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Hideyo Harada - Schubert: Wanderer Fantasy & Piano Sonata No. 21 (2011) [Hi-Res]

Hideyo Harada - Schubert: Wanderer Fantasy & Piano Sonata No. 21 (2011) [Hi-Res]

BAND/ARTIST: Hideyo Harada

  • Title: Schubert: Wanderer Fantasy & Piano Sonata No. 21
  • Year Of Release: 2011/2016
  • Label: audite Musikproduktion
  • Genre: Classical Piano
  • Quality: flac lossless (tracks) / flac 24bits - 44.1kHz
  • Total Time: 01:09:26
  • Total Size: 266 / 587 mb
  • WebSite:
Tracklist

01. Fantasy in C Major, D. 760 ‘Wanderer Fantasy': I. Allegro con fuoco ma non troppo
02. Fantasy in C Major, D. 760 ‘Wanderer Fantasy': II. Adagio
03. Fantasy in C Major, D. 760 ‘Wanderer Fantasy': III. Presto
04. Fantasy in C Major, D. 760 ‘Wanderer Fantasy': IV. Allegro vivace
05. Piano Sonata No. 21 in B-Flat Major, D. 960: I. Molto moderato
06. Piano Sonata No. 21 in B-Flat Major, D. 960: II. Andante sostenuto
07. Piano Sonata No. 21 in B-Flat Major, D. 960: III. Scherzo: Allegro vivace con delicatezza
08. Piano Sonata No. 21 in B-Flat Major, D. 960: IV. Allegro ma non troppo

Hideyo Harada - Schubert: Wanderer Fantasy & Piano Sonata No. 21 (2011) [Hi-Res]


Following her highly successful recordings on SACD format of works by Grieg (aud. 92.555) and Tchaikovsky and Rachmaninov (aud. 92.569), the Japanese pianist Hideyo Harada presents her third SACD with three key works by Schumann, celebrating the 200th anniversary of his birth.

In a coherent interpretation, Schumann’s works offer several mysteries and countless possibilities. With her new recording, Hideyo Harada exhibits a highly personal and carefully considered reading of three major romantic works. She realises with remarkable plasticity Schumann’s pivotal concerns from a crucial period of his artistic development: the wide, quasi-narrative context including stark contrasts and differentiated, filigree details; the characteristically free flow of tempo and the clear contours of the complex course of his music. Relationships to romantic literature (“Kreisleriana”), to the classical legacy of spacious musical design (“Fantasie” in C major) and to abstract visual art (“Arabeske”) accentuate the open horizon under which Schumann saw his music between 1836 and 1838.

“Harada's vividness and instinct for drama are hardly in doubt...She launches the Fantasie in boldly arresting style and the wild, quasi-fugal chase at the heart of the sixth section holds no terrors for her...Audite's sound, like the playing, is bold and brilliantly lit.” (Gramophone Magazine)




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