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Don Williams - Especially For You (1981)

Don Williams - Especially For You (1981)

BAND/ARTIST: Don Williams

  • Title: Especially For You
  • Year Of Release: 1981
  • Label: MCA Nashville
  • Genre: Country
  • Quality: 320 kbps | FLAC (tracks)
  • Total Time: 00:33:16
  • Total Size: 77 mb | 175 mb
  • WebSite:
Tracklist:

01. Don Williams - Fairweather Friends
02. Don Williams - I Don't Want To Love You
03. Don Williams - Years From Now
04. Don Williams - Lord, I Hope This Day Is Good (Single Version)
05. Don Williams - Especially You
06. Don Williams - If I Needed You
07. Don Williams - Now And Then
08. Don Williams - Smooth Talking Baby (Album Version)
09. Don Williams - I've Got You To Thank For That (Album Version)
10. Don Williams - Miracles

A year after his biggest-selling record ever, the pressure was on Don Williams to deliver, and he did. While Especially for You didn't sell quite as well as I Believe in You, it sold plenty. Economics aside, it is like all of Williams' work from the mid-'70s through the early '90s remarkably consistent, full of great songs and the now trademark production sound of Williams and Garth Fundis. There are some new twists here as well. While the song catch this time out was as good as any, with contributions from Bob McDill, Rick Beresford, Roger Cook, Dave Hanner, and other cats in the band such as Dave Kirby and Charles Cochran, there are two covers here of a very special nature. The first is the album's opener, "Fair Weather Friends." Written by Joe Allen and Johnny Cash, the song feels as if it were written for Williams despite the steady but muted Cash rhythm that is ever present in the song. One can hear Cash's voice singing it too, as he has for years, but this version doesn't sound so much like a proclamation or exhortation, but like a fireside chat from an elder to a younger. The other is a duet with Emmylou Harris on a read of Townes Van Zandt's jewel "If I Needed You," which kicks off side two. Astonishingly faithful to the original and so ghostly in its slow, shimmering approach that it's almost not even there, it has the wallop of an emotional train wreck. Perhaps this track should have closed the set instead of opened its second half, because the voices of Harris and Williams move toward each other so effortlessly, so full of elegiac passion, that the other cuts can't complete, though they are excellent works. Oh well, at least the material is here and as an album it sticks up.


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  • User offline
  • nilesh65
  •  wrote in 16:39
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Thank you so much for sharing!!
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  • whiskers
  •  wrote in 17:08
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Many thanks
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  • mufty77
  •  wrote in 02:37
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Many thanks for lossless.