Chiara Margarita Cozzolani - Cozzolani: Easter Mass (2002) FLAC
BAND/ARTIST: Chiara Margarita Cozzolani
- Title: Cozzolani: Easter Mass
- Year Of Release: 2002
- Label: Musica Omnia
- Genre: Classical Music
- Quality: 320 kbps / FLAC (tracks)
- Total Time: 01:09:39
- Total Size: 166.7 M / 288.8 MB
- WebSite: Album Preview
Tracklist:
____________________________
[4:31] 01. Magnificat - Introitus: Resurrexi
[2:25] 02. Magnificat - Kyrie Eleison: Messa A 4
[4:39] 03. Magnificat - Gloria In Excelsis Deo: Messa A 4
[1:24] 04. Magnificat - Collecta
[1:14] 05. Magnificat - Epistola: 1. Corinthios 5. 7-8.
[6:29] 06. Magnificat - In Loco Graduale & Alleluia: Ave Mater Dilectissima
[2:15] 07. Magnificat - Sequentia: Victimæ Paschale Laudes
[2:53] 08. Magnificat - Evangelum: Marcam 16. 1-7.
[7:30] 09. Magnificat - Credo: Messa A 4
[4:19] 10. Magnificat - In Loco Offertorium: Bone Iesu, Fons Amoris
[2:11] 11. Magnificat - Prefatio
[1:22] 12. Magnificat - Sanctus: Messa A 4
[8:16] 13. Magnificat - Ad Elevantionem: O Quan Bonum, O Quan Iocundum
[2:02] 14. Magnificat - Pater Noster / Pax Domini
[2:16] 15. Magnificat - Agnus Dei: Messa A 4
[5:43] 16. Magnificat - In Loco Communio: O Dulcis Iesu
[1:16] 17. Magnificat - Postcommunio
[0:28] 18. Magnificat - Ite Missa Est
[8:36] 19. Magnificat - In Loco Dei Gratias: Maria Magdalene Stabat
1 disc(s) - 19 track(s)
Total length: 01:09:30
Main artist: Chiara Margarita Cozzolani
Composer: Chiara Margarita Cozzolani
Label: Musica Omnia
Genre: Classical
16-Bit CD Quality 44.1 kHz - Stereo
(C) 2002 Musica Omnia
(P) 2006 Musica Omnia
Among the few women composers whose music is still extant from the seventeenth century, the work of Milanese nun Chiara Margarita Cozzolani is a special case; she was the most prolific and gifted female musician of her time, a composer whose sacred music is of equal quality to that of her male contemporaries and capable of exceeding many of them. San Francisco's Magnificat, under the direction of Warren Stewart, has thus far done more work on Cozzolani's behalf than any other ensemble, and the Musica Omnia release Cozzolani: Messa Paschale (Mass for Easter Day) is an ingenious reconstruction of a complete Easter service from Cozzolani. This is achieved through locating the correct chant incipits and winding them through a mass setting found in Cozzolani's Concerti Sacri (1642) with an Easter-themed motet, Maria Magdalene Stabat, with a solo part beautifully sung here by soprano Catherine Webster, added from Cozzolani's Psalmi (1650) to complete the cycle. Cozzolani: Messa Paschale is a highly enjoyable indicator of what an authentic service sounded like at the musically famous monastery at St. Radegonda where Cozzolani was one of the principal music directors. While that is a historically desirable component and helps to set her work in the right context, this is not quite as compelling as the dazzling flights of fancy found on Magnificat's earlier Musica Omnia release, Cozzolani: Vespro della Beata Vergine. Some of the chant incipits tend to be rather long and the mass movements more homophonic in texture than in her other work. Perhaps Cozzolani did not feel she had the same kind of freedom in setting the Gradual as she did the Office; furthermore, her mass movements are shorter than her psalm settings and motets, though Cozzolani's beautiful Credo here is an exception. Despite such middling concerns, Cozzolani: Messa Paschale still makes for terrific listening; in performance and recording it is easily the equal of the earlier album and certain pieces, such as those mentioned above and Cozzolani's setting of the "Gloria," do stand out as being exceptional.
