Dóra Szilagyi, Flóra Fábri - Begegnungen (2022)
BAND/ARTIST: Dóra Szilagyi, Flóra Fábri
- Title: Begegnungen
- Year Of Release: 2022
- Label: Querstand
- Genre: Classical
- Quality: flac lossless (tracks)
- Total Time: 01:07:09
- Total Size: 390 mb
- WebSite: Album Preview
Tracklist
01. Sonate für Violine und B.c. in F Major
02. Rosenkranzsonaten für Violine und B.c. in G Minor: Sonate "Die Kreuzigung"
03. Apparatus Musico-Organisticus: Passacaglia Nr. 14 in G Minor
04. Rosenkranzsonaten für Violine und B.c.: Passacaglia in G Minor
05. Sonata für Violine und B.c. in D Major
06. Sonate Nr. 1 für Violine und B.c. in A Major
The present program presents musical portraits of two authoritative composers of the Baroque period through a selection from their oeuvre for violin and harpsichord: Heinrich Ignaz Franz Biber (1644-1709) and Georg Muffat (1653-1704). Their first meeting in Salzburg was unfortunately not documented.
It is known, however, that both talents arrived with different previous musical experiences before spending years in the service of the Archbishopric of Salzburg. Thanks to economic growth and financial strength, the various arts were extraordinarily encouraged in this sovereign Catholic principality, and so was music. It was - similar to all other baroque centers - an integral part of courtly representation. In Salzburg, it also became an important channel of communication for the Counter-Reformation.
A fabulous violinist, Biber favored his favorite instrument in his compositions and wrote two collections of sonatas that are still part of the basic repertoire of Baroque solo literature: the "Rosary" or "Mysteries" sonatas and the "Sonatae, violino solo," both with two pieces each heard on the CD. In addition, there is a passacaglia from Muffat's collected work "Apparatus Musico-Organisticus", which has a similar importance for the baroque keyboard literature as Biber's mentioned collections for the violin, as well as Muffat's only surviving violin sonata.
The instruments that meet in this recording come from two worlds: Flóra Fábri performs on a harpsichord built in 2015 by Detmar Hungerberg according to Italian models; the violin played by Dóra Szilágyi was built in 1765 by Sebastian Klotz in Mittenwald.
01. Sonate für Violine und B.c. in F Major
02. Rosenkranzsonaten für Violine und B.c. in G Minor: Sonate "Die Kreuzigung"
03. Apparatus Musico-Organisticus: Passacaglia Nr. 14 in G Minor
04. Rosenkranzsonaten für Violine und B.c.: Passacaglia in G Minor
05. Sonata für Violine und B.c. in D Major
06. Sonate Nr. 1 für Violine und B.c. in A Major
The present program presents musical portraits of two authoritative composers of the Baroque period through a selection from their oeuvre for violin and harpsichord: Heinrich Ignaz Franz Biber (1644-1709) and Georg Muffat (1653-1704). Their first meeting in Salzburg was unfortunately not documented.
It is known, however, that both talents arrived with different previous musical experiences before spending years in the service of the Archbishopric of Salzburg. Thanks to economic growth and financial strength, the various arts were extraordinarily encouraged in this sovereign Catholic principality, and so was music. It was - similar to all other baroque centers - an integral part of courtly representation. In Salzburg, it also became an important channel of communication for the Counter-Reformation.
A fabulous violinist, Biber favored his favorite instrument in his compositions and wrote two collections of sonatas that are still part of the basic repertoire of Baroque solo literature: the "Rosary" or "Mysteries" sonatas and the "Sonatae, violino solo," both with two pieces each heard on the CD. In addition, there is a passacaglia from Muffat's collected work "Apparatus Musico-Organisticus", which has a similar importance for the baroque keyboard literature as Biber's mentioned collections for the violin, as well as Muffat's only surviving violin sonata.
The instruments that meet in this recording come from two worlds: Flóra Fábri performs on a harpsichord built in 2015 by Detmar Hungerberg according to Italian models; the violin played by Dóra Szilágyi was built in 1765 by Sebastian Klotz in Mittenwald.
Year 2022 | Classical | FLAC / APE
As a ISRA.CLOUD's PREMIUM member you will have the following benefits:
- Unlimited high speed downloads
- Download directly without waiting time
- Unlimited parallel downloads
- Support for download accelerators
- No advertising
- Resume broken downloads