BariAntiqua - Migali: Sonate, Op. 1 (2017)
BAND/ARTIST: BariAntiqua
- Title: Migali: Sonate, Op. 1
- Year Of Release: 2017
- Label: MV Cremona
- Genre: Classical
- Quality: flac lossless (tracks)
- Total Time: 01:13:29
- Total Size: 437 mb
- WebSite: Album Preview
Tracklist
01. Sonata à 3, Op. 1 No. 1: I. Grave
02. Sonata à 3, Op. 1 No. 1: II. Allegro
03. Sonata à 3, Op. 1 No. 1: III. Adagio
04. Sonata à 3, Op. 1 No. 1: IV. Allegro
05. Sonata à 3, Op. 1 No. 2: I. Adagio - Allegro
06. Sonata à 3, Op. 1 No. 2: II. Adagio
07. Sonata à 3, Op. 1 No. 2: III. Amoroso
08. Sonata à 3, Op. 1 No. 2: IV. Adagio
09. Sonata à 3, Op. 1 No. 2: V. Allegro
10. Sonata à 3, Op. 1 No. 3: I. Adagio - Presto
11. Sonata à 3, Op. 1 No. 3: II. Allegro
12. Sonata à 3, Op. 1 No. 3: III. Grave
13. Sonata à 3, Op. 1 No. 3: IV. Allegro
14. Sonata à 3, Op. 1 No. 4: I. Grave
15. Sonata à 3, Op. 1 No. 4: II. Andante
16. Sonata à 3, Op. 1 No. 4: III. Adagio
17. Sonata à 3, Op. 1 No. 4: IV. Vivace
18. Sonata à 3, Op. 1 No. 5: I. Adagio
19. Sonata à 3, Op. 1 No. 5: II. Spiritoso
20. Sonata à 3, Op. 1 No. 5: III. Adagio
21. Sonata à 3, Op. 1 No. 5: IV. Allegro
22. Sonata à 3, Op. 1 No. 6: I. Adagio
23. Sonata à 3, Op. 1 No. 6: II. Adagio
24. Sonata à 3, Op. 1 No. 6: III. Allegro
25. Sonata à 3, Op. 1 No. 7: I. Adagio - Allegro
26. Sonata à 3, Op. 1 No. 7: II. Presto
27. Sonata à 3, Op. 1 No. 7: III. Grave
28. Sonata à 3, Op. 1 No. 7: IV. Allegro
29. Sonata à 3, Op. 1 No. 8: I. Sciolto
30. Sonata à 3, Op. 1 No. 8: II. Allegro
31. Sonata à 3, Op. 1 No. 8: III. Adagio
32. Sonata à 3, Op. 1 No. 8: IV. Allegro
33. Sonata à 3, Op. 1 No. 9: I. Adagio
34. Sonata à 3, Op. 1 No. 9: II. Allegro
35. Sonata à 3, Op. 1 No. 9: III. Adagio
36. Sonata à 3, Op. 1 No. 9: IV. Largo - Allegro
37. Sonata à 3, Op. 1 No. 10: I. Adagio
38. Sonata à 3, Op. 1 No. 10: II. Allegro
39. Sonata à 3, Op. 1 No. 10: III. Adagio
40. Sonata à 3, Op. 1 No. 10: IV. Allegro
41. Sonata à 3, Op. 1 No. 11: I. Adagio
42. Sonata à 3, Op. 1 No. 11: II. Largo
43. Sonata à 3, Op. 1 No. 11: III. Adagio
44. Sonata à 3, Op. 1 No. 11: IV. Allegro
45. Sonata à 3, Op. 1 No. 12: I. Grave
46. Sonata à 3, Op. 1 No. 12: II. Allegro
47. Sonata à 3, Op. 1 No. 12: III. Adagio
48. Sonata à 3, Op. 1 No. 12: IV. Allegro - Adagio
What little is known of Pietro Migali’s life has been deduced from his will, which gives us his likely dates and some biographical information, as well as from his only extant publication, the Trio Sonatas, Op. 1. Probably born around 1635 and deceased after the will's date of 1715, Migali was a native of the southern Italian city of Lecce, though his musical education is thought to have taken him to Naples or Rome. His role as Maestro di Capella is known from the sonatas' title page, though there is no other information about his career or other works. Yet the high quality of his compositions is evident from this 2017 release by Ensemble BariAntiquA, and judging from the inventiveness of his music, Migali must have mastered his craft through other compositions and assiduous study. The influence of Arcangelo Corelli is notable in the violin parts, and the sonatas follow the four-movement form of the sonata da camera, which Corelli popularized. But Migali may have been influenced by Carlo Mannelli, a Roman violinist and composer whose trio sonatas of 1682 appear to have influenced Migali's bowing indications and other features. With all the mystery surrounding Migali's life and music, one might expect his music to be arcane and uninteresting, though the opposite is true. The ingenious counterpoint and the rich variety of the parts reveal Migali to have been a master of musical repartee, and the expressiveness of the sonatas shows sensitive musicianship that could only have come from experience. Ensemble BariAntiquA delivers energetic and elegant readings of the full set of 12 sonatas, and the sound of the recording is clear and crisply detailed, even in the rather resonant acoustics of Monopoli Cathedral in Bari.
