Neeme Järvi, Gothenburg Symphony Orchestra, Anna Larsson, Olle Persson, Gothenburg Symphony Chorus - Atterberg: Orchestral Works, Vol. 5 (2016) [Hi-Res]
![Neeme Järvi, Gothenburg Symphony Orchestra, Anna Larsson, Olle Persson, Gothenburg Symphony Chorus - Atterberg: Orchestral Works, Vol. 5 (2016) [Hi-Res]](https://www.dibpic.com/uploads/posts/2022-05/1653461613_neeme-jarvi-atterberg-orchestral-works-vol_-5-2016.jpg)
BAND/ARTIST: Neeme Järvi, Gothenburg Symphony Orchestra, Anna Larsson, Olle Persson, Gothenburg Symphony Chorus
- Title: Atterberg: Orchestral Works, Vol. 5
- Year Of Release: 2016
- Label: Chandos
- Genre: Classical
- Quality: flac 24bits - 96.0kHz +Booklet
- Total Time: 01:03:15
- Total Size: 1.04 gb
- WebSite: Album Preview
Tracklist
01. Symphony No. 7, Op. 45, "Sinfonia romantica": I. Drammatico. Lento
02. Symphony No. 7, Op. 45, "Sinfonia romantica": II. Semplice. Andante
03. Symphony No. 7, Op. 45, "Sinfonia romantica": III. Feroce. Allegro
04. Symphony No. 9, Op. 54, "Sinfonia visionaria": I. Beginning
05. Symphony No. 9, Op. 54, "Sinfonia visionaria": II. Heid hon hette (Baritone, Alto)
06. Symphony No. 9, Op. 54, "Sinfonia visionaria": III. Jag jättarna minns, i urtid avlade (Alto, Chorus)
07. Symphony No. 9, Op. 54, "Sinfonia visionaria": IV. En ask ser jag stånda (Alto)
08. Symphony No. 9, Op. 54, "Sinfonia visionaria": V. Väl vet hon (Baritone, Chorus)
09. Symphony No. 9, Op. 54, "Sinfonia visionaria": VI. Med spjut sprängde Oden (Baritone, Alto, Chorus)
10. Symphony No. 9, Op. 54, "Sinfonia visionaria": VII. Vid heta källors kittel i lunden (Alto, Baritone, Chorus)
11. Symphony No. 9, Op. 54, "Sinfonia visionaria": VIII. Öster i Järnskogen dvaldes den åldriga (Baritone, Alto, Chorus)
12. Symphony No. 9, Op. 54, "Sinfonia visionaria": IX. Bröder varandras ban varda (Alto, Chorus)
13. Symphony No. 9, Op. 54, "Sinfonia visionaria": X. Hur är det med asar? (Baritone, Alto, Chorus)
14. Symphony No. 9, Op. 54, "Sinfonia visionaria": XI. Rym styr ur östern (Chorus)
15. Symphony No. 9, Op. 54, "Sinfonia visionaria": XII. Nu stundar Friggas sorg den största (Baritone, Alto, Chorus)
16. Symphony No. 9, Op. 54, "Sinfonia visionaria": XIII. Solen svartner (Baritone, Alto)
![Neeme Järvi, Gothenburg Symphony Orchestra, Anna Larsson, Olle Persson, Gothenburg Symphony Chorus - Atterberg: Orchestral Works, Vol. 5 (2016) [Hi-Res]](https://www.dibpic.com/uploads/posts/2022-05/1653461611_neeme-jarvi-atterberg-orchestral-works-vol_-5-2016-back.jpg)
The final volume in our Atterberg series with Neeme Järvi and his Gothenburg Symphony Orchestra is finally out. Recorded on SACD like most of the previous ones, it features two late, again rarely performed symphonies.
