Marek Janowski, Berlin Radio Symphony Orchestra - Wagner: Die Meistersinger von Nürnberg (2011) [Hi-Res]
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BAND/ARTIST: Marek Janowski, Berlin Radio Symphony Orchestra
- Title: Wagner: Die Meistersinger von Nürnberg
- Year Of Release: 2011
- Label: PentaTone
- Genre: Classical
- Quality: flac lossless (tracks) / flac 24bits - 96.0kHz +Booklet
- Total Time: 04:13:07
- Total Size: 1.1 / 4.25 gb
- WebSite: Album Preview
Tracklist
CD1
01. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act I: Prelude
02. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act I: Da zu dir der Heiland kam [Chorus]
03. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act I: Verweilt! Ein Wort! [Walther, Eva, Magdalene, David]
04. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act I: David, was stehst? [Apprentices, David, Walther]
05. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act I: Mein Herr! Der Singer Meister-Schlag [David, Walther]
06. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act I: Der Meister Ton' und Weisen [David, Walther, Apprentices]
07. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act I: Seid meiner Treue wohl versehen [Pogner, Beckmesser, Walther, Sachs, Vogelsang, Nachtigall]
08. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act I: Zu einer Freiung und Zunftberatung [Kothner, Pogner, Vogelsang, Ortel, Zorn, Nachtigall, Moser, Apprentices, David, Eisslinger, Foltz, Schwarz]
09. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act I: Nicht doch, ihr Meister [Pogner, Kothner, Apprentices, Sachs, Beckmesser]
10. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act I: Vielleicht schon ginget ihr zu weit [Sachs, Kothner, Beckmesser, Vogelgesang, Nachtigall, Pogner]
11. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act I: Dacht' ich mir's doch! [Beckmesser, Kothner, Pogner, Nachtigall, Sachs]
12. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act I: Am stillen Herd in Winterszeit [Walther, Sachs, Beckmesser, Kothner, Vogelsang, Nachtigall]
13. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act I: Nun, Meister, wenn's gefallt [Kothner, Walther, Beckmesser]
14. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act I: Was euch zum Liede Richt' und Schnur [Kothner, Walther, Beckmesser]
15. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act I: Fur dich, Geliebte, sei's getan – Fanget an! [Walther, Kothner, Beckmesser, Pogner, Ortel, Foltz, Moser, Nachtigall, Vogelsang, Zorn]
16. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act I: Halt, Meister! Nicht so geeilt! [Sachs, Beckmesser, Nachtigall, Kothner, Pogner, Apprentices]
CD2
01. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act II Scene 1: Johannistag! Johannistag! [Apprentices, David, Magdalene, Sachs]
02. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act II: Lass seh'n, ob Meister Sachs zu Haus? [Pogner, Eva, Magdalene, Sachs, David]
03. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act II: Was duftet doch der Flieder [Sachs]
04. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act II: Gut'n Abend, Meister! [Eva, Sachs, Magdalene]
05. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act I: Das dacht' ich wohl! [Sachs, Magdalene, Eva, Pogner]
06. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act II: Da ist er! [Eva, Magdalene, Walther]
07. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act II: Geliebter, spare den Zorn [Eva, Magdalene, Walther, Night-watchman]
08. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act II: Uble Dinge, die ich da merk [Sachs, Walther, Eva, Night-watchman]
09. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act II: Jerum! Jerum! [Sachs, Beckmesser, Walther, Eva]
10. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act II: Den Tag seh' ich erscheinen [Beckmesser, Sachs]
11. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act II: Mit den Schuhen ward ich fertig schier [Sachs, Beckmesser, David, Chorus, Magdalene, Apprentices, Pogner, Walther, Night-watchman]
CD3
01. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act III: Prelude
02. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act III: Gleich, Meister! Hier! [David, Sachs]
03. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act III: Wahn! Wahn! Uberall Wahn! [Sachs]
04. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act III: Gruss' Gott, mein Junker! [Sachs, Walther]
05. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act III: Morgenlich leuchtend in rosigem Schein [Walther, Sachs]
06. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act III: Ein Werbelied! [Beckmesser, Sachs]
07. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act III: Das Gedicht? Hier liess ich's [Sachs, Beckmesser]
08. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act III: Sieh' Ev'chen! Dacht' ich doch, wo sie blieb'! [Sachs, Eva, Walther]
09. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act III: Hat man mit dem Schuhwerk nicht seine Not! [Sachs, Eva]
10. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act III: Mein Kind, von Tristan und Isolde [Sachs]
CD4
01. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act III: Die selige Morgentraum-Deutweise [Sachs]
02. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act III: Selig, wie die Sonne [Eva, Magdalene, Walther, David, Sachs]
03. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act III: Sankt Crispin, lobet ihn! [Chorus, Apprentices]
04. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act III: Ihr tanzt? Was werden die Meister sagen? [David, Apprentices, Chorus]
05. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act III: Wacht auf! Es nahet gen den Tag [Chorus]
06. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act III: Euch macht ihr's leicht [Sachs, Pogner, Beckmesser, Kothner, Chorus, Apprentices]
07. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act III: Morgen ich leuchte in rosigem Schein [Beckmesser, Chorus, Kothner, Nachtigall, Vogelsang, Ortel, Foltz, Sachs, Apprentices]
08. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act III: Morgenlich leuchtend im rosigen Schein [Walther, Chorus, Sachs, Pogner, Eva]
09. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act III: Verachtet mir die Meister nicht [Sachs, Chorus]
10. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act III: Ehrt eure deutschen Meister [Chorus]
This is second release in the ambitious project of conductor Marek Janowski and the Berlin Radio Symphony Orchestra to perform and record all of Wagner's operas together. And judging by the exceptionally high standard of this Die Meistersinger von Nürnberg, when finished it will be a cycle to cherish.
'Despite his bizarre fears about stage directors (see Gramophone, A/11), Marek Janowski is no slouch when it comes to imparting decisive character and atmosphere to his opera performances. Starting with a barely more than eight-minute overture, this second step in the 72-year-old Polish maestro’s bicentennial Berlin concert cycle of mature Wagner is a swift, light, comic reading of the score, more Lortzing than Tristan. It has much of the narrative thrust of Rudolf Kempe’s old Berlin EMI set and, while we’re handing out similes, it also sounds as if Janowski, like Reginald Goodall, has spent valuable sectional time with his orchestral as well as his vocal soloists. The delicate cello in the introduction to ‘Am stillen Herd’ or the colour and point of the wind-playing in the little Act 3 intermezzo where Beckmesser comes spying in Sachs’s workshop are classy and delightful.
On this particular June evening Albert Dohmen sounded at home across the whole spectrum of Sachs’s poetry, wistfulness and wit. He and Janowski avoid making too much black-dog mood in the ‘Wahn’ scene or excessive anger and self-pity over Eva’s attraction to Walther. Meanwhile, Dietrich Henschel essays a Beckmesser who can be all of pompous, weird, a credible vocalist in both serenade and prize song to Eva – and funny. (His attempt on the prize song has a crazy credibility not a million miles away from Bayreuth’s recent take on the number as anarchic performance art.) Sonn is imaginative in David’s tricky cataloguing of all the tones, Zeppenfeld a Pogner of real passion and concern. Magdalene, the other masters and the chorus – challenged by (but more than coping with) Janowski’s pace and bounce on the Festwiese – are strong contributors.
So far, so fine. It must be said, however, that the lovers were not quite so exciting at the single evening’s performance on which this set is based. Robert Dean Smith, Bayreuth’s successful current Tristan, doesn’t essay a wide enough range of colour in the comparatively higher reaches of Walther’s mood-swings – although he and Janowski manage a nice private rehearsal feeling for the dictation of the dream prize song to Sachs. Edith Haller, an ideal Eva on paper, comes across as shy and innig, a cosy father’s daughter but insufficiently heroic in the ‘O Sachs! Mein Freund!’ outburst.
