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Federico Bagnasco, Stefano Demicheli, Cappella Musicale Della Cattedrale di Vercelli, Don Denis Silano - Marenzio: Missa Jubilate, Magnificat sexti toni & Other Works (2022) [Hi-Res]

Federico Bagnasco, Stefano Demicheli, Cappella Musicale Della Cattedrale di Vercelli, Don Denis Silano - Marenzio: Missa Jubilate, Magnificat sexti toni & Other Works (2022) [Hi-Res]
  • Title: Marenzio: Missa Jubilate, Magnificat sexti toni & Other Works
  • Year Of Release: 2022
  • Label: Dynamic
  • Genre: Classical
  • Quality: flac lossless (tracks) / flac 24bits - 88.2kHz +Booklet
  • Total Time: 01:00:03
  • Total Size: 293 / 986 mb
  • WebSite:
Tracklist

01. Jubilate Deo a 8 (B Version)
02. Missa Jubilate a 8: I. Kyrie
03. Missa Jubilate a 8: II. Gloria
04. Missa Jubilate a 8: III. Credo
05. Missa Jubilate a 8: IV. Sanctus
06. Missa Jubilate a 8: V. Agnus Dei
07. Magnificat sexti toni a 8
08. Magnificat octavi toni a 8 (Extended Version)
09. Christe Jesu Benigne a 6 (Baci soavi e cari)
10. Magnificat octavi toni a 8 (Shorter Version)
11. Jubilate Deo a 8 (A Version)

Federico Bagnasco, Stefano Demicheli, Cappella Musicale Della Cattedrale di Vercelli, Don Denis Silano - Marenzio: Missa Jubilate, Magnificat sexti toni & Other Works (2022) [Hi-Res]


Marenzio spent much of his later career in the service of influential ecclesiastical patrons in Rome, in particular Cardinal Luigi d’Este, a member of the ruling family of Ferrara, important patrons of the arts. After the cardinal’s death he was for a time in Florence in the service of Ferdinando de’ Medici, Grand Duke of Tuscany. He was a prolific composer of vocal music and is best known today for his madrigals, although he wrote a considerable quantity of sacred music.

Characteristic madrigals by Marenzio, on the usual pastoral subjects, include Cruda Amarilli (‘Cruel Amaryllis’) and Care mie selve (‘My Beloved Woods’), settings of Guarini. Marenzio published a number of collections of madrigals for four, five or six voices and is of historical importance in the development of the Italian madrigal, imitated towards the end of the 16th century in England. These compositions, over 400 in number, include settings of verses by Dante, Petrarch, Ariosto, Guarini and Tasso.





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