John Eliot Gardiner - Gardiner - Great Symphonies (2022)
BAND/ARTIST: John Eliot Gardiner, London Symphony Orchestra, Wiener Philharmoniker, Orchestre Révolutionnaire et Romantique
- Title: Gardiner - Great Symphonies
- Year Of Release: 2022
- Label: UMG Recordings, Inc.
- Genre: Classical
- Quality: FLAC (tracks)
- Total Time: 6:21:04
- Total Size: 1.64 GB
- WebSite: Album Preview
Tracklist:
01. 4. Etwas zurückhaltend - Langsam
02. 1. "Exaudi orationem meam"
03. 2. Romanze (Ziemlich langsam)
04. IV. Gewitter, Sturm (Allegro)
05. III. Andante
06. II. Allegretto scherzando
07. 2. Romanza: Andante
08. 3. Menuetto (Allegretto)
09. 3. Nicht schnell
10. 4. Feierlich
11. 3. Scherzo
12. II. Allegro vivace
13. III. Menuetto (Allegro molto e vivace)
14. III. Scherzo (Allegro)
15. III. Lustiges Zusammensein der Landleute (Allegro)
16. IV. Saltarello (Presto)
17. 3. Menuetto (Allegretto)
18. 3. Scherzo (Molto vivace)
19. 2. Scherzo (Sehr mäßig)
20. 5. Lebhaft
21. IV. Presto - Allegro assai
22. III. Tempo di menuetto
23. III. Allegro vivace
24. II. Andante con moto
25. III. Con moto moderato
26. I. Allegro con brio
27. II. Andante con moto
28. III. Allegro
29. IV. Allegro
30. 2. Larghetto
31. 4. Allegro animato e grazioso
32. II. Allegretto
33. III. Presto - Assai meno presto
34. IV. Allegro con brio
35. 1. Molto allegro
36. 4. Finale (Allegro assai)
37. III. Scherzo (Allegro vivace)
38. 2. "Expectans expectavi Dominum"
39. 2. Andantino - Intermezzo:Allegro assai - Andantino
40. 1. Andante con moto - Allegro di molto
41. 3. Scherzo: Presto
42. 4. Largo - Finale: Allegro vivace
43. 2. Scherzo (Allegro vivace)
44. 4. Allegro molto vivace
45. 1. Lebhaft
46. 1. Ziemlich langsam - Lebhaft
47. 5. Lebhaft
48. IV. Choral "Ein' Feste Burg ist unser Gott!" (Andante con moto - Allegro vivace - Allegro maestoso - Più animato poco a poco)
49. II. Andante con moto
50. III. Menuetto. Con moto grazioso
51. IV. Saltarello. Allegro di molto
52. I. Allegro vivace e con brio
53. IV. Allegro vivace
54. II. Adagio
55. IV. Allegro ma non troppo
56. V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm: Allegretto
57. I. Adagio molto - Allegro con brio
58. II. Andante cantabile con moto
59. IV. Finale (Adagio - Allegro molto e vivace)
60. IV. Allegro molto
01. 4. Etwas zurückhaltend - Langsam
02. 1. "Exaudi orationem meam"
03. 2. Romanze (Ziemlich langsam)
04. IV. Gewitter, Sturm (Allegro)
05. III. Andante
06. II. Allegretto scherzando
07. 2. Romanza: Andante
08. 3. Menuetto (Allegretto)
09. 3. Nicht schnell
10. 4. Feierlich
11. 3. Scherzo
12. II. Allegro vivace
13. III. Menuetto (Allegro molto e vivace)
14. III. Scherzo (Allegro)
15. III. Lustiges Zusammensein der Landleute (Allegro)
16. IV. Saltarello (Presto)
17. 3. Menuetto (Allegretto)
18. 3. Scherzo (Molto vivace)
19. 2. Scherzo (Sehr mäßig)
20. 5. Lebhaft
21. IV. Presto - Allegro assai
22. III. Tempo di menuetto
23. III. Allegro vivace
24. II. Andante con moto
25. III. Con moto moderato
26. I. Allegro con brio
27. II. Andante con moto
28. III. Allegro
29. IV. Allegro
30. 2. Larghetto
31. 4. Allegro animato e grazioso
32. II. Allegretto
33. III. Presto - Assai meno presto
34. IV. Allegro con brio