Janowski’s achievement is to have recreated a genuine comic feel for the piece. Bayreuth’s old, almost complete Furtwängler or more recent Barenboim are darker, more Tristan-like; Kempe, Cluytens, the Dresden Karajan and (slow speeds and English language notwithstanding) Goodall lighter and more comic. Toscanini in 1937 offers the most heaven of all but even the most recent transfer has not yet made this Selenophone original a hi-fi experience.' (Mike Ashman, Gramophone)
CD1
01. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act I: Prelude
02. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act I: Da zu dir der Heiland kam [Chorus]
03. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act I: Verweilt! Ein Wort! [Walther, Eva, Magdalene, David]
04. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act I: David, was stehst? [Apprentices, David, Walther]
05. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act I: Mein Herr! Der Singer Meister-Schlag [David, Walther]
06. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act I: Der Meister Ton' und Weisen [David, Walther, Apprentices]
07. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act I: Seid meiner Treue wohl versehen [Pogner, Beckmesser, Walther, Sachs, Vogelsang, Nachtigall]
08. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act I: Zu einer Freiung und Zunftberatung [Kothner, Pogner, Vogelsang, Ortel, Zorn, Nachtigall, Moser, Apprentices, David, Eisslinger, Foltz, Schwarz]
09. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act I: Nicht doch, ihr Meister [Pogner, Kothner, Apprentices, Sachs, Beckmesser]
10. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act I: Vielleicht schon ginget ihr zu weit [Sachs, Kothner, Beckmesser, Vogelgesang, Nachtigall, Pogner]
11. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act I: Dacht' ich mir's doch! [Beckmesser, Kothner, Pogner, Nachtigall, Sachs]
12. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act I: Am stillen Herd in Winterszeit [Walther, Sachs, Beckmesser, Kothner, Vogelsang, Nachtigall]
13. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act I: Nun, Meister, wenn's gefallt [Kothner, Walther, Beckmesser]
14. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act I: Was euch zum Liede Richt' und Schnur [Kothner, Walther, Beckmesser]
15. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act I: Fur dich, Geliebte, sei's getan – Fanget an! [Walther, Kothner, Beckmesser, Pogner, Ortel, Foltz, Moser, Nachtigall, Vogelsang, Zorn]
16. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act I: Halt, Meister! Nicht so geeilt! [Sachs, Beckmesser, Nachtigall, Kothner, Pogner, Apprentices]
CD2
01. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act II Scene 1: Johannistag! Johannistag! [Apprentices, David, Magdalene, Sachs]
02. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act II: Lass seh'n, ob Meister Sachs zu Haus? [Pogner, Eva, Magdalene, Sachs, David]
03. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act II: Was duftet doch der Flieder [Sachs]
04. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act II: Gut'n Abend, Meister! [Eva, Sachs, Magdalene]
05. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act I: Das dacht' ich wohl! [Sachs, Magdalene, Eva, Pogner]
06. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act II: Da ist er! [Eva, Magdalene, Walther]
07. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act II: Geliebter, spare den Zorn [Eva, Magdalene, Walther, Night-watchman]
08. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act II: Uble Dinge, die ich da merk [Sachs, Walther, Eva, Night-watchman]
09. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act II: Jerum! Jerum! [Sachs, Beckmesser, Walther, Eva]
10. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act II: Den Tag seh' ich erscheinen [Beckmesser, Sachs]
11. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act II: Mit den Schuhen ward ich fertig schier [Sachs, Beckmesser, David, Chorus, Magdalene, Apprentices, Pogner, Walther, Night-watchman]
CD3
01. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act III: Prelude
02. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act III: Gleich, Meister! Hier! [David, Sachs]
03. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act III: Wahn! Wahn! Uberall Wahn! [Sachs]
04. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act III: Gruss' Gott, mein Junker! [Sachs, Walther]
05. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act III: Morgenlich leuchtend in rosigem Schein [Walther, Sachs]
06. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act III: Ein Werbelied! [Beckmesser, Sachs]
07. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act III: Das Gedicht? Hier liess ich's [Sachs, Beckmesser]
08. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act III: Sieh' Ev'chen! Dacht' ich doch, wo sie blieb'! [Sachs, Eva, Walther]
09. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act III: Hat man mit dem Schuhwerk nicht seine Not! [Sachs, Eva]
10. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act III: Mein Kind, von Tristan und Isolde [Sachs]
CD4
01. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act III: Die selige Morgentraum-Deutweise [Sachs]
02. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act III: Selig, wie die Sonne [Eva, Magdalene, Walther, David, Sachs]
03. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act III: Sankt Crispin, lobet ihn! [Chorus, Apprentices]
04. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act III: Ihr tanzt? Was werden die Meister sagen? [David, Apprentices, Chorus]
05. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act III: Wacht auf! Es nahet gen den Tag [Chorus]
06. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act III: Euch macht ihr's leicht [Sachs, Pogner, Beckmesser, Kothner, Chorus, Apprentices]
07. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act III: Morgen ich leuchte in rosigem Schein [Beckmesser, Chorus, Kothner, Nachtigall, Vogelsang, Ortel, Foltz, Sachs, Apprentices]
08. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act III: Morgenlich leuchtend im rosigen Schein [Walther, Chorus, Sachs, Pogner, Eva]
09. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act III: Verachtet mir die Meister nicht [Sachs, Chorus]
10. Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act III: Ehrt eure deutschen Meister [Chorus]
This is second release in the ambitious project of conductor Marek Janowski and the Berlin Radio Symphony Orchestra to perform and record all of Wagner's operas together. And judging by the exceptionally high standard of this Die Meistersinger von Nürnberg, when finished it will be a cycle to cherish.
'Despite his bizarre fears about stage directors (see Gramophone, A/11), Marek Janowski is no slouch when it comes to imparting decisive character and atmosphere to his opera performances. Starting with a barely more than eight-minute overture, this second step in the 72-year-old Polish maestro’s bicentennial Berlin concert cycle of mature Wagner is a swift, light, comic reading of the score, more Lortzing than Tristan. It has much of the narrative thrust of Rudolf Kempe’s old Berlin EMI set and, while we’re handing out similes, it also sounds as if Janowski, like Reginald Goodall, has spent valuable sectional time with his orchestral as well as his vocal soloists. The delicate cello in the introduction to ‘Am stillen Herd’ or the colour and point of the wind-playing in the little Act 3 intermezzo where Beckmesser comes spying in Sachs’s workshop are classy and delightful.
On this particular June evening Albert Dohmen sounded at home across the whole spectrum of Sachs’s poetry, wistfulness and wit. He and Janowski avoid making too much black-dog mood in the ‘Wahn’ scene or excessive anger and self-pity over Eva’s attraction to Walther. Meanwhile, Dietrich Henschel essays a Beckmesser who can be all of pompous, weird, a credible vocalist in both serenade and prize song to Eva – and funny. (His attempt on the prize song has a crazy credibility not a million miles away from Bayreuth’s recent take on the number as anarchic performance art.) Sonn is imaginative in David’s tricky cataloguing of all the tones, Zeppenfeld a Pogner of real passion and concern. Magdalene, the other masters and the chorus – challenged by (but more than coping with) Janowski’s pace and bounce on the Festwiese – are strong contributors.
So far, so fine. It must be said, however, that the lovers were not quite so exciting at the single evening’s performance on which this set is based. Robert Dean Smith, Bayreuth’s successful current Tristan, doesn’t essay a wide enough range of colour in the comparatively higher reaches of Walther’s mood-swings – although he and Janowski manage a nice private rehearsal feeling for the dictation of the dream prize song to Sachs. Edith Haller, an ideal Eva on paper, comes across as shy and innig, a cosy father’s daughter but insufficiently heroic in the ‘O Sachs! Mein Freund!’ outburst.
Janowski’s achievement is to have recreated a genuine comic feel for the piece. Bayreuth’s old, almost complete Furtwängler or more recent Barenboim are darker, more Tristan-like; Kempe, Cluytens, the Dresden Karajan and (slow speeds and English language notwithstanding) Goodall lighter and more comic. Toscanini in 1937 offers the most heaven of all but even the most recent transfer has not yet made this Selenophone original a hi-fi experience.' (Mike Ashman, Gramophone)
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