Radio Symphonieorchester Wien, Anne Schwanewilms, Cornelius Meister - Wagner: Wesendonck Lieder - Tannhäuser - Tristan und Isolde (2014) [Hi-Res]
![Radio Symphonieorchester Wien, Anne Schwanewilms, Cornelius Meister - Wagner: Wesendonck Lieder - Tannhäuser - Tristan und Isolde (2014) [Hi-Res]](https://www.dibpic.com/uploads/posts/2022-07/1658126981_anne-schwanewilms-cornelius-meister-wagner-wesendonck-lieder-2014.jpg)
BAND/ARTIST: Radio Symphonieorchester Wien, Anne Schwanewilms, Cornelius Meister
- Title: Wagner: Wesendonck Lieder - Tannhäuser - Tristan und Isolde
- Year Of Release: 2014/2018
- Label: CapriccioNR
- Genre: Classical Vocal
- Quality: flac lossless (tracks) / flac 24bits - 48.0kHz
- Total Time: 01:06:09
- Total Size: 297 / 656 mb
- WebSite: Album Preview
Tracklist
01. Tannhäuser: Overture
02. Tannhäuser: Venusberg Music
03. Tannhäuser, Act II: Dich, teure Halle, "Elisabeth's Greeting"
04. 5 Gedichte für eine Frauenstimme, "Wesendonck Lieder": No. 1, Der Engel (The Angel) [Arr. F. Mottl]
05. 5 Gedichte für eine Frauenstimme, "Wesendonck Lieder": No. 2, Stehe still (Stand Still) [Arr. F. Mottl]
06. 5 Gedichte für eine Frauenstimme, "Wesendonck Lieder": No. 3, Im Treibhaus (In the Hothouse) [Arr. F. Mottl]
07. 5 Gedichte für eine Frauenstimme, "Wesendonck Lieder": No. 4, Schmerzen (Pain) [Arr. F. Mottl]
08. 5 Gedichte für eine Frauenstimme, "Wesendonck Lieder": No. 5, Träume (Dreams) [Arr. F. Mottl]
09. Tristan und Isolde, Act I: Prelude
10. Tristan und Isolde, Act III Scene 3: Mild und leise wie er lächelt
![Radio Symphonieorchester Wien, Anne Schwanewilms, Cornelius Meister - Wagner: Wesendonck Lieder - Tannhäuser - Tristan und Isolde (2014) [Hi-Res]](https://www.dibpic.com/uploads/posts/2022-07/1658126990_anne-schwanewilms-cornelius-meister-wagner-wesendonck-lieder-2014-back.jpg)
"She sent him ‘cute poems about angels and dreams, even in the manner of Schopenhauer; he added a cautious melody, so as not to destroy the slender, little girl’s dreams of anguish and its beauty". This is how Ludwig Marcuse in Das denkwürdige Leben des Richard Wagner portrays the emerging love between Mathilde and Richard and the songs associated with it. "Take all my soul as a morning greeting!" the composer rhapsodized in a written message to his beloved. It was a fatal letter, for Minna intercepted it and subsequently undermined the idyll.
One of the most interesting voices of our time presents her first Wagner Album: Anne Schwanewilms, who just had her very sucessful Debut at Metropolitain Opera New York sings the Wesendonck-Lieder, Elisabeth Aria from Tannhäuser and first time ever her debut as Isolde for this album.
