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New York Philharmonic - New York Philharmonic - Great Recordings (2022)

New York Philharmonic - New York Philharmonic - Great Recordings (2022)
  • Title: New York Philharmonic - Great Recordings
  • Year Of Release: 2022
  • Label: UMG Recordings, Inc.
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 5:01:37
  • Total Size: 1.17 GB
  • WebSite:
Tracklist:

01. Promenade
02. 3. Allegro moderato
03. The Tuileries Gardens
04. Ballet Of The Chickens In Their Shells
05. The Market-place At Limoges
06. Hallowe'en (Live From Avery Fisher Hall, New York / 1988)
07. 1. Modéré - très franc
08. 2. Assez lent
09. 3. Modéré
10. 4. Assez animé
11. 5. Presque lent - dans un sentiment intime
12. 6. Assez vif
13. Gnomus
14. Introduction. Allegro moderato
15. 1. Moderato
16. 2. Lento assai
17. 4. Moderato
18. I. The Messengers
19. III. "Kaddish 3": Finale - Adagio come nel Din-Torah
20. Bydlo
21. Samuel Goldenberg And Schmuyle
22. The Catacombs (Sepulchrum romanum)
23. Cum mortuis in lingua mortua
24. II. La fontana del Tritone al mattino
25. I. I pini di Villa Borghese
26. The Gong On The Hook And Ladder Or Firemen's Parade On Main Street (Live From Avery Fisher Hall, New York / 1988)
27. 7. Moins vif
28. 8. Epilogue (Lent)
29. The Old Castle
30. II. Leah
31. III. 5 Kabbalah Variations
32. IV. Dream
33. I. "Invocation": Adagio
34. I. "Kaddish 1": L'istesso tempo - Allegro molto
35. II. "Din - Torah": Di nuovo adagio
36. II. "Kaddish 2": Andante con tenerezza
37. III. "Kaddish 3": Scherzo - Presto scherzando, sempre pianissimo
38. III. "Kaddish 3": Allegro vivo, con gioia
39. The Hut On Fowl's Legs (Baba-Yaga)
40. The Great Gate Of Kiev
41. Tone Roads No. 1 (Live From Avery Fisher Hall, New York / 1988)
42. Largo cantabile "Hymn" (Live From Avery Fisher Hall, New York / 1988)
43. Central Park In The Dark
44. Ives: The Unanswered Question (Live From Avery Fisher Hall, New York / 1988)
45. Fugue (Live)
46. II. Allegro molto
47. I. La fontana di Valle Giulia all'alba
48. III. La fontana di Trevi al meriggio
49. IV. La fontana di Villa Medici al tramonto
50. II. Pini presso una catacomba
51. III. I pini del Gianicolo
52. IV. I pini della Via Appia
53. I. Circenses
54. II. Il giubileo
55. III. L'Ottobrata
56. IV. La Befana
57. Sehr feierlich, aber schlicht (Live)
58. 4. Sehr langsam. Misterioso: "O Mensch! Gib acht!"
59. 5. Lustig im Tempo und keck im Ausdruck: "Bimm Bamm. Es sungen drei Engel" (Live)
60. III. Valse (Allegro moderato) (Live)
61. II. Allegro con grazia
62. III. Allegro molto vivace
63. II. Adagio (Live)
64. III. Allegro giocoso, ma non troppo vivace - Poco più presto (Live)
65. III. Scherzo. Pizzicato ostinato - Allegro (Live)
66. IV. Finale (Allegro con fuoco) (Live)

The world-renowned New York Philharmonic (officially the Philharmonic-Symphony Society of New York) is America's oldest symphony orchestra, a prime example of high standards of performance to musicians and audiences everywhere.

Beginning in the 1820s, there were several attempts to found an orchestra in the city, the more successful of which were the Philharmonic Symphony Society (established in 1842) and the New York Symphony (established in 1878). The Philharmonic had a reputation for conservatism and high standards, hiring primarily European conductors, such as Gustav Mahler. The Symphony seemed more ambitious and interested in new music. It received patronage from Andrew Carnegie, enabling the building of Carnegie Hall (1891), with an inaugural concert led by Walter Damrosch and Pyotr Il'yich Tchaikovsky. The Philharmonic Society finally merged with the Symphony in 1928, during the tenure of Arturo Toscanini, who helped it establish its world-class reputation. Many great conductors would follow, among them: John Barbirolli, Bruno Walter, Dimitri Mitropoulos, Leonard Bernstein, Pierre Boulez, Zubin Mehta, Kurt Masur, Lorin Maazel, Alan Gilbert (the son of two of the orchestra's musicians), and as of the 2018-2019 season, Jaap van Zweden. Under Bernstein, the orchestra's reputation blossomed in new ways. He brought a youthful excitement to the music, engaging new audience members, particularly through television appearances. The advent of stereo recording allowed the NYP to re-record much of the standard canon. It also got a new performance venue: Avery Fisher Hall at Lincoln Center.

Many of the NYP's directors have had to deal with threats to its standing among the world's great orchestras: competition on stages and on records from other, strong American orchestras; internal and external economic difficulties; and balancing the traditional with new music in a way that satisfies its core audience. However, commissioning and introducing new works is a long-held tradition. Memorable premieres include Dvorák's New World Symphony; Gershwin's Concerto in F; the Pulitzer Prize-winning On the Transmigration of Souls by John Adams; Esa-Pekka Salonen's Piano Concerto; and The Jungle, which is Wynton Marsalis' fourth symphony. The NYP commissioned a new work by Julia Wolfe, Fire in My Mouth, giving its premiere in 2019 and receiving a Grammy nomination for its release.

The orchestra has performed in more than 430 cities in 63 countries, which includes its first tour after merging when Toscanini took it to Europe in 1930 and a trip to the USSR in 1959. In 2008, Lorin Maazel led it in a historic concert in Pyongyang, North Korea, the first significant cultural visit to the country by an American organization since the 1950s. The NYP hosts several free concerts each year, operates outreach programs in the city, and partners with select music schools in the U.S. and China.

The NYP's recording history dates back to 1917, counting over 2,000 releases, many of them award winners, with hundreds of them available at any given time. As many other orchestras have done, it has created its own label, releasing live concert recordings physically, and was the first to do so digitally as well, also offering podcasts and other new media. It hosted its first Facebook Live concert in 2016. Its Leon Levy Digital Archives contains every program printed since 1842, plus scores marked by musicians and conductors. ~ Patsy Morita


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