Jan Vermeulen - Bach: Little Preludes, Notebook for Anna Magdalena Bach, Inventions (2022)
BAND/ARTIST: Jan Vermeulen
- Title: Bach: Little Preludes, Notebook for Anna Magdalena Bach, Inventions
- Year Of Release: 2022
- Label: Etcetera
- Genre: Classical Piano
- Quality: flac lossless (tracks)
- Total Time: 01:14:44
- Total Size: 255 mb
- WebSite: Album Preview
Tracklist
01. Little Preludes BWV 933 in C Major
02. Little Preludes BWV 934 in C Minor
03. Little Preludes BWV 935 in D Minor
04. Little Preludes BWV 936 in D Major
05. Little Preludes BWV 937 in E Major
06. Little Preludes BWV 938 in E Minor
07. Little Preludes BWV 924 in C Major
08. Little Preludes BWV 926 in D Minor
09. Little Preludes BWV 927 in F Major
10. Little Preludes BWV 930 in G Minor
11. Little Preludes BWV 928 in F Major
12. Little Preludes BWV 925 in D Major
13. Little Preludes BWV 939 in C Major
14. Little Preludes BWV 940 in D Minor
15. Little Preludes BWV 941 in E Minor
16. Little Preludes BWV 942 in A Minor
17. Little Preludes BWV 943 in C Major
18. Little Preludes BWV 999 in C Minor
19. Little Preludes BWV 929 in G Minor
20. Notebook for Anna Magdalena Bach: Menuet BWV Anh. 113 in F Major
21. Notebook for Anna Magdalena Bach: Menuet BWV Anh. 114 in G Major
22. Notebook for Anna Magdalena Bach: Menuet BWV Anh. 115 in G Minor
23. Notebook for Anna Magdalena Bach: Menuet BWV Anh. 116 in G Major
24. Notebook for Anna Magdalena Bach: Menuet BWV Anh. 118 in B Flat Major
25. Notebook for Anna Magdalena Bach: Polonaise BWV Anh. 119 in G Minor
26. Notebook for Anna Magdalena Bach: BWV 512 in E Minor
27. Notebook for Anna Magdalena Bach: Menuet BWV Anh. 120 in A Minor
28. Notebook for Anna Magdalena Bach: Menuet BWV Anh. 121 in C Minor
29. Notebook for Anna Magdalena Bach: Marche BWV Anh. 122 in D Major
30. Notebook for Anna Magdalena Bach: Polonaise BWV Anh. 123 in G Minor
31. Notebook for Anna Magdalena Bach: Marche BWV Anh. 124 in G Major
32. Notebook for Anna Magdalena Bach: Polonaise BWV Anh. 125 in G Minor
33. Notebook for Anna Magdalena Bach: Aria BWV 515 in D Minor
34. Notebook for Anna Magdalena Bach: Menuet fait par Mons. Böhm in G Major
35. Notebook for Anna Magdalena Bach: Musette BWV Anh. 126 in D Major
36. Notebook for Anna Magdalena Bach: BWV Anh. 127 in E Flat Major
37. Notebook for Anna Magdalena Bach: BWV Anh. 128 in D Minor
38. Notebook for Anna Magdalena Bach: Polonaise BWV Anh. 130 in G Major
39. Notebook for Anna Magdalena Bach: BWV 846 1 in C Major
40. Notebook for Anna Magdalena Bach: BWV Anh. 131 in F Major
41. Notebook for Anna Magdalena Bach: Menuet BWV Anh. 132 in D Minor
42. Inventions No. 1, BWV 772 in C Major
43. Inventions No. 2, BWV 773 in C Minor
44. Inventions No. 3, BWV 774 in D Major
45. Inventions No. 4, BWV 775 in D Minor
46. Inventions No. 6, BWV 777 in E Major
47. Inventions No. 8, BWV 779 in F Major
48. Inventions No. 9, BWV 780 in F Minor
49. Inventions No. 13, BWV 784 in A Minor
50. Inventions No. 14, BWV 785 in B Flat Major
It’s impossible to imagine a musical training without Bach, from children’s music academies to conservatories. Bach is here to stay. When I started teaching children in the 1970s, quite a few of my colleagues were making fruitless attempts to (partially) replace Bach with Bartók’s Mikrokosmos. The children, however, had very little if any enthusiasm for Bartók’s music and their teachers eventually had to back down. Bartók, with all due respect, was no match for Bach.
