Capella de la Torre - Monteverdi: Memories (2022) [Hi-Res]
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BAND/ARTIST: Capella de la Torre
- Title: Monteverdi: Memories
- Year Of Release: 2022
- Label: deutsche harmonia mundi
- Genre: Classical
- Quality: FLAC (tracks) / 24bit-48kHz FLAC (tracks+booklet)
- Total Time: 01:14:12
- Total Size: 360 / 795 MB
- WebSite: Album Preview
Tracklist:
1. Movete al mio bel suon, SV 154:3 (4:18)
2. Introduzione al ballo, SV 154:1: Entrata e Passeggio (2:04)
3. Confitebor tibi Domine III (Alla francese), SV 267 (6:06)
4. Zefiro Torna e di soavi accenti, SV 251 (5:37)
5. Soave libertate, SV 130 (4:17)
6. Damigella, SV 235 (2:43)
7. Deus tuorum militum, SV 280 (2:28)
8. Vespro della Beata Vergine: Sonata sopra Sancta Maria, SV 206:11 (7:26)
9. Confitebor tibi Domine II, SV 266 (5:06)
10. Laudate Dominum in sanctis eius, SV 287 (4:50)
11. Ohimé ch'io cado, SV 316 (4:16)
12. Il ballo delle ingrate. SV 167 (5:19)
13. Chiome d'oro, SV 143 (4:42)
14. Sanctorum meritis, SV 277 (2:47)
15. Giovinetta, SV 241 (4:18)
16. Beatus vir qui timet Dominum, SV 268 (8:07)
1. Movete al mio bel suon, SV 154:3 (4:18)
2. Introduzione al ballo, SV 154:1: Entrata e Passeggio (2:04)
3. Confitebor tibi Domine III (Alla francese), SV 267 (6:06)
4. Zefiro Torna e di soavi accenti, SV 251 (5:37)
5. Soave libertate, SV 130 (4:17)
6. Damigella, SV 235 (2:43)
7. Deus tuorum militum, SV 280 (2:28)
8. Vespro della Beata Vergine: Sonata sopra Sancta Maria, SV 206:11 (7:26)
9. Confitebor tibi Domine II, SV 266 (5:06)
10. Laudate Dominum in sanctis eius, SV 287 (4:50)
11. Ohimé ch'io cado, SV 316 (4:16)
12. Il ballo delle ingrate. SV 167 (5:19)
13. Chiome d'oro, SV 143 (4:42)
14. Sanctorum meritis, SV 277 (2:47)
15. Giovinetta, SV 241 (4:18)
16. Beatus vir qui timet Dominum, SV 268 (8:07)
"When Renaissance music grooves" is how Deutschlandfunk describes the music of Capella de la Torre under the direction of Katharina Bäuml. The ensemble, which has won many awards at home and abroad, proves this with its new album "Monterverdi Memories"
Through the skillful selection of pieces and modern interpretation, the album provides a unique insight into Monteverdi's music. Katharina Bäuml has selected special works that reflect both Monteverdi's 20 years as court musician in Mantua and his 30 years as Kapellmeister at the famous St. Mark's Church in Venice. These include works for a large ensemble such as "Beatus Vir" and "Confitebor tibi Domine" as well as pieces for a smaller ensemble such as "Tempo la Cetra" which make it easy to understand how revolutionary Monteverdi's music was at the time
With his madrigals, Monteverdi gave sacred vocal music a completely new expression with harmonies that were revolutionary for the time. In a way, Monteverdi is considered the father of the "walking bass" popularized a few centuries later in jazz
From Monteverdi's musical "diaries", the vocalists and instrumentalists of Capella de la Torre present a multifaceted sound panorama. In addition, three of Monteverdi's few instrumental pieces can be heard. The ballet music for "Ballo delle ingrate" is the only piece of independent instrumental music that he handed down to posterity.
In addition, the "Sonata sopra Sancta Maria, ora pro nobis" from the "Marienvesper" (1610) can be heard. It is a marvel of complexity, musical formal architecture and instrumental virtuosity and was considered unique in its time. And the madrigal "Zefiro torna" from the "Scherzi musicali" proves what a real jazz groove Monteverdi's music has. Over the fixed "chaconne" rhythm in the instrumental bass, Monteverdi lays a veritable firework of changing, partly
Through the skillful selection of pieces and modern interpretation, the album provides a unique insight into Monteverdi's music. Katharina Bäuml has selected special works that reflect both Monteverdi's 20 years as court musician in Mantua and his 30 years as Kapellmeister at the famous St. Mark's Church in Venice. These include works for a large ensemble such as "Beatus Vir" and "Confitebor tibi Domine" as well as pieces for a smaller ensemble such as "Tempo la Cetra" which make it easy to understand how revolutionary Monteverdi's music was at the time
With his madrigals, Monteverdi gave sacred vocal music a completely new expression with harmonies that were revolutionary for the time. In a way, Monteverdi is considered the father of the "walking bass" popularized a few centuries later in jazz
From Monteverdi's musical "diaries", the vocalists and instrumentalists of Capella de la Torre present a multifaceted sound panorama. In addition, three of Monteverdi's few instrumental pieces can be heard. The ballet music for "Ballo delle ingrate" is the only piece of independent instrumental music that he handed down to posterity.
In addition, the "Sonata sopra Sancta Maria, ora pro nobis" from the "Marienvesper" (1610) can be heard. It is a marvel of complexity, musical formal architecture and instrumental virtuosity and was considered unique in its time. And the madrigal "Zefiro torna" from the "Scherzi musicali" proves what a real jazz groove Monteverdi's music has. Over the fixed "chaconne" rhythm in the instrumental bass, Monteverdi lays a veritable firework of changing, partly
Year 2022 | Classical | FLAC / APE | HD & Vinyl
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