Abner Burnett - It Ought to Be Enough (2008)
BAND/ARTIST: Abner Burnett
- Title: It Ought to Be Enough
- Year Of Release: 2008
- Label: Worpt
- Genre: Folk Rock, Indie Folk, Singer-Songwriter
- Quality: Mp3 320 / Flac (tracks)
- Total Time: 42:21
- Total Size: 104/190 Mb
- WebSite: Album Preview
Tracklist:
01. Two Bit Lawyer
02. If You Can Be an Elevator
03. Key to the Highway
04. O Catrina
05. The Cross by the Road
06. Plans for the Future
07. Pat Garrett's Lament
08. King of the Road
09. Someone Else's Hunger
10. It Ought to Be Enough
Line-up:
Backing Vocals – Heidi Jacobs
Guitar – Abner Burnett
Vocals – Abner Burnett
01. Two Bit Lawyer
02. If You Can Be an Elevator
03. Key to the Highway
04. O Catrina
05. The Cross by the Road
06. Plans for the Future
07. Pat Garrett's Lament
08. King of the Road
09. Someone Else's Hunger
10. It Ought to Be Enough
Line-up:
Backing Vocals – Heidi Jacobs
Guitar – Abner Burnett
Vocals – Abner Burnett
Born March 4, 1953, Odessa, Texas. Burnett showed precocious talent - he won a national poetry competition at the age of twelve - but dropped out of high school to enroll in the University of Life. His name first appeared on vinyl - a 45 on an obscure label, Ignite Gram-o-phonics: Jerusalem b/w Alley Song - in 1968, when Burnett was 17. A debut album, Crash & Burn, appeared seven years later in 1975
The back cover of Crash & Burn, credited to Abner Burnett & the Burn-Outs, shows the artist in a photo-booth with two black eyes, sustained the night before in a bar-room brawl. Variously described as “low-budget jug-band psychedelia” or "acid casualty Texas outlaw rock with an unusual dark feel overall", the album opens with the arresting line, “I woke up this morning and my liver was walking out the door”. The second song, Call In The Buzzards, begins with vulture imitations as Burnett intones, “I've been down on the stockmarket floor too long…” Crash & Burn culminates in an extended instrumental, inspired by Miles Davis' Right Off (from Jack Johnson), called That's What You Get For Calling Me A Spook. Gutsy fifteen year-old schoolgirl Cindy Geppert takes Billy Cobham's role on drumkit.
Burnett almost died on the same day as Elvis Presley when he was involved in an automobile accident following a pilgrimage to Fort Sumner to visit the grave of Billy The Kid. This incident makes sense of an inscription (“I had my wreck”) found on his second album, Old McDonald. It was recorded in 1977 in Roswell, New Mexico, famously the site of a UFO crash. Apropos of spacemen, Abner's younger brother Paul - a collaborator on both records - was overheard to remark, “Based on what I know about the universe, the aliens may not even be as compassionate as Lyndon B. Johnson”. More stylistically coherent than Crash & Burn, Old McDonald is an acoustic affair in the classic roots Americana style, with a setting of Herman Melville, covers of Townes Van Zandt and Bob Dylan, and a song, Bed of Roses, by Burnett's mentor, cowboy poet Buck Ramsey (the album's dedicatee). However, a sitar instrumental called Hindu Picking Cowboy indicates that Old McDonald is far removed from your average ranch stash. In a nicely barbed compliment, the late Townes Van Zandt claimed that Old McDonald was his favourite record to fall asleep to.
By 1979, Burnett - who graduated from the University of Texas with a BA in Music in 1984 - was purveying rhythm and blues, in a band called The Burners, on the same Pacific Northwest circuit as Robert Cray. Cray's singer, Curtis Salgado, conceived a catchy line, “You love me baby and I don't blame you”. He asked Burnett to work it up as a song. Burnett and his friend Butch Cousins obliged. Salgado didn't like the result. Then, Robert Cray's bass player asked Burnett to do something with a bassline he'd composed. Abner wrote "Test of Time". The bass player, Richard Cousins, was horrified. Unperturbed, Burnett recorded the tunes on the album CALAVERA.
When friends started dying because of the rock 'n' roll lifestyle, Abner Burnett decided to follow his father, distinguished Civil Rights lawyer Warren Burnett, into law. He attended and graduated from the South Texas College of Law in Houston, Texas.
Viewed cynically, the law practice seemed like an extension of Burnett's earlier career as a professional gambler ("I never really was a professional gambler'" corrects Burnett. "However, the things I was doing professionally involved a lot of gamble.") It thrived in the first few years, and Burnett invested in a tree farm in Mexico on the proceeds. Then came the slump. "Last week I tried a personal injury case where my client's hand had been crushed in a tortilla making machine," read a fax from Burnett dated March 5, 1998. "The jury awarded $100,000. Today the owner of the tortilla factor was seeing a lawyer friend of mine about declaring his business bankrupt."