So what makes Bach’s music so indispensable? Bach’s inventiveness in fusing melody, harmony and rhythm into a logical and coherent narrative is simply astonishing and remains unrivalled even today. For everyone blessed with an ear for music, Bach’s music evokes the same deep emotions as when it was composed some three hundred years ago. Bach was a master of polyphony as well; if you can follow the individual lines in his fugues and make them audible, you’re well on your way to becoming a good pianist.
Jan Vermeulen is considered one of today’s most prominent fortepiano virtuosos. After his piano studies at the Brussels conservatory, his interest and urge for authenticity pushed him into the direction of historical instruments. His pioneering recording of the sonatas of CM von Weber at the beginning of the nineties marked the start of a flourishing career as a fortepiano artist. Now Jan Vermeulen harvests worldwide fame with the recording of Schubert’s complete piano works for the Label Et’Cetera, an opus magnum which he completed in 2010. Following this project, he was chosen “Musician of the Year 2010’. His extensive discography has received great acclaim from the international press and he is widely praised as “the ideal Schubert interpreter”. Jan Vermeulen’s interpretation marks his mastery .
The latest double CD with works by Robert Schumann is acclaimed and received as one of the most important contributions to the Schumann Year 2010. As a soloist Jan Vermeulen has performed all over Europe. His love for chamber music brought him together with musicians such as Wieland Kuijken, Paul Dombrecht, Christine Busch, France Springuel, Roel Dieltiens, Marcel Ponseele, Anne Cambier and the ensembles Explorations, Il Gardellino a.o.
Since 2014 he forms a four hand duo with Veerle Peeters with whom he has recorded all Schubert’s works for four hand duo on 7 cd’s for the label Etcetera Records. Besides his career as a performer, Jan Vermeulen is also a dedicated pedagogue. He teaches piano, fortepiano and chamber music at the Luca School of Arts in Leuven (Belgium).
01. Little Preludes BWV 933 in C Major
02. Little Preludes BWV 934 in C Minor
03. Little Preludes BWV 935 in D Minor
04. Little Preludes BWV 936 in D Major
05. Little Preludes BWV 937 in E Major
06. Little Preludes BWV 938 in E Minor
07. Little Preludes BWV 924 in C Major
08. Little Preludes BWV 926 in D Minor
09. Little Preludes BWV 927 in F Major
10. Little Preludes BWV 930 in G Minor
11. Little Preludes BWV 928 in F Major
12. Little Preludes BWV 925 in D Major
13. Little Preludes BWV 939 in C Major
14. Little Preludes BWV 940 in D Minor
15. Little Preludes BWV 941 in E Minor
16. Little Preludes BWV 942 in A Minor
17. Little Preludes BWV 943 in C Major
18. Little Preludes BWV 999 in C Minor
19. Little Preludes BWV 929 in G Minor
20. Notebook for Anna Magdalena Bach: Menuet BWV Anh. 113 in F Major
21. Notebook for Anna Magdalena Bach: Menuet BWV Anh. 114 in G Major
22. Notebook for Anna Magdalena Bach: Menuet BWV Anh. 115 in G Minor
23. Notebook for Anna Magdalena Bach: Menuet BWV Anh. 116 in G Major
24. Notebook for Anna Magdalena Bach: Menuet BWV Anh. 118 in B Flat Major
25. Notebook for Anna Magdalena Bach: Polonaise BWV Anh. 119 in G Minor
26. Notebook for Anna Magdalena Bach: BWV 512 in E Minor
27. Notebook for Anna Magdalena Bach: Menuet BWV Anh. 120 in A Minor
28. Notebook for Anna Magdalena Bach: Menuet BWV Anh. 121 in C Minor
29. Notebook for Anna Magdalena Bach: Marche BWV Anh. 122 in D Major
30. Notebook for Anna Magdalena Bach: Polonaise BWV Anh. 123 in G Minor
31. Notebook for Anna Magdalena Bach: Marche BWV Anh. 124 in G Major