01. Sonata à 3, Op. 1 No. 1: I. Grave
02. Sonata à 3, Op. 1 No. 1: II. Allegro
03. Sonata à 3, Op. 1 No. 1: III. Adagio
04. Sonata à 3, Op. 1 No. 1: IV. Allegro
05. Sonata à 3, Op. 1 No. 2: I. Adagio - Allegro
06. Sonata à 3, Op. 1 No. 2: II. Adagio
07. Sonata à 3, Op. 1 No. 2: III. Amoroso
08. Sonata à 3, Op. 1 No. 2: IV. Adagio
09. Sonata à 3, Op. 1 No. 2: V. Allegro
10. Sonata à 3, Op. 1 No. 3: I. Adagio - Presto
11. Sonata à 3, Op. 1 No. 3: II. Allegro
12. Sonata à 3, Op. 1 No. 3: III. Grave
13. Sonata à 3, Op. 1 No. 3: IV. Allegro
14. Sonata à 3, Op. 1 No. 4: I. Grave
15. Sonata à 3, Op. 1 No. 4: II. Andante
16. Sonata à 3, Op. 1 No. 4: III. Adagio
17. Sonata à 3, Op. 1 No. 4: IV. Vivace
18. Sonata à 3, Op. 1 No. 5: I. Adagio
19. Sonata à 3, Op. 1 No. 5: II. Spiritoso
20. Sonata à 3, Op. 1 No. 5: III. Adagio
21. Sonata à 3, Op. 1 No. 5: IV. Allegro
22. Sonata à 3, Op. 1 No. 6: I. Adagio
23. Sonata à 3, Op. 1 No. 6: II. Adagio
24. Sonata à 3, Op. 1 No. 6: III. Allegro
25. Sonata à 3, Op. 1 No. 7: I. Adagio - Allegro
26. Sonata à 3, Op. 1 No. 7: II. Presto
27. Sonata à 3, Op. 1 No. 7: III. Grave
28. Sonata à 3, Op. 1 No. 7: IV. Allegro
29. Sonata à 3, Op. 1 No. 8: I. Sciolto
30. Sonata à 3, Op. 1 No. 8: II. Allegro
31. Sonata à 3, Op. 1 No. 8: III. Adagio
32. Sonata à 3, Op. 1 No. 8: IV. Allegro
33. Sonata à 3, Op. 1 No. 9: I. Adagio
34. Sonata à 3, Op. 1 No. 9: II. Allegro
35. Sonata à 3, Op. 1 No. 9: III. Adagio
36. Sonata à 3, Op. 1 No. 9: IV. Largo - Allegro
37. Sonata à 3, Op. 1 No. 10: I. Adagio
38. Sonata à 3, Op. 1 No. 10: II. Allegro
39. Sonata à 3, Op. 1 No. 10: III. Adagio
40. Sonata à 3, Op. 1 No. 10: IV. Allegro
41. Sonata à 3, Op. 1 No. 11: I. Adagio
42. Sonata à 3, Op. 1 No. 11: II. Largo
43. Sonata à 3, Op. 1 No. 11: III. Adagio
44. Sonata à 3, Op. 1 No. 11: IV. Allegro
45. Sonata à 3, Op. 1 No. 12: I. Grave
46. Sonata à 3, Op. 1 No. 12: II. Allegro
47. Sonata à 3, Op. 1 No. 12: III. Adagio
48. Sonata à 3, Op. 1 No. 12: IV. Allegro - Adagio
What little is known of Pietro Migali’s life has been deduced from his will, which gives us his likely dates and some biographical information, as well as from his only extant publication, the Trio Sonatas, Op. 1. Probably born around 1635 and deceased after the will's date of 1715, Migali was a native of the southern Italian city of Lecce, though his musical education is thought to have taken him to Naples or Rome. His role as Maestro di Capella is known from the sonatas' title page, though there is no other information about his career or other works. Yet the high quality of his compositions is evident from this 2017 release by Ensemble BariAntiquA, and judging from the inventiveness of his music, Migali must have mastered his craft through other compositions and assiduous study. The influence of Arcangelo Corelli is notable in the violin parts, and the sonatas follow the four-movement form of the sonata da camera, which Corelli popularized. But Migali may have been influenced by Carlo Mannelli, a Roman violinist and composer whose trio sonatas of 1682 appear to have influenced Migali's bowing indications and other features. With all the mystery surrounding Migali's life and music, one might expect his music to be arcane and uninteresting, though the opposite is true. The ingenious counterpoint and the rich variety of the parts reveal Migali to have been a master of musical repartee, and the expressiveness of the sonatas shows sensitive musicianship that could only have come from experience. Ensemble BariAntiquA delivers energetic and elegant readings of the full set of 12 sonatas, and the sound of the recording is clear and crisply detailed, even in the rather resonant acoustics of Monopoli Cathedral in Bari.
Year 2017 | Classical | FLAC / APE
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