Timothy Fallon & Ammiel Bushakevitz - Crepuscolo (2022) [Hi-Res]
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BAND/ARTIST: Timothy Fallon & Ammiel Bushakevitz
- Title: Crepuscolo
- Year Of Release: 2022
- Label: BIS
- Genre: Classical
- Quality: flac lossless (tracks) / flac 24bits - 96.0kHz +Booklet
- Total Time: 01:13:43
- Total Size: 303 mb / 1.2 gb
- WebSite: Album Preview
Tracklist
01. Deità Silvane, P. 107: No. 1, I fauni
02. Deità Silvane, P. 107: No. 2, Musica in horto
03. Deità Silvane, P. 107: No. 3, Egle
04. Deità Silvane, P. 107: No. 4, Acqua
05. Deità Silvane, P. 107: No. 5, Crepuscolo
06. 6 Melodie, P. 89 (Excerpts): No. 1, In alto mare
07. Contrasto, P. 66
08. L’ultima ebberezza, P. 8
09. 6 Melodie, P. 89 (Excerpts): No. 2, Abbandono
10. Stornellatrice, P. 69
11. 5 Canti all'antica, P. 71: No. 1, L'udir talvolta
12. 5 Canti all'antica, P. 71: No. 2, Ma come potrei
13. 5 Canti all'antica, P. 71: No. 3, Ballata
14. 5 Canti all'antica, P. 71: No. 4, Bella porta di rubini
15. 5 Canti all'antica, P. 71: No. 5, Canzone nell'opera comica Re Enzo
16. Storia breve, P. 52
17. 6 Liriche, Series 2, P. 97: No. 6, Il giardino
18. 6 Liriche, Series 1, P. 90 (Excerpts): No. 6, Pioggia
19. Lagrime, P. 9
20. 4 Scottish Songs, P. 143: No. 1, When the Kye Come Hame
21. 4 Scottish Songs, P. 143: No. 2, Within a Mile of Edinburgh Town
22. 4 Scottish Songs, P. 143: No. 3, My Heart's in the Highlands
23. 4 Scottish Songs, P. 143: No. 4, The Piper of Dundee
24. 6 Liriche, Series 1, P. 90 (Excerpts): No. 1, O falce di luna
25. Notturno in E-Flat Major, P. 11
26. Nebbie, P. 64
Crepuscolo is the final song in Ottorino Respighi’s song cycle Deità silvane ("Woodland Deities"), but as an album title it also stands for the twilight during the interwar years of everything that Respighi represented, as various trends such as atonality, spiky neoclassicism and futurism flourished. In reaction to these developments, Respighi in 1932 famously signed a manifesto calling for music with a "human content" – something which his songs certainly live up to: as Elsa Respighi, the composer’s wife, once said it was to his songs that he "entrusts his heart’s hidden secrets, when he lets his soul sing freely".
From L’ultima ebbrezza, composed when Respighi was only 17 years old, to the Four Scottish Songs from 1924, the songs recorded here attest to the variety of his musical interests, influences and styles, and are at turns lyrically operatic, expressionist, impressionist or symbolist. Respighi’s love of the Renaissance is also manifest in the Cinque canti all’antica, settings of poets including Boccaccio.
Timothy Fallon and Ammiel Bushakevitz have previously released a Liszt recital described as "superb" in Gramophone. They have now devised a varied programme which takes in three complete groups as well as a selection of individual songs, including Respighi’s most popular songs (Nebbie, Stornellatrice) as well as less well known ones.
01. Deità Silvane, P. 107: No. 1, I fauni
02. Deità Silvane, P. 107: No. 2, Musica in horto
03. Deità Silvane, P. 107: No. 3, Egle
04. Deità Silvane, P. 107: No. 4, Acqua
05. Deità Silvane, P. 107: No. 5, Crepuscolo
06. 6 Melodie, P. 89 (Excerpts): No. 1, In alto mare
07. Contrasto, P. 66
08. L’ultima ebberezza, P. 8
09. 6 Melodie, P. 89 (Excerpts): No. 2, Abbandono
10. Stornellatrice, P. 69
11. 5 Canti all'antica, P. 71: No. 1, L'udir talvolta
12. 5 Canti all'antica, P. 71: No. 2, Ma come potrei
13. 5 Canti all'antica, P. 71: No. 3, Ballata
14. 5 Canti all'antica, P. 71: No. 4, Bella porta di rubini
15. 5 Canti all'antica, P. 71: No. 5, Canzone nell'opera comica Re Enzo
16. Storia breve, P. 52
17. 6 Liriche, Series 2, P. 97: No. 6, Il giardino
18. 6 Liriche, Series 1, P. 90 (Excerpts): No. 6, Pioggia
19. Lagrime, P. 9
20. 4 Scottish Songs, P. 143: No. 1, When the Kye Come Hame
21. 4 Scottish Songs, P. 143: No. 2, Within a Mile of Edinburgh Town
22. 4 Scottish Songs, P. 143: No. 3, My Heart's in the Highlands
23. 4 Scottish Songs, P. 143: No. 4, The Piper of Dundee
24. 6 Liriche, Series 1, P. 90 (Excerpts): No. 1, O falce di luna
25. Notturno in E-Flat Major, P. 11
26. Nebbie, P. 64
Crepuscolo is the final song in Ottorino Respighi’s song cycle Deità silvane ("Woodland Deities"), but as an album title it also stands for the twilight during the interwar years of everything that Respighi represented, as various trends such as atonality, spiky neoclassicism and futurism flourished. In reaction to these developments, Respighi in 1932 famously signed a manifesto calling for music with a "human content" – something which his songs certainly live up to: as Elsa Respighi, the composer’s wife, once said it was to his songs that he "entrusts his heart’s hidden secrets, when he lets his soul sing freely".
From L’ultima ebbrezza, composed when Respighi was only 17 years old, to the Four Scottish Songs from 1924, the songs recorded here attest to the variety of his musical interests, influences and styles, and are at turns lyrically operatic, expressionist, impressionist or symbolist. Respighi’s love of the Renaissance is also manifest in the Cinque canti all’antica, settings of poets including Boccaccio.
Timothy Fallon and Ammiel Bushakevitz have previously released a Liszt recital described as "superb" in Gramophone. They have now devised a varied programme which takes in three complete groups as well as a selection of individual songs, including Respighi’s most popular songs (Nebbie, Stornellatrice) as well as less well known ones.
Year 2022 | Classical | FLAC / APE | HD & Vinyl
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