32. Notebook for Anna Magdalena Bach: Polonaise BWV Anh. 125 in G Minor
33. Notebook for Anna Magdalena Bach: Aria BWV 515 in D Minor
34. Notebook for Anna Magdalena Bach: Menuet fait par Mons. Böhm in G Major
35. Notebook for Anna Magdalena Bach: Musette BWV Anh. 126 in D Major
36. Notebook for Anna Magdalena Bach: BWV Anh. 127 in E Flat Major
37. Notebook for Anna Magdalena Bach: BWV Anh. 128 in D Minor
38. Notebook for Anna Magdalena Bach: Polonaise BWV Anh. 130 in G Major
39. Notebook for Anna Magdalena Bach: BWV 846 1 in C Major
40. Notebook for Anna Magdalena Bach: BWV Anh. 131 in F Major
41. Notebook for Anna Magdalena Bach: Menuet BWV Anh. 132 in D Minor
42. Inventions No. 1, BWV 772 in C Major
43. Inventions No. 2, BWV 773 in C Minor
44. Inventions No. 3, BWV 774 in D Major
45. Inventions No. 4, BWV 775 in D Minor
46. Inventions No. 6, BWV 777 in E Major
47. Inventions No. 8, BWV 779 in F Major
48. Inventions No. 9, BWV 780 in F Minor
49. Inventions No. 13, BWV 784 in A Minor
50. Inventions No. 14, BWV 785 in B Flat Major
It’s impossible to imagine a musical training without Bach, from children’s music academies to conservatories. Bach is here to stay. When I started teaching children in the 1970s, quite a few of my colleagues were making fruitless attempts to (partially) replace Bach with Bartók’s Mikrokosmos. The children, however, had very little if any enthusiasm for Bartók’s music and their teachers eventually had to back down. Bartók, with all due respect, was no match for Bach.
So what makes Bach’s music so indispensable? Bach’s inventiveness in fusing melody, harmony and rhythm into a logical and coherent narrative is simply astonishing and remains unrivalled even today. For everyone blessed with an ear for music, Bach’s music evokes the same deep emotions as when it was composed some three hundred years ago. Bach was a master of polyphony as well; if you can follow the individual lines in his fugues and make them audible, you’re well on your way to becoming a good pianist.
Jan Vermeulen is considered one of today’s most prominent fortepiano virtuosos. After his piano studies at the Brussels conservatory, his interest and urge for authenticity pushed him into the direction of historical instruments. His pioneering recording of the sonatas of CM von Weber at the beginning of the nineties marked the start of a flourishing career as a fortepiano artist. Now Jan Vermeulen harvests worldwide fame with the recording of Schubert’s complete piano works for the Label Et’Cetera, an opus magnum which he completed in 2010. Following this project, he was chosen “Musician of the Year 2010’. His extensive discography has received great acclaim from the international press and he is widely praised as “the ideal Schubert interpreter”. Jan Vermeulen’s interpretation marks his mastery .
The latest double CD with works by Robert Schumann is acclaimed and received as one of the most important contributions to the Schumann Year 2010. As a soloist Jan Vermeulen has performed all over Europe. His love for chamber music brought him together with musicians such as Wieland Kuijken, Paul Dombrecht, Christine Busch, France Springuel, Roel Dieltiens, Marcel Ponseele, Anne Cambier and the ensembles Explorations, Il Gardellino a.o.
Since 2014 he forms a four hand duo with Veerle Peeters with whom he has recorded all Schubert’s works for four hand duo on 7 cd’s for the label Etcetera Records. Besides his career as a performer, Jan Vermeulen is also a dedicated pedagogue. He teaches piano, fortepiano and chamber music at the Luca School of Arts in Leuven (Belgium).
Year 2022 | Classical | FLAC / APE
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