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Eugene Ormandy - Délibes: La Source & Sylvia & Coppélia and Works by Wolf-Ferrari, Ravel and More (2022 Remastered Version) (2022) [Hi-Res]

Eugene Ormandy - Délibes: La Source & Sylvia & Coppélia and Works by Wolf-Ferrari, Ravel and More (2022 Remastered Version) (2022) [Hi-Res]
  • Title: Délibes: La Source & Sylvia & Coppélia and Works by Wolf-Ferrari, Ravel and More (2022 Remastered Version)
  • Year Of Release: 2022
  • Label: Sony Classical
  • Genre: Classical
  • Quality: FLAC (tracks) [96kHz/24bit]
  • Total Time: 38:56
  • Total Size: 362 MB
  • WebSite:
Tracklist:

01. Pas des écharpes. Allegro - Allegretto (2022 Remastered Version)
02. Scène d'amour. Andante sostenuto (2022 Remastered Version)
03. Variations. Moderato - Allegro moderato (2022 Remastered Version)
04. Scherzo-Polka. Allegretto moderato (2022 Remastered Version)
05. Pizzicato Polka (2022 Remastered Version)
06. Cortège de Bacchus (2022 Remastered Version)
07. The Jewels Of The Madonna: Intermezzo No. 1. Tranquillo (2022 Remastered Version)
08. The Jewels Of The Madonna: Intermezzo No. 2. Vivace assai (2022 Remastered Version)
09. Act II, Entr'acte (2022 Remastered Version)
10. Act I, No. 1 Valse (2022 Remastered Version)
11. Funeral March of a Marionette (2022 Remastered Version)
12. Miroirs, M. 43: IV. Alborada del gracioso (2022 Remastered Version)

Longtime Philadelphia Orchestra conductor Eugene Ormandy (born Jenó Blau) developed what came to be known as the "Philadelphia Sound." (He groused that it should be called the "Ormandy Sound," even though its fundamentals had already been established during Leopold Stokowski's long tenure with the Philadelphia Orchestra.) Largely as an effort to overcome the dry acoustics of the orchestra's home, the Academy of Music, Ormandy emphasized lush string sonorities and, often, legato phrasing and rounded tone. He was lauded even by his own musicians for his ability to conduct everything from memory, even complex contemporary scores. Still, aside from the voluptuous tone, Ormandy's interpretations rarely bore an individual stamp. They were, however, highly polished, intelligently balanced, and well paced, always serving the scores honorably, and often with a dash of controlled excitement.

Ormandy initially studied violin with his father, and entered Budapest's Royal Academy of Music at age 5, falling under the tutelage of Jenö Hubay at 9. He received a teacher's certificate at 17, and served as concertmaster of the Blüthner Orchestra in Germany, also giving recitals and performing as a concerto soloist.



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  • User offline
  • TriedTrue
  •  wrote in 08:20
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Thank you very much.
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  • opus1
  •  wrote in 20:59
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Thank you for more volumes in this set! But why in Hi-Res only?