Violin Concertos
- Year Of Release: 2022
- Label: Supraphon a.s.
- Genre: Classical
- Quality: flac lossless (tracks)
- Total Time: 02:36:36
- Total Size: 751 mb
- WebSite: Album Preview
Tracklist
01. Concerto for Violin and Orchestra in C-Sharp Major: I. Allegro con spirito
02. Concerto for Violin and Orchestra in C-Sharp Major: II. Largo
03. Concerto for Violin and Orchestra in C-Sharp Major: III. Allegro
04. Concerto for Violin and Orchestra in E-Sharp Major: I. Allegro
05. Concerto for Violin and Orchestra in E-Sharp Major: II. Adagio
06. Concerto for Violin and Orchestra in E-Sharp Major: III. Presto
07. Concerto for Violin and Orchestra in F-Sharp Major: I. Allegro
08. Concerto for Violin and Orchestra in F-Sharp Major: II. Andante cantabile
09. Concerto for Violin and Orchestra in F-Sharp Major: III. Allegro vivace
10. Concerto for Violin and Orchestra in A-Sharp Major: I. Moderato. Allegro
11. Concerto for Violin and Orchestra in A-Sharp Major: II. Adagio
12. Concerto for Violin and Orchestra in A-Sharp Major: III. Allegro
13. Concerto for Violin and Orchestra in D-Sharp Major: I. Allegro assai
14. Concerto for Violin and Orchestra in D-Sharp Major: II. Larghetto
15. Concerto for Violin and Orchestra in D-Sharp Major: III. Allegro
16. Concerto for Violin and Orchestra in B-Flat Major: I. Allegro
17. Concerto for Violin and Orchestra in B-Flat Major: II. Adagio
18. Concerto for Violin and Orchestra in B-Flat Major: III. Allegro
19. Concerto for Violin and Orchestra, Pastoral in G-Sharp Major: I. Allegro
20. Concerto for Violin and Orchestra, Pastoral in G-Sharp Major: II. Adagio
21. Concerto for Violin and Orchestra, Pastoral in G-Sharp Major: III. Tempo di minuetto
22. Concerto for Violin and Orchestra in D-Sharp Major: I. Allegro moderato
23. Concerto for Violin and Orchestra in D-Sharp Major: II. Adagio. Grave
24. Concerto for Violin and Orchestra in D-Sharp Major: III. Presto
Shortly after Josef Mysliveček left Prague for Italy in 1763, he earned important standing there and soon was enjoying the first great successes of his operas. However, opera was far from his only area of interest. In Padua in the late 1760s, Mysliveček was still able to become familiar with the music of the violin virtuoso Giuseppe Tartini, and it was probably under its influence that Mysliveček successively produced six violin concertos of his own. There are certain unmistakable archaic elements in Mysliveček's concertos that show Tartini's influence. The period when they were composed overlaps with the period of Mysliveček's intensive contacts with the young Mozart, and many aspects of Mozart's violin concertos were clearly influenced by the music of his elder friend. The recording by Shizuka Ishikawa, a laureate of the prestigious Queen Elisabeth Competition in Brussels (1976) and of the Fritz Kreisler Competition in Vienna (1979), apparently represents the only complete set of Josef Mysliveček's violin concertos. The young Japanese virtuoso recorded them for Supraphon in 1983 and 1986 in the Dvořák Hall of Prague's Rudolfinum, and her artistic partner was none other than the conductor Libor Pešek.
01. Concerto for Violin and Orchestra in C-Sharp Major: I. Allegro con spirito
02. Concerto for Violin and Orchestra in C-Sharp Major: II. Largo
03. Concerto for Violin and Orchestra in C-Sharp Major: III. Allegro
04. Concerto for Violin and Orchestra in E-Sharp Major: I. Allegro
05. Concerto for Violin and Orchestra in E-Sharp Major: II. Adagio
06. Concerto for Violin and Orchestra in E-Sharp Major: III. Presto
07. Concerto for Violin and Orchestra in F-Sharp Major: I. Allegro
08. Concerto for Violin and Orchestra in F-Sharp Major: II. Andante cantabile
09. Concerto for Violin and Orchestra in F-Sharp Major: III. Allegro vivace
10. Concerto for Violin and Orchestra in A-Sharp Major: I. Moderato. Allegro
11. Concerto for Violin and Orchestra in A-Sharp Major: II. Adagio
12. Concerto for Violin and Orchestra in A-Sharp Major: III. Allegro
13. Concerto for Violin and Orchestra in D-Sharp Major: I. Allegro assai
14. Concerto for Violin and Orchestra in D-Sharp Major: II. Larghetto
15. Concerto for Violin and Orchestra in D-Sharp Major: III. Allegro
16. Concerto for Violin and Orchestra in B-Flat Major: I. Allegro
17. Concerto for Violin and Orchestra in B-Flat Major: II. Adagio
18. Concerto for Violin and Orchestra in B-Flat Major: III. Allegro
19. Concerto for Violin and Orchestra, Pastoral in G-Sharp Major: I. Allegro
20. Concerto for Violin and Orchestra, Pastoral in G-Sharp Major: II. Adagio
21. Concerto for Violin and Orchestra, Pastoral in G-Sharp Major: III. Tempo di minuetto
22. Concerto for Violin and Orchestra in D-Sharp Major: I. Allegro moderato
23. Concerto for Violin and Orchestra in D-Sharp Major: II. Adagio. Grave
24. Concerto for Violin and Orchestra in D-Sharp Major: III. Presto
Shortly after Josef Mysliveček left Prague for Italy in 1763, he earned important standing there and soon was enjoying the first great successes of his operas. However, opera was far from his only area of interest. In Padua in the late 1760s, Mysliveček was still able to become familiar with the music of the violin virtuoso Giuseppe Tartini, and it was probably under its influence that Mysliveček successively produced six violin concertos of his own. There are certain unmistakable archaic elements in Mysliveček's concertos that show Tartini's influence. The period when they were composed overlaps with the period of Mysliveček's intensive contacts with the young Mozart, and many aspects of Mozart's violin concertos were clearly influenced by the music of his elder friend. The recording by Shizuka Ishikawa, a laureate of the prestigious Queen Elisabeth Competition in Brussels (1976) and of the Fritz Kreisler Competition in Vienna (1979), apparently represents the only complete set of Josef Mysliveček's violin concertos. The young Japanese virtuoso recorded them for Supraphon in 1983 and 1986 in the Dvořák Hall of Prague's Rudolfinum, and her artistic partner was none other than the conductor Libor Pešek.
Year 2022 | Classical | FLAC / APE
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