Herbert Walser-Breuß - Cherubini in Wien (2018)
BAND/ARTIST: Herbert Walser-Breuß
- Title: Cherubini in Wien
- Year Of Release: 2018
- Label: Fra Bernardo
- Genre: Classical
- Quality: flac lossless +Booklet
- Total Time: 01:05:58
- Total Size: 334 mb
- WebSite: Album Preview
Tracklist
01. Raul der Blaubart (After A.E.M. Grétry): I. Ouvertüre
02. Raul der Blaubart (After A.E.M. Grétry): II. Marcia
03. Raul der Blaubart (After A.E.M. Grétry): III. Dopo la marcia
04. Raul der Blaubart (After A.E.M. Grétry): IV. Battaglia
05. Raul der Blaubart (After A.E.M. Grétry): V. Dopo la battaglia
06. Les deux journées, ou Le porteur d'eau (Excerpts): Overture
07. Les deux journées, ou Le porteur d'eau (Excerpts): No. 9, Finale II
08. Trumpet Concerto in E Major, WoO 1, S. 49: I. Allegro con spirito
09. Trumpet Concerto in E Major, WoO 1, S. 49: II. Andante
10. Trumpet Concerto in E Major, WoO 1, S. 49: III. Rondo
11. Serenata con una Cantatina: I. Marcia (After A.E.M. Grétry)
12. Serenata con una Cantatina: IV. Quodlibet (No. 23, Larghetto-No. 24, Andante)
13. Serenata con una Cantatina: V. Marsch (After L. Cherubini)
14. Lodoiska (Excerpts): Interlude. Moderato-Allegro spiritoso
15. Lodoiska (Excerpts): Interlude. Andante sostenuto
16. Faniska: Overture
The works of this production with the Austrian ensemble Concerto Stella Matutina are closely connected with Luigi Cherubini’s (1760-1842) visit to Vienna in the summer of 1805, whose opera Faniska, which premiered there, became a triumphant success. In Vienna he not only composed the new interlude music for the successful piece Lodoiska, the young Hummel also paid him a special homage. The soloist Herbert Walser-Breuss plays this popular work on a historical keyed trumpet, as the interpreter of the world premiere had used it. Concerto Stella Matutina is fortunate in being able to combine the freshness and commitment of a relatively young orchestra with the many years’ experience of its members in some of Europe’s foremost baroque ensembles. The number of engagements for the baroque orchestra, both at home and abroad, has risen steadily since its foundation in 2005. CSM has its own concert series in Vorarlberg. In addition to performing well-known masterpieces, the musicians also focus particular attention on neglected works of the 17th and 18th centuries and continue to widen their horizon by the implementation of the most recent discoveries in performance practice.
01. Raul der Blaubart (After A.E.M. Grétry): I. Ouvertüre
02. Raul der Blaubart (After A.E.M. Grétry): II. Marcia
03. Raul der Blaubart (After A.E.M. Grétry): III. Dopo la marcia
04. Raul der Blaubart (After A.E.M. Grétry): IV. Battaglia
05. Raul der Blaubart (After A.E.M. Grétry): V. Dopo la battaglia
06. Les deux journées, ou Le porteur d'eau (Excerpts): Overture
07. Les deux journées, ou Le porteur d'eau (Excerpts): No. 9, Finale II
08. Trumpet Concerto in E Major, WoO 1, S. 49: I. Allegro con spirito
09. Trumpet Concerto in E Major, WoO 1, S. 49: II. Andante
10. Trumpet Concerto in E Major, WoO 1, S. 49: III. Rondo
11. Serenata con una Cantatina: I. Marcia (After A.E.M. Grétry)
12. Serenata con una Cantatina: IV. Quodlibet (No. 23, Larghetto-No. 24, Andante)
13. Serenata con una Cantatina: V. Marsch (After L. Cherubini)
14. Lodoiska (Excerpts): Interlude. Moderato-Allegro spiritoso
15. Lodoiska (Excerpts): Interlude. Andante sostenuto
16. Faniska: Overture
The works of this production with the Austrian ensemble Concerto Stella Matutina are closely connected with Luigi Cherubini’s (1760-1842) visit to Vienna in the summer of 1805, whose opera Faniska, which premiered there, became a triumphant success. In Vienna he not only composed the new interlude music for the successful piece Lodoiska, the young Hummel also paid him a special homage. The soloist Herbert Walser-Breuss plays this popular work on a historical keyed trumpet, as the interpreter of the world premiere had used it. Concerto Stella Matutina is fortunate in being able to combine the freshness and commitment of a relatively young orchestra with the many years’ experience of its members in some of Europe’s foremost baroque ensembles. The number of engagements for the baroque orchestra, both at home and abroad, has risen steadily since its foundation in 2005. CSM has its own concert series in Vorarlberg. In addition to performing well-known masterpieces, the musicians also focus particular attention on neglected works of the 17th and 18th centuries and continue to widen their horizon by the implementation of the most recent discoveries in performance practice.
Year 2018 | Classical | FLAC / APE
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