"Anne Schwanewilms is one of Germany's leading Wagnerian sopranos, and this 2014 Capriccio album showcases her lyrical voice in three well-known works: Elisabeth's aria, "Dich, teure Halle" from Tannhäuser, the five Wesendonck Lieder, and the Liebestod from Tristan und Isolde. These are key examples of Wagner's vocal writing, emphasizing the long, through-composed line and the soaring lyricism of his most memorable music. Schwanewilms' light, evenly supported tone, controlled phrasing, and clear diction combine in wonderfully expressive singing that compels listening, even though she doesn't possess a loud or especially commanding voice. One may wish for a little more volume or power, but these pieces really don't require a dramatic soprano voice to be effective. The Overture and Bacchanal from Tannhäuser and the Prelude from Tristan und Isolde are played by the ORF Vienna Radio Symphony Orchestra, conducted by Cornelius Meister, and they are appropriate choices, though to make this a proper vehicle for Schwanewilms' talents, those familiar pieces should have been replaced with either more Wagnerian arias or selections from her performances in the operas of Richard Strauss. However, Wagner lovers will be just as happy to have this album as it is, without any substitutions."
Anne Schwanewilms, soprano
Radio-Symphonieorchester Wien
Cornelius Meister, conductor
01. Tannhäuser: Overture
02. Tannhäuser: Venusberg Music
03. Tannhäuser, Act II: Dich, teure Halle, "Elisabeth's Greeting"
04. 5 Gedichte für eine Frauenstimme, "Wesendonck Lieder": No. 1, Der Engel (The Angel) [Arr. F. Mottl]
05. 5 Gedichte für eine Frauenstimme, "Wesendonck Lieder": No. 2, Stehe still (Stand Still) [Arr. F. Mottl]
06. 5 Gedichte für eine Frauenstimme, "Wesendonck Lieder": No. 3, Im Treibhaus (In the Hothouse) [Arr. F. Mottl]
07. 5 Gedichte für eine Frauenstimme, "Wesendonck Lieder": No. 4, Schmerzen (Pain) [Arr. F. Mottl]
08. 5 Gedichte für eine Frauenstimme, "Wesendonck Lieder": No. 5, Träume (Dreams) [Arr. F. Mottl]
09. Tristan und Isolde, Act I: Prelude
10. Tristan und Isolde, Act III Scene 3: Mild und leise wie er lächelt
"She sent him ‘cute poems about angels and dreams, even in the manner of Schopenhauer; he added a cautious melody, so as not to destroy the slender, little girl’s dreams of anguish and its beauty". This is how Ludwig Marcuse in Das denkwürdige Leben des Richard Wagner portrays the emerging love between Mathilde and Richard and the songs associated with it. "Take all my soul as a morning greeting!" the composer rhapsodized in a written message to his beloved. It was a fatal letter, for Minna intercepted it and subsequently undermined the idyll.
One of the most interesting voices of our time presents her first Wagner Album: Anne Schwanewilms, who just had her very sucessful Debut at Metropolitain Opera New York sings the Wesendonck-Lieder, Elisabeth Aria from Tannhäuser and first time ever her debut as Isolde for this album.
"Anne Schwanewilms is one of Germany's leading Wagnerian sopranos, and this 2014 Capriccio album showcases her lyrical voice in three well-known works: Elisabeth's aria, "Dich, teure Halle" from Tannhäuser, the five Wesendonck Lieder, and the Liebestod from Tristan und Isolde. These are key examples of Wagner's vocal writing, emphasizing the long, through-composed line and the soaring lyricism of his most memorable music. Schwanewilms' light, evenly supported tone, controlled phrasing, and clear diction combine in wonderfully expressive singing that compels listening, even though she doesn't possess a loud or especially commanding voice. One may wish for a little more volume or power, but these pieces really don't require a dramatic soprano voice to be effective. The Overture and Bacchanal from Tannhäuser and the Prelude from Tristan und Isolde are played by the ORF Vienna Radio Symphony Orchestra, conducted by Cornelius Meister, and they are appropriate choices, though to make this a proper vehicle for Schwanewilms' talents, those familiar pieces should have been replaced with either more Wagnerian arias or selections from her performances in the operas of Richard Strauss. However, Wagner lovers will be just as happy to have this album as it is, without any substitutions."
Anne Schwanewilms, soprano
Radio-Symphonieorchester Wien
Cornelius Meister, conductor
Year 2018 | Classical | FLAC / APE | HD & Vinyl
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