The seventh, featured here in its final, three-movement form, was written in 1942, fourteen years after its famous predecessor, the Dollar Symphony. Originally in four movements, the work was received dismissively by the critics, and only acquired its final shape in 1969, when Atterberg decided to tear out the last movement from the original score (it became Vittorioso, see Vol. 4). In response to what he regarded as a critical insult, he also decided to baptise the work Sinfonia romantica, just to infuriate the modernistically inclined critics even further.
The composer himself referred to his Ninth and last Symphony as ‘evil’. Setting parts of the Old Icelandic poem Völuspá, it recounts indeed how evil came into the world and how it in the end will lead to total destruction. By this time he had become a very conservative composer, rejecting atonality and dodecaphony. Composed in 1955 and 1956, during a period of much administrative travel in Europe, it is one of his longest works, yet structured as a single movement in large-scale rondo form.
01. Symphony No. 7, Op. 45, "Sinfonia romantica": I. Drammatico. Lento
02. Symphony No. 7, Op. 45, "Sinfonia romantica": II. Semplice. Andante
03. Symphony No. 7, Op. 45, "Sinfonia romantica": III. Feroce. Allegro
04. Symphony No. 9, Op. 54, "Sinfonia visionaria": I. Beginning
05. Symphony No. 9, Op. 54, "Sinfonia visionaria": II. Heid hon hette (Baritone, Alto)
06. Symphony No. 9, Op. 54, "Sinfonia visionaria": III. Jag jättarna minns, i urtid avlade (Alto, Chorus)
07. Symphony No. 9, Op. 54, "Sinfonia visionaria": IV. En ask ser jag stånda (Alto)
08. Symphony No. 9, Op. 54, "Sinfonia visionaria": V. Väl vet hon (Baritone, Chorus)
09. Symphony No. 9, Op. 54, "Sinfonia visionaria": VI. Med spjut sprängde Oden (Baritone, Alto, Chorus)
10. Symphony No. 9, Op. 54, "Sinfonia visionaria": VII. Vid heta källors kittel i lunden (Alto, Baritone, Chorus)
11. Symphony No. 9, Op. 54, "Sinfonia visionaria": VIII. Öster i Järnskogen dvaldes den åldriga (Baritone, Alto, Chorus)
12. Symphony No. 9, Op. 54, "Sinfonia visionaria": IX. Bröder varandras ban varda (Alto, Chorus)
13. Symphony No. 9, Op. 54, "Sinfonia visionaria": X. Hur är det med asar? (Baritone, Alto, Chorus)
14. Symphony No. 9, Op. 54, "Sinfonia visionaria": XI. Rym styr ur östern (Chorus)
15. Symphony No. 9, Op. 54, "Sinfonia visionaria": XII. Nu stundar Friggas sorg den största (Baritone, Alto, Chorus)
16. Symphony No. 9, Op. 54, "Sinfonia visionaria": XIII. Solen svartner (Baritone, Alto)
The final volume in our Atterberg series with Neeme Järvi and his Gothenburg Symphony Orchestra is finally out. Recorded on SACD like most of the previous ones, it features two late, again rarely performed symphonies.
The seventh, featured here in its final, three-movement form, was written in 1942, fourteen years after its famous predecessor, the Dollar Symphony. Originally in four movements, the work was received dismissively by the critics, and only acquired its final shape in 1969, when Atterberg decided to tear out the last movement from the original score (it became Vittorioso, see Vol. 4). In response to what he regarded as a critical insult, he also decided to baptise the work Sinfonia romantica, just to infuriate the modernistically inclined critics even further.
The composer himself referred to his Ninth and last Symphony as ‘evil’. Setting parts of the Old Icelandic poem Völuspá, it recounts indeed how evil came into the world and how it in the end will lead to total destruction. By this time he had become a very conservative composer, rejecting atonality and dodecaphony. Composed in 1955 and 1956, during a period of much administrative travel in Europe, it is one of his longest works, yet structured as a single movement in large-scale rondo form.
Year 2016 | Classical | FLAC / APE | HD & Vinyl
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