Jascha Nemtsov, Tehila Nini Goldstein - Hans Heller: Piano Works & Songs (2022) [Hi-Res]
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BAND/ARTIST: Jascha Nemtsov, Tehila Nini Goldstein
- Title: Hans Heller: Piano Works & Songs
- Year Of Release: 2022
- Label: haenssler CLASSIC
- Genre: Classical
- Quality: flac lossless (tracks) / flac 24bits - 44.1kHz +Booklet
- Total Time: 01:04:04
- Total Size: 238 / 534 mb
- WebSite: Album Preview
Tracklist
01. Piano Sonata, Op. 3: I. Molto allegro - Molto agitato
02. Piano Sonata, Op. 3: II. Lento
03. Piano Sonata, Op. 3: III. Presto
04. 4 Lieder, Op. 8 "Vom kleinen Alltag": No. 1, Nichts ist so rührend wie dieHabseligkeiten der Toten
05. 4 Lieder, Op. 8 "Vom kleinen Alltag": No. 2, Man muss die Frauen der kleinen Beamten sehen
06. 4 Lieder, Op. 8 "Vom kleinen Alltag": No. 3, Die armen Leute ziehen am Sonntag hinaus
07. 4 Lieder, Op. 8 "Vom kleinen Alltag": No. 4, Arbeiter reißen die Straße auf
08. 2 Scherzi, Op. 4: No. 1, Prestissimo
09. 2 Scherzi, Op. 4: No. 2, Allegro
10. Schlafen, schlafen.
11. Little Suite for Piano: I. Prelude
12. Little Suite for Piano: II. Meditation
13. Little Suite for Piano: III. Scherzino
14. Little Suite for Piano: IV. Elegie
15. Little Suite for Piano: V. Like the Song of a Bird
16. Little Suite for Piano: VI. Molto vivace
17. Les aveugles
18. Divertimento for Piano: I. Introduzione
19. Divertimento for Piano: II. Allegretto scherzando
20. Divertimento for Piano: III. Vivace
21. Divertimento for Piano: IV. Andante molto
22. Divertimento for Piano: V. Veemente
23. Divertimento for Piano: VI. Teneramente
24. Divertimento for Piano: VII. Tempo di marcia
After Hans Heller’s death on December 9, 1969, and after the end of Ingrid Heller’s pianistic career, Heller's name disappeared altogether from the music scene. To this day, his oeuvre has been largely ignored by musicological research. It is to be hoped that Hans Heller’s work will soon be finally accorded the recognition it deserves, both on the German and international music scene. His musical quality and originality, his humanistic message and its contemporary relevance are the best preconditions for that to come about.
Heller had already decided in 1924 to concentrate entirely on composing music. For that reason he moved in August 1924 to Berlin, where from 1925 to 1929 he studied counterpoint, instrumentation and composition with Franz Schreker. Before long, Franz Schreker and his wife, the singer Maria Schreker (1892-1978), had formed a deep, lifelong friendship with Heller. “Schrekers and Hellers became friends in the 1920s”, Peter Heller later recalled. “They went out together in the evenings after work, they played cards together. Hindemith was also part of the circle, with his wife Trude. Musical life centred on this group of friends. My parents met Schoenberg, Berg, Krenek”.
The rediscovery of the German Jewish composer Hans Heller is a prime example of how the historical reappraisal of the effects of totalitarian systems on the development of music in the 20th century can in no way be considered as completed.
01. Piano Sonata, Op. 3: I. Molto allegro - Molto agitato
02. Piano Sonata, Op. 3: II. Lento
03. Piano Sonata, Op. 3: III. Presto
04. 4 Lieder, Op. 8 "Vom kleinen Alltag": No. 1, Nichts ist so rührend wie dieHabseligkeiten der Toten
05. 4 Lieder, Op. 8 "Vom kleinen Alltag": No. 2, Man muss die Frauen der kleinen Beamten sehen
06. 4 Lieder, Op. 8 "Vom kleinen Alltag": No. 3, Die armen Leute ziehen am Sonntag hinaus
07. 4 Lieder, Op. 8 "Vom kleinen Alltag": No. 4, Arbeiter reißen die Straße auf
08. 2 Scherzi, Op. 4: No. 1, Prestissimo
09. 2 Scherzi, Op. 4: No. 2, Allegro
10. Schlafen, schlafen.
11. Little Suite for Piano: I. Prelude
12. Little Suite for Piano: II. Meditation
13. Little Suite for Piano: III. Scherzino
14. Little Suite for Piano: IV. Elegie
15. Little Suite for Piano: V. Like the Song of a Bird
16. Little Suite for Piano: VI. Molto vivace
17. Les aveugles
18. Divertimento for Piano: I. Introduzione
19. Divertimento for Piano: II. Allegretto scherzando
20. Divertimento for Piano: III. Vivace
21. Divertimento for Piano: IV. Andante molto
22. Divertimento for Piano: V. Veemente
23. Divertimento for Piano: VI. Teneramente
24. Divertimento for Piano: VII. Tempo di marcia
After Hans Heller’s death on December 9, 1969, and after the end of Ingrid Heller’s pianistic career, Heller's name disappeared altogether from the music scene. To this day, his oeuvre has been largely ignored by musicological research. It is to be hoped that Hans Heller’s work will soon be finally accorded the recognition it deserves, both on the German and international music scene. His musical quality and originality, his humanistic message and its contemporary relevance are the best preconditions for that to come about.
Heller had already decided in 1924 to concentrate entirely on composing music. For that reason he moved in August 1924 to Berlin, where from 1925 to 1929 he studied counterpoint, instrumentation and composition with Franz Schreker. Before long, Franz Schreker and his wife, the singer Maria Schreker (1892-1978), had formed a deep, lifelong friendship with Heller. “Schrekers and Hellers became friends in the 1920s”, Peter Heller later recalled. “They went out together in the evenings after work, they played cards together. Hindemith was also part of the circle, with his wife Trude. Musical life centred on this group of friends. My parents met Schoenberg, Berg, Krenek”.
The rediscovery of the German Jewish composer Hans Heller is a prime example of how the historical reappraisal of the effects of totalitarian systems on the development of music in the 20th century can in no way be considered as completed.
Year 2022 | Classical | FLAC / APE | HD & Vinyl
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