Ludus Modalis - De L'Estocart: Deux cours aimants (2007)
BAND/ARTIST: Ludus Modalis
- Title: De L'Estocart: Deux cours aimants
- Year Of Release: 2007
- Label: Ramée
- Genre: Classical
- Quality: flac lossless +Booklet
- Total Time: 01:04:45
- Total Size: 326 mb
- WebSite: Album Preview
Tracklist
01. Susanne un jour
02. Quand je viens à penser
03. Deux cœurs aimants
04. Je ne veux plus bastir
05. Helas mon Dieu
06. Où est le vray pays
07. O combien est plaisant
08. Quelle est ta loy?
09. D'un œil pleurant
10. Pour mourir bien heureux
11. Ode en douze parties: I. L'œuvre de la creation du monde
12. Ode en douze parties: II. De la creation de l'homme
13. Ode en douze parties: III. L'homme creé à l'image de Dieu
14. Ode en douze parties: IV. La cheute miserable de l'homme
15. Ode en douze parties: V. Jesus Christ venu pour racheter l'homme
16. Ode en douze parties: VI. Sa mort, et le fruict d'icelle
17. Ode en douze parties: VII. Sa resurection, et le fruit d'icelle
18. Ode En Douze Parties: VIII. Son Ascension Au Ciel, Et Le Fruict D'Icelle
19. Ode en douze parties: IX. Son assiette à la dextre du Pere, et le fruict d'icelle
20. Ode en douze parties: X. Sa presence au milieu des siens du fruict d'icelle
21. Ode en douze parties: XI. Qui sont les vrais Chrestiens, et en quoy gist leur fiancé
22. Ode en douze parties: XII. Exhortation aux chrestiens à cercher tout bien en Jesus Christ et adherer à sa saincte parolle
23. Dieu est regnant
24. Ut tibi mors fœlix
25. Peccantem me quotidie
26. Angelus autem
27. Quos anguis dirus
28. Inter natos
Little is known of the life of Paschal de L'Estocart, the French composer of the late Renaissance who was roughly a contemporary of Claude Le Jeune (1528 -1600). He seems to have been sympathetic to the Protestant Reformers - he spent considerable time in Germany and his music was published in Geneva - but later in life he applied unsuccessfully to the French King for a position at an abbey. His collection of psalms and motets, Sacrae Cantiones, 16 of which are recorded here, are mostly in French, along with several in Latin, and was dedicated to Calvinist Count Palatine Johann Casimir in 1582. This collection also includes his Ode in 12 parts, set to religious texts in French. L'Estocart's music is typical of late Renaissance polyphony, eclectic in its use of a cantus firmus, imitative counterpoint, and homophonic writing, with an unusually free use of dissonance. The French mixed a cappella ensemble Ludus Modalis, led by Bruno Boterf, specializes in music of this era and sings with passion and authority. Intonation is immaculate and tone quality is pure and unforced. The recorded sound is clean, but spacious and warm.
01. Susanne un jour
02. Quand je viens à penser
03. Deux cœurs aimants
04. Je ne veux plus bastir
05. Helas mon Dieu
06. Où est le vray pays
07. O combien est plaisant
08. Quelle est ta loy?
09. D'un œil pleurant
10. Pour mourir bien heureux
11. Ode en douze parties: I. L'œuvre de la creation du monde
12. Ode en douze parties: II. De la creation de l'homme
13. Ode en douze parties: III. L'homme creé à l'image de Dieu
14. Ode en douze parties: IV. La cheute miserable de l'homme
15. Ode en douze parties: V. Jesus Christ venu pour racheter l'homme
16. Ode en douze parties: VI. Sa mort, et le fruict d'icelle
17. Ode en douze parties: VII. Sa resurection, et le fruit d'icelle
18. Ode En Douze Parties: VIII. Son Ascension Au Ciel, Et Le Fruict D'Icelle
19. Ode en douze parties: IX. Son assiette à la dextre du Pere, et le fruict d'icelle
20. Ode en douze parties: X. Sa presence au milieu des siens du fruict d'icelle
21. Ode en douze parties: XI. Qui sont les vrais Chrestiens, et en quoy gist leur fiancé
22. Ode en douze parties: XII. Exhortation aux chrestiens à cercher tout bien en Jesus Christ et adherer à sa saincte parolle
23. Dieu est regnant
24. Ut tibi mors fœlix
25. Peccantem me quotidie
26. Angelus autem
27. Quos anguis dirus
28. Inter natos
Little is known of the life of Paschal de L'Estocart, the French composer of the late Renaissance who was roughly a contemporary of Claude Le Jeune (1528 -1600). He seems to have been sympathetic to the Protestant Reformers - he spent considerable time in Germany and his music was published in Geneva - but later in life he applied unsuccessfully to the French King for a position at an abbey. His collection of psalms and motets, Sacrae Cantiones, 16 of which are recorded here, are mostly in French, along with several in Latin, and was dedicated to Calvinist Count Palatine Johann Casimir in 1582. This collection also includes his Ode in 12 parts, set to religious texts in French. L'Estocart's music is typical of late Renaissance polyphony, eclectic in its use of a cantus firmus, imitative counterpoint, and homophonic writing, with an unusually free use of dissonance. The French mixed a cappella ensemble Ludus Modalis, led by Bruno Boterf, specializes in music of this era and sings with passion and authority. Intonation is immaculate and tone quality is pure and unforced. The recorded sound is clean, but spacious and warm.
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