Anne Akiko Meyers, Keith Lockhart, London Symphony Orchestra - Serenade: The Love Album (2015) [Hi-Res]
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BAND/ARTIST: Anne Akiko Meyers, Keith Lockhart, London Symphony Orchestra
- Title: Serenade: The Love Album
- Year Of Release: 2015
- Label: eOne Music
- Genre: Classical
- Quality: flac 24bits - 96.0kHz +Booklet
- Total Time: 01:13:47
- Total Size: 1.31 gb
- WebSite: Album Preview
Tracklist
01. Serenade after Plato's "Symposium": I. Phaedrus-Pausanias: Lento-Allegro marcato
02. Serenade after Plato's "Symposium": II. Aristophanes: Allegretto
03. Serenade after Plato's "Symposium": III.Eryximachus: Presto
04. Serenade after Plato's "Symposium": IV. Agathon: Adagio
05. Serenade after Plato's "Symposium": V. Socrates- Alcibiades: Molto tenuto-Allegro molto vivace
06. Love Theme (from “Cinema Paradiso")
07. Theme from "Laura"
08. Someone to Watch Over Me ( from "Oh, Kay")
09. Summertime (from "Porgy and Bess")
10. Gabriel's Oboe (from “The Mission")
11. Emmanuel
12. Jalousie
13. Oblivion
14. When You Wish Upon a Star (from "Pinocchio")
15. I'll Be Seeing You
16. Somewhere (from “West Side Story")
Without much fanfare, Anne Akiko Meyers has risen to the top of the heap in American classical music; she was the best-selling traditional classical instrumentalist in the U.S. in 2014. She does nearly everything well and puts it across effectively: she has strong fundamentals, a good deal of stage charisma, great programming instincts, and a couple of extraordinary violins to which she has lifetime access, including the 1741 "Ex Vieuxtemps" Guarneri heard here. It's unusual to hear this instrument, with its purring lower register, applied to the likes of Somewhere Over the Rainbow, but the truth is that she applies its capabilities in novel and entirely appropriate ways. Leonard Bernstein is at the center of the program, which sets it apart from the usual collections of sentimental pop tunes; Meyers effectively plays the more abstract Serenade After Plato's Symposium against film themes and popular songs by Bernstein and other composers, with tango accents from Gade and Piazzolla to break things up. It's an exceptionally engaging program that uses Meyers' basically lyrical talents to the maximum, and her aims are perfectly complemented by the London Symphony under Keith Lockhart. That might seem an unusual combination, but once you listen it makes perfect sense. And the same can be said of Meyers' playing in general. Luxuriantly melodic, and highly recommended.
01. Serenade after Plato's "Symposium": I. Phaedrus-Pausanias: Lento-Allegro marcato
02. Serenade after Plato's "Symposium": II. Aristophanes: Allegretto
03. Serenade after Plato's "Symposium": III.Eryximachus: Presto
04. Serenade after Plato's "Symposium": IV. Agathon: Adagio
05. Serenade after Plato's "Symposium": V. Socrates- Alcibiades: Molto tenuto-Allegro molto vivace
06. Love Theme (from “Cinema Paradiso")
07. Theme from "Laura"
08. Someone to Watch Over Me ( from "Oh, Kay")
09. Summertime (from "Porgy and Bess")
10. Gabriel's Oboe (from “The Mission")
11. Emmanuel
12. Jalousie
13. Oblivion
14. When You Wish Upon a Star (from "Pinocchio")
15. I'll Be Seeing You
16. Somewhere (from “West Side Story")
Without much fanfare, Anne Akiko Meyers has risen to the top of the heap in American classical music; she was the best-selling traditional classical instrumentalist in the U.S. in 2014. She does nearly everything well and puts it across effectively: she has strong fundamentals, a good deal of stage charisma, great programming instincts, and a couple of extraordinary violins to which she has lifetime access, including the 1741 "Ex Vieuxtemps" Guarneri heard here. It's unusual to hear this instrument, with its purring lower register, applied to the likes of Somewhere Over the Rainbow, but the truth is that she applies its capabilities in novel and entirely appropriate ways. Leonard Bernstein is at the center of the program, which sets it apart from the usual collections of sentimental pop tunes; Meyers effectively plays the more abstract Serenade After Plato's Symposium against film themes and popular songs by Bernstein and other composers, with tango accents from Gade and Piazzolla to break things up. It's an exceptionally engaging program that uses Meyers' basically lyrical talents to the maximum, and her aims are perfectly complemented by the London Symphony under Keith Lockhart. That might seem an unusual combination, but once you listen it makes perfect sense. And the same can be said of Meyers' playing in general. Luxuriantly melodic, and highly recommended.
Classical | FLAC / APE | HD & Vinyl
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