Actors Artificial - Untimeliness & Default Settings (2022)

Actors Artificial is a linkup of composed music that perceived a particular meaning in artefacts of apparitions and of conspiratorial artworks. It foreshadows boredom with experiential rock. No witness to witness anything and yet something must happen over there as an inconsequential prophecy. Untimeliness & Default settings develop this approach to conceal one possible answer to any meaning or any principle of expansion or reduction. The rate of occurrence here is a phenomenon of purposeful sounds towards the making of an object. It is an attempt of dissociating its enlightened identity by acting on amplifier apparatus as functions and in search of the contentiousness of a fake acoustic signal. Nonetheless, it’s a record of rock music, designed in a network of aftershocks events, with collaborators such as Alexandre St-Onge on electronic bass, Dominic Jasmin on guitar and electronic and Samuel Bobony on studio recorded drums. Initially, it was an in-depth performative research on filters and feedback for guitar by Jonathan Parant. His guitar ideology derived from the abduction of outcomes from different outlets. He subsequently shaped effects particularly with stillness and shifting stream. Additional guitar constructs were added throughout internal and external spirited devices such as existential theory, activity of the process and computerize mayhem. Two unending pieces emerged from that state of theatricals. At last, The future arrives with Roger Tellier-Craig as a foreign processor. The two elusive structures were entirely mutated, with his fearless vision of the deconstruct in his sound music practice, to two impossible buildings residing beside each other where non-one can live in.