© TiVo
**********************************************
____________________________
[4:31] 01. Magnificat - Introitus: Resurrexi
[2:25] 02. Magnificat - Kyrie Eleison: Messa A 4
[4:39] 03. Magnificat - Gloria In Excelsis Deo: Messa A 4
[1:24] 04. Magnificat - Collecta
[1:14] 05. Magnificat - Epistola: 1. Corinthios 5. 7-8.
[6:29] 06. Magnificat - In Loco Graduale & Alleluia: Ave Mater Dilectissima
[2:15] 07. Magnificat - Sequentia: Victimæ Paschale Laudes
[2:53] 08. Magnificat - Evangelum: Marcam 16. 1-7.
[7:30] 09. Magnificat - Credo: Messa A 4
[4:19] 10. Magnificat - In Loco Offertorium: Bone Iesu, Fons Amoris
[2:11] 11. Magnificat - Prefatio
[1:22] 12. Magnificat - Sanctus: Messa A 4
[8:16] 13. Magnificat - Ad Elevantionem: O Quan Bonum, O Quan Iocundum
[2:02] 14. Magnificat - Pater Noster / Pax Domini
[2:16] 15. Magnificat - Agnus Dei: Messa A 4
[5:43] 16. Magnificat - In Loco Communio: O Dulcis Iesu
[1:16] 17. Magnificat - Postcommunio
[0:28] 18. Magnificat - Ite Missa Est
[8:36] 19. Magnificat - In Loco Dei Gratias: Maria Magdalene Stabat
1 disc(s) - 19 track(s)
Total length: 01:09:30
Main artist: Chiara Margarita Cozzolani
Composer: Chiara Margarita Cozzolani
Label: Musica Omnia
Genre: Classical
16-Bit CD Quality 44.1 kHz - Stereo
(C) 2002 Musica Omnia
(P) 2006 Musica Omnia
Among the few women composers whose music is still extant from the seventeenth century, the work of Milanese nun Chiara Margarita Cozzolani is a special case; she was the most prolific and gifted female musician of her time, a composer whose sacred music is of equal quality to that of her male contemporaries and capable of exceeding many of them. San Francisco's Magnificat, under the direction of Warren Stewart, has thus far done more work on Cozzolani's behalf than any other ensemble, and the Musica Omnia release Cozzolani: Messa Paschale (Mass for Easter Day) is an ingenious reconstruction of a complete Easter service from Cozzolani. This is achieved through locating the correct chant incipits and winding them through a mass setting found in Cozzolani's Concerti Sacri (1642) with an Easter-themed motet, Maria Magdalene Stabat, with a solo part beautifully sung here by soprano Catherine Webster, added from Cozzolani's Psalmi (1650) to complete the cycle. Cozzolani: Messa Paschale is a highly enjoyable indicator of what an authentic service sounded like at the musically famous monastery at St. Radegonda where Cozzolani was one of the principal music directors. While that is a historically desirable component and helps to set her work in the right context, this is not quite as compelling as the dazzling flights of fancy found on Magnificat's earlier Musica Omnia release, Cozzolani: Vespro della Beata Vergine. Some of the chant incipits tend to be rather long and the mass movements more homophonic in texture than in her other work. Perhaps Cozzolani did not feel she had the same kind of freedom in setting the Gradual as she did the Office; furthermore, her mass movements are shorter than her psalm settings and motets, though Cozzolani's beautiful Credo here is an exception. Despite such middling concerns, Cozzolani: Messa Paschale still makes for terrific listening; in performance and recording it is easily the equal of the earlier album and certain pieces, such as those mentioned above and Cozzolani's setting of the "Gloria," do stand out as being exceptional.
© TiVo
**********************************************
DOWNLOAD LINKS on ISRA.CLOUD
--- PLEASE DO NOT UPLOAD ELSEWHERE ---
Chiara Margarita Cozzolani - Cozzolani_ Easter Mass (2002) FLAC.zip - 288.8 MB
Chiara Margarita Cozzolani - Cozzolani_ Easter Mass (2002) MP3.zip - 166.7 MB
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MORE ALBUMS IN [.flac 24bit/44.1kHz]
--- PLEASE DO NOT UPLOAD ELSEWHERE ---
Chiara Margarita Cozzolani - Cozzolani_ Easter Mass (2002) FLAC.zip - 288.8 MB
Chiara Margarita Cozzolani - Cozzolani_ Easter Mass (2002) MP3.zip - 166.7 MB
**********************************
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