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Thelonious Monk with John Coltrane - The Complete 1957 Riverside Recordings (2017) Hi-Res

Thelonious Monk with John Coltrane - The Complete 1957 Riverside Recordings (2017) Hi-Res
  • Title: The Complete 1957 Riverside Recordings
  • Year Of Release: 2017
  • Label: Craft Recordings
  • Genre: Jazz
  • Quality: Mp3 320 kbps / FLAC (tracks) / FLAC 24 Bit (192 KHz / tracks+booklet)
  • Total Time: 105:57 min
  • Total Size: 252 MB / 638 MB / 3,2 GB
  • WebSite:
Tracklist:

Disc: 1
1. Monk's Mood [false start]
2. Monk's Mood
3. Crepuscule with Nellie [take 1]
4. Crepuscule with Nellie [take 2]
5. Crepuscule with Nellie [breakdown]
6. Blues for Tomorrow [first stereo release]
7. Crepuscule with Nellie [edited: retakes 4 & 5]

Disc: 2
1. Crepuscule with Nellie [retake 6]
2. Off Minor [take 4]
3. Off Minor [take 5]
4. Abide with Me [take 1]
5. Abide with Me
6. Ephistrophy [short version]
7. Ephistrophy
8. Well, You Needn't [opening]

Disc: 3
1. Well, You Needn't
2. Ruby, My Dear [with Coleman Hawkins]
3. Ruby, My Dear [with John Coltrane]
4. Nutty
5. Trinkle, Tinkle

The Complete 1957 Riverside Recordings begin with a false start. No, literally, track one is called, “Monk’s Mood [false start].” But take a listen to the 20-song collection and you’ll find that’s the only one there is—metaphorically or otherwise.

The two jazz legends recorded a studio album simply titled Thelonious Monk with John Coltrane in 1957, featuring six songs all credited to Monk. Five of six of those (excluding Monk’s solo piece closing track, “Functional”) make it onto the Complete 1957 Riverside Recordings, alongside additional works including “Monk’s Mood,” “Crepuscule with Nellie,” “Blues for Tomorrow,” “Abide with Me” and “Well, You Needn’t.”

The fits, starts, breakdowns and final takes on this three-LP set were all culled from Monk and Coltrane’s residency at the New York City’s Five Spot Café between April and July of ‘57. Monk, the pianist, and Coltrane, the younger saxophonist learning from the not-that-much-older mentor, truly coalesce in these live cuts. The juxtaposition of Monk’s halting and hitting piano work and Coltrane’s smooth, bebop woodwind somehow creates a sanctified harmony.

Of the five songs that appear on both the eponymous album and this new collection, a couple in our own archives illustrate how special, if all-too-brief, that collaboration between these two musicians truly was. For his part, Monk proffered a take on “Nutty” with his quartet and guest clarinetist Pee Wee Russell during the 1963 Newport Jazz Festival. His sense of collaboration, as shown by the generous solos granted to other members, yields a recording that’s nearly twice the length of the bouncy, bassy version that appears on last side of the last Riverside Recordings LP.


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