35. 1. Molto allegro
36. 4. Finale (Allegro assai)
37. III. Scherzo (Allegro vivace)
38. 2. "Expectans expectavi Dominum"
39. 2. Andantino - Intermezzo:Allegro assai - Andantino
40. 1. Andante con moto - Allegro di molto
41. 3. Scherzo: Presto
42. 4. Largo - Finale: Allegro vivace
43. 2. Scherzo (Allegro vivace)
44. 4. Allegro molto vivace
45. 1. Lebhaft
46. 1. Ziemlich langsam - Lebhaft
47. 5. Lebhaft
48. IV. Choral "Ein' Feste Burg ist unser Gott!" (Andante con moto - Allegro vivace - Allegro maestoso - Più animato poco a poco)
49. II. Andante con moto
50. III. Menuetto. Con moto grazioso
51. IV. Saltarello. Allegro di molto
52. I. Allegro vivace e con brio
53. IV. Allegro vivace
54. II. Adagio
55. IV. Allegro ma non troppo
56. V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm: Allegretto
57. I. Adagio molto - Allegro con brio
58. II. Andante cantabile con moto
59. IV. Finale (Adagio - Allegro molto e vivace)
60. IV. Allegro molto
Conductor John Eliot Gardiner is a leading figure in the historical performance movement, having founded the Monteverdi Choir for performances of Baroque music and the Orchestre Révolutionnaire et Romantique, devoted to music of the 19th century. He is especially noted for performances and recordings of Bach's choral music, and his label, Soli Deo Gloria ("To the Glory of God Only"), takes its name from the small S.D.G. signature Bach affixed to many of his works.
Gardiner was born on April 20, 1943, in the village of Fontmell Magna in England's Dorset County. It is worth notice that for the first part of his musical education, he was largely self-taught: he sang in a village church choir and played the violin. At 15, he took up conducting, and while he was studying history, Arabic, and medieval Spanish at Cambridge, he also began conducting choirs there. He led choirs from Oxford and Cambridge on a Middle Eastern tour while still an undergraduate, and in 1964, he conducted a performance of Monteverdi's Vespers of 1610, a work little known at the time. Out of this performance grew the Monteverdi Choir, his primary performing ensemble. Gardiner studied musicology and conducting with Thurston Dart and Nadia Boulanger in the mid-'60s, which was his only period of formal musical study. In 1968, he founded a Monteverdi Orchestra to go with the choir; in the '70s, the group began to use Baroque instruments and was renamed the English Baroque Soloists. With this group and the Monteverdi Choir, Gardiner has made recordings numbering in the hundreds. Mostly during the first part of his career, he also worked with conventional symphony orchestras. His U.S. debut came in 1979 with the Dallas Symphony Orchestra, and in the '80s and early '90s, he was music director of the CBC Vancouver Symphony Orchestra, the Opera de Lyon Orchestra, and the North German Radio Orchestra (now the NDR Elbphilharmonie). In 1990, as understanding of the historical instruments used in the music of Beethoven and subsequent composers was just developing, he founded the Orchestre Révolutionnaire et Romantique, leading it on tour in 1993 with a then recently rediscovered Messe solennelle of Berlioz.
