Stephanie Proot - Beethoven: Piano Sonatas (2012) [Hi-Res]
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BAND/ARTIST: Stephanie Proot
- Title: Beethoven: Piano Sonatas
- Year Of Release: 2012
- Label: Aliud Records
- Genre: Classical Piano
- Quality: flac lossless (tracks) / flac 24bits - 192.0kHz +Booklet
- Total Time: 01:08:20
- Total Size: 236 mb / 3.35 gb
- WebSite: Album Preview
Tracklist
01. Sonata In E-Flat Major, Opus 27 No 1, Andante - Allegro - Tempo I
02. Sonata In E-Flat Major, Opus 27 No 1, Allegro Molto E Vivace
03. Sonata In E-Flat Major, Opus 27 No 1, Adagio Con Espressione - Allegro Vivace - Tempo I - Presto
04. Sonata In C-Sharp Minor, Opus 27 No 2 'moonlight', Adagio Sostenuto
05. Sonata In C-Sharp Minor, Opus 27 No 2 'moonlight', Allegretto
06. Sonata In C-Sharp Minor, Opus 27 No 2 'moonlight', Presto Agitato
07. Sonata In F Major, Opus 10 No 2, Allegro
08. Sonata In F Major, Opus 10 No 2, Allegretto
09. Sonata In F Major, Opus 10 No 2, Presto
10. Sonata In a-Flat Major, Opus 110, Moderato Cantabile Molto Espressivo
11. Sonata In a-Flat Major, Opus 110, Allegro Molto
12. Sonata In a-Flat Major, Opus 110, Adagio Ma Non Troppo - Fuga_ Allegro Ma Non Troppo - L'istesso Tempo Di Arioso - L'istesso Tempo Della Fuga
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In the early days of his career, Ludwig Van Beethoven (1770-1827) was especially known in Vienna as a pianist and improviser. His whole life the piano would remain his faithful companion. In fact, it was his innate intimacy with the piano that would set him back on track not only while dealing with personal and artistic crises but also during the process of discovering his most innovative compositional techniques. Apart from a series of variations, piano concertos and chamber music, Beethoven’s oeuvre for piano solo consists of no less than 32 piano sonatas, developed over a 30 year time span. The first sonatas are born in the classical Viennese tradition. Nevertheless, Beethoven, ever the individualist, immediately confronted the stylistic borders of the sonata practices of Mozart and Haydn. These early sonatas show a symphonic texture and style. They mostly consist of four (instead of three) movements and are thus longer, more expansive and heavier compared to what people were used to at that time. Even though the technical difficulty of Beethoven’s sonatas is very high, he loathed meaningless virtuoso passages. In Beethoven’s ‘serious’ music, not one note is exempt from a functional or dramatic sense. His ability to combine structures and ideas of increasing complexity into a strong unity was of the utmost importance.
01. Sonata In E-Flat Major, Opus 27 No 1, Andante - Allegro - Tempo I
02. Sonata In E-Flat Major, Opus 27 No 1, Allegro Molto E Vivace
03. Sonata In E-Flat Major, Opus 27 No 1, Adagio Con Espressione - Allegro Vivace - Tempo I - Presto
04. Sonata In C-Sharp Minor, Opus 27 No 2 'moonlight', Adagio Sostenuto
05. Sonata In C-Sharp Minor, Opus 27 No 2 'moonlight', Allegretto
06. Sonata In C-Sharp Minor, Opus 27 No 2 'moonlight', Presto Agitato
07. Sonata In F Major, Opus 10 No 2, Allegro
08. Sonata In F Major, Opus 10 No 2, Allegretto
09. Sonata In F Major, Opus 10 No 2, Presto
10. Sonata In a-Flat Major, Opus 110, Moderato Cantabile Molto Espressivo
11. Sonata In a-Flat Major, Opus 110, Allegro Molto
12. Sonata In a-Flat Major, Opus 110, Adagio Ma Non Troppo - Fuga_ Allegro Ma Non Troppo - L'istesso Tempo Di Arioso - L'istesso Tempo Della Fuga
In the early days of his career, Ludwig Van Beethoven (1770-1827) was especially known in Vienna as a pianist and improviser. His whole life the piano would remain his faithful companion. In fact, it was his innate intimacy with the piano that would set him back on track not only while dealing with personal and artistic crises but also during the process of discovering his most innovative compositional techniques. Apart from a series of variations, piano concertos and chamber music, Beethoven’s oeuvre for piano solo consists of no less than 32 piano sonatas, developed over a 30 year time span. The first sonatas are born in the classical Viennese tradition. Nevertheless, Beethoven, ever the individualist, immediately confronted the stylistic borders of the sonata practices of Mozart and Haydn. These early sonatas show a symphonic texture and style. They mostly consist of four (instead of three) movements and are thus longer, more expansive and heavier compared to what people were used to at that time. Even though the technical difficulty of Beethoven’s sonatas is very high, he loathed meaningless virtuoso passages. In Beethoven’s ‘serious’ music, not one note is exempt from a functional or dramatic sense. His ability to combine structures and ideas of increasing complexity into a strong unity was of the utmost importance.
Classical | FLAC / APE | HD & Vinyl
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