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Frederica von Stade - Offenbach Arias and Overtures (1995)

Frederica von Stade - Offenbach Arias and Overtures (1995)

BAND/ARTIST: Frederica von Stade

  • Title: Offenbach Arias and Overtures
  • Year Of Release: 1995
  • Label: Sony Classical
  • Genre: Classical
  • Quality: FLAC (tracks) / MP3 320 Kbps
  • Total Time: 01:04:08
  • Total Size: 295 / 165 Mb
  • WebSite:
Tracklist:

La Périchole
1. Overture 2:37
2. Lettre De La Périchole 3:17
3. Ah! Que Les Hommes Son Bêtes! 2:54
4. Ariette De La Griserie 2:03
5. Entr'acte 3:07
6. La Fille Du Tambour-major: Chanson De La FIlle Du Tambour-major 2:41
7. La Belle Hélène: Amours Divins 4:13
Pomme D'Api
8. Overture 5:30
9. Couplets De Pomme 2:55
10. J'en Prendrai Un, Deus, Trois 2:25
11. Madame L'Archiduc: Couplets De L'Alphabet 3:57
12. La Romance De La Rose: Overture 2:10
13. La Vie Parisienne: Rondeau Et Valse 3:56
14. Orphée Aux Enfers: Couplets Du Berger Joli 2:38
Barbe Bleu
15. Overture 3:20
16. Couplets De Boulette 2:48
17. Couplets De La Rosière 2:39
La Grande-Duchesse De Gérolstein
18. Overture 4:04
19. Dites-lui 2:49
20. Ah! Que J'aime Les Militaires! 3:57

Performers:
Frederica von Stade (mezzo-soprano)
Scottish Chamber Orchestra
Antonio De Almeida

The magic of Offenbach is unquestionably found in his beautiful melodies, almost to the exclusion of any other feature in his music. Regardless of how they are presented, whether as arias in the original operetta scores or as arranged by other hands in various overtures and concert suites, these well-crafted and memorable songs support Rossini's judgment of Offenbach as the "Mozart of the Champs Élysées." Frederica von Stade's exuberance and charm run through her performances, and her singing is especially bright in such comic numbers as "Ah! que les hommes sont bêtes!" and "Ah! que j'aime les militaires!" However, she is at her best when she sings expressively in the gentle and yearning arias, of which "Lettre de la Périchole" and the rapturous "Amours divins" are fine examples. Von Stade's performances of the "Rondeau et valse" from La vie parisienne and "Dites-lui" from La Grande-Duchesse de Gérolstein deserve highlighting as they are among Offenbach's greatest arias and von Stade gives them superb interpretations. The Scottish Chamber Orchestra is led by Antonio de Almeida, one of the world's leading authorities on Offenbach's music. The performances of five overtures, interspersed between the vocal selections, give a taste of the theater experience that is central to Offenbach's esprit.


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