One of Gardiner's most celebrated accomplishments was his Bach Cantata Pilgrimage of 2000, with the Monteverdi Choir and English Baroque Soloists. The group toured for 52 weeks, performing all of Bach's cantatas at their appropriate times in the liturgical year, often in churches with relevance in Bach's own career. The performances were recorded and issued in lavish packaging on Soli Deo Gloria, with essays by Gardiner delving into the meaning of each work. These essays led Gardiner to publish a book, Bach: Music in the Castle of Heaven (2013). Gardiner has also recorded for Deutsche Grammophon, Philips, and other labels. His Schumann symphony recordings with the Orchestre Révolutionnaire et Romantique are credited with introducing a trend toward smaller forces in those works. Another major tour came in Spain in 2004, as Gardiner and the Monteverdi Choir retraced the medieval Camino de Santiago pilgrimage route and sang medieval Spanish repertory. Gardiner has also appeared as a guest conductor with major symphony orchestras, including the Berlin Philharmonic, the Chicago Symphony, and the Cleveland Orchestra. His recording career has not slackened in the least in his senior citizen years, as he has often released a half-dozen recordings per year or more. In 2019, he and the Monteverdi Choir released Love is come again, featuring music from the Springhead Easter Play, a mime event staged annually at Gardiner's family home and originally directed by his mother. He was not slowed much in 2020 by the coronavirus pandemic, for he already had material in the hopper, including a modern-instrument recording of a pair of Schumann symphonies with the London Symphony Orchestra. He returned in 2022 with the Monteverdi Choir and English Baroque Soloists in a new recording for the Deutsche Grammophon label of Bach's St. John Passion, BWV 245. Gardiner's many awards include designation as Commander of the British Empire in 1990 and as Chevalier of the Legion of Honor in France in 2011. ~ James Manheim
Gardiner was born on April 20, 1943, in the village of Fontmell Magna in England's Dorset County. It is worth notice that for the first part of his musical education, he was largely self-taught: he sang in a village church choir and played the violin. At 15, he took up conducting, and while he was studying history, Arabic, and medieval Spanish at Cambridge, he also began conducting choirs there. He led choirs from Oxford and Cambridge on a Middle Eastern tour while still an undergraduate, and in 1964, he conducted a performance of Monteverdi's Vespers of 1610, a work little known at the time. Out of this performance grew the Monteverdi Choir, his primary performing ensemble. Gardiner studied musicology and conducting with Thurston Dart and Nadia Boulanger in the mid-'60s, which was his only period of formal musical study. In 1968, he founded a Monteverdi Orchestra to go with the choir; in the '70s, the group began to use Baroque instruments and was renamed the English Baroque Soloists. With this group and the Monteverdi Choir, Gardiner has made recordings numbering in the hundreds. Mostly during the first part of his career, he also worked with conventional symphony orchestras. His U.S. debut came in 1979 with the Dallas Symphony Orchestra, and in the '80s and early '90s, he was music director of the CBC Vancouver Symphony Orchestra, the Opera de Lyon Orchestra, and the North German Radio Orchestra (now the NDR Elbphilharmonie). In 1990, as understanding of the historical instruments used in the music of Beethoven and subsequent composers was just developing, he founded the Orchestre Révolutionnaire et Romantique, leading it on tour in 1993 with a then recently rediscovered Messe solennelle of Berlioz.
One of Gardiner's most celebrated accomplishments was his Bach Cantata Pilgrimage of 2000, with the Monteverdi Choir and English Baroque Soloists. The group toured for 52 weeks, performing all of Bach's cantatas at their appropriate times in the liturgical year, often in churches with relevance in Bach's own career. The performances were recorded and issued in lavish packaging on Soli Deo Gloria, with essays by Gardiner delving into the meaning of each work. These essays led Gardiner to publish a book, Bach: Music in the Castle of Heaven (2013). Gardiner has also recorded for Deutsche Grammophon, Philips, and other labels. His Schumann symphony recordings with the Orchestre Révolutionnaire et Romantique are credited with introducing a trend toward smaller forces in those works. Another major tour came in Spain in 2004, as Gardiner and the Monteverdi Choir retraced the medieval Camino de Santiago pilgrimage route and sang medieval Spanish repertory. Gardiner has also appeared as a guest conductor with major symphony orchestras, including the Berlin Philharmonic, the Chicago Symphony, and the Cleveland Orchestra. His recording career has not slackened in the least in his senior citizen years, as he has often released a half-dozen recordings per year or more. In 2019, he and the Monteverdi Choir released Love is come again, featuring music from the Springhead Easter Play, a mime event staged annually at Gardiner's family home and originally directed by his mother. He was not slowed much in 2020 by the coronavirus pandemic, for he already had material in the hopper, including a modern-instrument recording of a pair of Schumann symphonies with the London Symphony Orchestra. He returned in 2022 with the Monteverdi Choir and English Baroque Soloists in a new recording for the Deutsche Grammophon label of Bach's St. John Passion, BWV 245. Gardiner's many awards include designation as Commander of the British Empire in 1990 and as Chevalier of the Legion of Honor in France in 2011. ~ James Manheim
Year 2022 | Classical | FLAC / APE
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