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Neeme Järvi, Chicago Symphony Orchestra, Royal Scottish National Orchestra, Danish National Symphony Orchestra - Scriabin: Symphonies Nos. 2 & 3, Poem of Ecstasy & Rêverie (1999) [Hi-Res]

Neeme Järvi, Chicago Symphony Orchestra, Royal Scottish National Orchestra, Danish National Symphony Orchestra - Scriabin: Symphonies Nos. 2 & 3, Poem of Ecstasy & Rêverie (1999) [Hi-Res]
  • Title: Scriabin: Symphonies Nos. 2 & 3, Poem of Ecstasy & Rêverie
  • Year Of Release: 1999
  • Label: Chandos
  • Genre: Classical
  • Quality: flac lossless (tracks) / flac 24bits - 44.1kHz
  • Total Time: 01:50:31
  • Total Size: 536 mb / 1.03 gb
  • WebSite:
Tracklist

01. Symphony No. 4, Op. 54, "Poème de l'Extase"
02. Symphony No. 2 in C Minor, Op. 29: I. Andante
03. Symphony No. 2 in C Minor, Op. 29: II. Allegro
04. Symphony No. 2 in C Minor, Op. 29: III. Andante
05. Symphony No. 2 in C Minor, Op. 29: IV. Tempestoso
06. Symphony No. 2 in C Minor, Op. 29: V. Maestoso
07. Symphony No. 3 in C Minor, Op. 43, "The Divine Poem": I. Lento
08. Symphony No. 3 in C Minor, Op. 43, "The Divine Poem": II. Luttes. Allegro
09. Symphony No. 3 in C Minor, Op. 43, "The Divine Poem": III. Voluptés. Lento
10. Symphony No. 3 in C Minor, Op. 43, "The Divine Poem": IV. Jeu divin. Allegro
11. Rêverie, Op. 24: Reverie, Op. 24

Neeme Järvi, Chicago Symphony Orchestra, Royal Scottish National Orchestra, Danish National Symphony Orchestra - Scriabin: Symphonies Nos. 2 & 3, Poem of Ecstasy & Rêverie (1999) [Hi-Res]


Never one lacking a big vision, Alexander Scriabin also never lacked a big ear for big sound. His orchestral works are massive, both in structural scope--where their rhythms almost burst the bubble frequently--and instrumental size. This collection of the Second and Third Symphonies is a wonderful restorative work, showing with blazing heat (on the Second) how well Scriabin could command an orchestra. The clashes are big, the crescendos bigger, and the whole affair is like a harmonious thunderclap that keeps happening. The Poem of Ecstasy and Reverie that open and close the book on this two-CD set are heavily motivic, the first presenting lots of smaller fragments that recur in their construction of the whole piece, and the second a brief and restrained miniature. What one hears across these pieces is the composer's climbing vision, which investigates a more measured set of contrasts in the Third Symphony but never gives an inch on the big idea behind the music, which in short mixed the existentialism of the late 19th century with the mysticism of Madame Blavatsky and others. Sure, it's a mouthful as philosophy, but as music, it's an even bigger, funner earful.


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  •  wrote in 22:56
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