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Massimo Belli, Nuova orchestra da camera Ferruccio Busoni - Sacred Music (World Premiere) (2016)

Massimo Belli, Nuova orchestra da camera Ferruccio Busoni - Sacred Music (World Premiere) (2016)
  • Title: Sacred Music (World Premiere)
  • Year Of Release: 2016
  • Label: Concerto Classics
  • Genre: Classical
  • Quality: flac lossless (tracks)
  • Total Time: 01:01:07
  • Total Size: 263 mb
  • WebSite:
Tracklist

01. Salve Regina: I. Andante-Allegro Molto-Andante
02. Stabat Mater: I. Stabat Mater-Andante
03. Stabat Mater: II. Sancta Mater-Moderato
04. Stabat Mater: III. Quando Corpus-Andante
05. Kyrie "Di Dresda": I. Grave
06. Kyrie "Di Dresda": II. Lento
07. Kyrie "Di Dresda": III. Grave-Allegro
08. Miserere Per Soli: I. Miserere mei Deus-Andantino
09. Miserere Per Soli: II. Asperges me-Un poco lento
10. Miserere Per Soli: III. Cor mundum Crea-Andante
11. Miserere Per Soli: IV. Redde Mihi-Allegro
12. Miserere Per Soli: V. Sacrificium-Andantino
13. Miserere Per Soli: VI. Tunc imponent-Alla breve
14. Te Deum: I. Allegro
15. Te Deum: II. Adagio
16. Te Deum: III. Allegro

Massimo Belli, Nuova orchestra da camera Ferruccio Busoni - Sacred Music (World Premiere) (2016)


The recorded compositions in this album are attributed with certainty to Andrea Luchesi (1741-1801). They were written in the period between 1768 and 1773. The Kyrie in D minor for SATB soloists, choir with four mixed voices, orchestra (2 flutes, 2 oboes, 2 horns, strings) and organ, is perhaps one of the oldest existent pieces of sacred works by Luchesi: the attentive listener will recognize a melodic phrase of 4 beats, which is played after the introduction by the alto and soprano, which clearly echoes the incipit of the Stabat Mater by Pergolesi, a composer who Luchesi knew very well. Luchesi’s own Stabat Mater, for SATB soloists, four voice choir and orchestra also shows some reminiscences of Pergolesi, but the Miserere for soloists and choir is the most expansive and inspired in the group of pieces presented here. The purity of the melodic lines and some intentional expressive dissonances make this piece a real gem: it is, no doubt, the pearl of the sacred music definitely written by Luchesi.

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