Sophie Wang & Florian Glemser - Clara & Robert Schumann (2022) [Hi-Res]
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BAND/ARTIST: Sophie Wang, Florian Glemser
- Title: Clara & Robert Schumann
- Year Of Release: 2022
- Label: CAvi-music
- Genre: Classical
- Quality: flac lossless (tracks) / flac 24bits - 96.0kHz +Booklet
- Total Time: 01:16:40
- Total Size: 358 mb / 1.29 gb
- WebSite: Album Preview
Tracklist
01. Three Romances for Violin and Piano, Op. 22: No. 1, Andante molto
02. Three Romances for Violin and Piano, Op. 22: No. 2, Allegretto. Mit zartem Vortrage
03. Three Romances for Violin and Piano, Op. 22: No. 3, Leidenschaftlich schnell
04. Violin Sonata No. 1 in A Minor, Op. 105: I. Mit leidenschaftlichem Ausdruck
05. Violin Sonata No. 1 in A Minor, Op. 105: II. Allegretto
06. Violin Sonata No. 1 in A Minor, Op. 105: III. Lebhaft
07. Three Romances for Violin and Piano, Op. 94: No. 1, Nicht schnell. Moderato
08. Three Romances for Violin and Piano, Op. 94: No. 2, Einfach. Innig
09. Three Romances for Violin and Piano, Op. 94: No. 3, Nicht schnell
10. F.A.E. Sonata, for Violin and Piano: I. Allegro
11. F.A.E. Sonata, for Violin and Piano: II. Intermezzo. Bewegt, doch nicht zu schnell
12. F.A.E. Sonata, for Violin and Piano: III. Scherzo. Allegro
13. F.A.E. Sonata, for Violin and Piano: IV. Finale. Markiertes, ziemlich lebhaftes Tempo
14. Variations on The last Rose
![Sophie Wang & Florian Glemser - Clara & Robert Schumann (2022) [Hi-Res]](https://www.dibpic.com/uploads/posts/2022-05/1652288174_sophie-wang-florian-glemser-clara-robert-schumann-2022-back.jpg)
"Are Schumann’s late works the product of a household where a physically and mentally declining composer and his wife, who refused to admit that reality, were living in a stuffy atmosphere? Or was Schumann’s Düsseldorf circle a fruitful terrain that gave rise to magnificent masterpieces because these close, talented friends – Robert Schumann, Clara Schumann, Albert Dietrich, Johannes Brahms, and Joseph Joachim – continually inspired one another?
For this recording, Sophie and I have chosen a programme that attempts to answer those questions. All the chamber music works on this CD are from the period between 1849 and 1854, thus stemming from the Schumanns’ time in Düsseldorf.
The personal and musical connections between Robert Schumann, Clara Schumann, Johannes Brahms, and Joseph Joachim are intrinsically present in all these works. Those biographical relationships are interesting for us as interpreters because they give rise to special moods we can sense in the music. We want to fathom them, to feel them, and to make them palpable for the listener: this is one of the most exciting projects we have ever undertaken as performers.
“You can look forward to what is about to arrive,” Johannes Brahms promised Joseph Joachim, who received a copy of Clara Schumann’s Three Romances op.22 fresh off the press in January 1856, as a belated Christmas present. Clara had composed these three pieces in the summer of 1853. Robert had always found it difficult to accept his wife’s professional success. Although he took her seriously and appreciated her comments as a competent interlocutor, he regarded her first and foremost as a housewife and as the mother of their children. He nevertheless encouraged her to compose her own works, and she was always the first to judge his.
After a long hiatus, Clara composed several works in 1853, including these three romances for violin and piano. They show her at the height of her musical inspiration: these are three pieces brimming with charm, melodic nuance, ..."
01. Three Romances for Violin and Piano, Op. 22: No. 1, Andante molto
02. Three Romances for Violin and Piano, Op. 22: No. 2, Allegretto. Mit zartem Vortrage
03. Three Romances for Violin and Piano, Op. 22: No. 3, Leidenschaftlich schnell
04. Violin Sonata No. 1 in A Minor, Op. 105: I. Mit leidenschaftlichem Ausdruck
05. Violin Sonata No. 1 in A Minor, Op. 105: II. Allegretto
06. Violin Sonata No. 1 in A Minor, Op. 105: III. Lebhaft
07. Three Romances for Violin and Piano, Op. 94: No. 1, Nicht schnell. Moderato
08. Three Romances for Violin and Piano, Op. 94: No. 2, Einfach. Innig
09. Three Romances for Violin and Piano, Op. 94: No. 3, Nicht schnell
10. F.A.E. Sonata, for Violin and Piano: I. Allegro
11. F.A.E. Sonata, for Violin and Piano: II. Intermezzo. Bewegt, doch nicht zu schnell
12. F.A.E. Sonata, for Violin and Piano: III. Scherzo. Allegro
13. F.A.E. Sonata, for Violin and Piano: IV. Finale. Markiertes, ziemlich lebhaftes Tempo
14. Variations on The last Rose
"Are Schumann’s late works the product of a household where a physically and mentally declining composer and his wife, who refused to admit that reality, were living in a stuffy atmosphere? Or was Schumann’s Düsseldorf circle a fruitful terrain that gave rise to magnificent masterpieces because these close, talented friends – Robert Schumann, Clara Schumann, Albert Dietrich, Johannes Brahms, and Joseph Joachim – continually inspired one another?
For this recording, Sophie and I have chosen a programme that attempts to answer those questions. All the chamber music works on this CD are from the period between 1849 and 1854, thus stemming from the Schumanns’ time in Düsseldorf.
The personal and musical connections between Robert Schumann, Clara Schumann, Johannes Brahms, and Joseph Joachim are intrinsically present in all these works. Those biographical relationships are interesting for us as interpreters because they give rise to special moods we can sense in the music. We want to fathom them, to feel them, and to make them palpable for the listener: this is one of the most exciting projects we have ever undertaken as performers.
“You can look forward to what is about to arrive,” Johannes Brahms promised Joseph Joachim, who received a copy of Clara Schumann’s Three Romances op.22 fresh off the press in January 1856, as a belated Christmas present. Clara had composed these three pieces in the summer of 1853. Robert had always found it difficult to accept his wife’s professional success. Although he took her seriously and appreciated her comments as a competent interlocutor, he regarded her first and foremost as a housewife and as the mother of their children. He nevertheless encouraged her to compose her own works, and she was always the first to judge his.
After a long hiatus, Clara composed several works in 1853, including these three romances for violin and piano. They show her at the height of her musical inspiration: these are three pieces brimming with charm, melodic nuance, ..."
Year 2022 | Classical | FLAC / APE | HD & Vinyl
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