The down-turn coincided with a renewal of interest in Burnett's music. Manchester-based music journalist Mike Butler, an obsessive admirer of Old McDonald and its predecessor, Crash & Burn (discovered on a trip to Texas in 1991), penned a fan letter and sent it to the outdated PO Box No. on the back of Old McDonald. The ensuing correspondence resulted in low-key tours of the UK in 1997 and 1998. Following an ill-fated encounter with American Primitive guitarist John Fahey on the latter's final UK tour in 1999, Burnett teamed up with Johnny Moynihan (of Sweeney's Men; famed for introducing the bouzouki to traditional Irish music) for a tour of the UK in 2001.
His last album, It Ought To Be Enough (2006), was conceived as a farewell to US folk-based song. Abner Burnett currently works as Chief Public Defender in Willacy County, Texas, for Texas RioGrande Legal Aid, and still plays, sings, and composes.
The back cover of Crash & Burn, credited to Abner Burnett & the Burn-Outs, shows the artist in a photo-booth with two black eyes, sustained the night before in a bar-room brawl. Variously described as “low-budget jug-band psychedelia” or "acid casualty Texas outlaw rock with an unusual dark feel overall", the album opens with the arresting line, “I woke up this morning and my liver was walking out the door”. The second song, Call In The Buzzards, begins with vulture imitations as Burnett intones, “I've been down on the stockmarket floor too long…” Crash & Burn culminates in an extended instrumental, inspired by Miles Davis' Right Off (from Jack Johnson), called That's What You Get For Calling Me A Spook. Gutsy fifteen year-old schoolgirl Cindy Geppert takes Billy Cobham's role on drumkit.
Burnett almost died on the same day as Elvis Presley when he was involved in an automobile accident following a pilgrimage to Fort Sumner to visit the grave of Billy The Kid. This incident makes sense of an inscription (“I had my wreck”) found on his second album, Old McDonald. It was recorded in 1977 in Roswell, New Mexico, famously the site of a UFO crash. Apropos of spacemen, Abner's younger brother Paul - a collaborator on both records - was overheard to remark, “Based on what I know about the universe, the aliens may not even be as compassionate as Lyndon B. Johnson”. More stylistically coherent than Crash & Burn, Old McDonald is an acoustic affair in the classic roots Americana style, with a setting of Herman Melville, covers of Townes Van Zandt and Bob Dylan, and a song, Bed of Roses, by Burnett's mentor, cowboy poet Buck Ramsey (the album's dedicatee). However, a sitar instrumental called Hindu Picking Cowboy indicates that Old McDonald is far removed from your average ranch stash. In a nicely barbed compliment, the late Townes Van Zandt claimed that Old McDonald was his favourite record to fall asleep to.
By 1979, Burnett - who graduated from the University of Texas with a BA in Music in 1984 - was purveying rhythm and blues, in a band called The Burners, on the same Pacific Northwest circuit as Robert Cray. Cray's singer, Curtis Salgado, conceived a catchy line, “You love me baby and I don't blame you”. He asked Burnett to work it up as a song. Burnett and his friend Butch Cousins obliged. Salgado didn't like the result. Then, Robert Cray's bass player asked Burnett to do something with a bassline he'd composed. Abner wrote "Test of Time". The bass player, Richard Cousins, was horrified. Unperturbed, Burnett recorded the tunes on the album CALAVERA.
When friends started dying because of the rock 'n' roll lifestyle, Abner Burnett decided to follow his father, distinguished Civil Rights lawyer Warren Burnett, into law. He attended and graduated from the South Texas College of Law in Houston, Texas.
Viewed cynically, the law practice seemed like an extension of Burnett's earlier career as a professional gambler ("I never really was a professional gambler'" corrects Burnett. "However, the things I was doing professionally involved a lot of gamble.") It thrived in the first few years, and Burnett invested in a tree farm in Mexico on the proceeds. Then came the slump. "Last week I tried a personal injury case where my client's hand had been crushed in a tortilla making machine," read a fax from Burnett dated March 5, 1998. "The jury awarded $100,000. Today the owner of the tortilla factor was seeing a lawyer friend of mine about declaring his business bankrupt."
The down-turn coincided with a renewal of interest in Burnett's music. Manchester-based music journalist Mike Butler, an obsessive admirer of Old McDonald and its predecessor, Crash & Burn (discovered on a trip to Texas in 1991), penned a fan letter and sent it to the outdated PO Box No. on the back of Old McDonald. The ensuing correspondence resulted in low-key tours of the UK in 1997 and 1998. Following an ill-fated encounter with American Primitive guitarist John Fahey on the latter's final UK tour in 1999, Burnett teamed up with Johnny Moynihan (of Sweeney's Men; famed for introducing the bouzouki to traditional Irish music) for a tour of the UK in 2001.
His last album, It Ought To Be Enough (2006), was conceived as a farewell to US folk-based song. Abner Burnett currently works as Chief Public Defender in Willacy County, Texas, for Texas RioGrande Legal Aid, and still plays, sings, and composes.
Folk | Rock | FLAC / APE | Mp3
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