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Les Boréades de Montréal - C.P.E. Bach: Chamber Music (2004)

Les Boréades de Montréal - C.P.E. Bach: Chamber Music (2004)
  • Title: C.P.E. Bach: Chamber Music
  • Year Of Release: 2004
  • Label: ATMA Classique
  • Genre: Classical
  • Quality: flac lossless (tracks)
  • Total Time: 01:00:42
  • Total Size: 277 mb
  • WebSite:
Tracklist

01. Quartet for Keyboard, Flute and Viola, Wq. 84, H. 538: I. Allegretto
02. Quartet for Keyboard, Flute and Viola, Wq. 84, H. 538: II. Sehr Langsam Und Ausgehalten
03. Quartet for Keyboard, Flute and Viola, Wq. 84, H. 538: III. Allegro Di Molto
04. Trio for Bass Recorder, Viola and Basso Continuo In F Major, Wq. 163/1, H. 588: I. un Poco Andante
05. Trio for Bass Recorder, Viola and Basso Continuo In F Major, Wq. 163/1, H. 588: II. Allegretto
06. Trio for Bass Recorder, Viola and Basso Continuo In F Major, Wq. 163/1, H. 588: III. Allegro
07. Trio for 2 Violins and Basso Continuo In C Minor, Wq. 161/1, H. 579, "Sangineus Und Melancholicus": I. Allegretto - Presto
08. Trio for 2 Violins and Basso Continuo In C Minor, Wq. 161/1, H. 579, "Sangineus Und Melancholicus": II. Adagio
09. Trio for 2 Violins and Basso Continuo In C Minor, Wq. 161/1, H. 579, "Sangineus Und Melancholicus": III. Allegro
10. Quartet for Keyboard, Flute and Viola In a Minor, Wq. 93, H. 537: I. Andantino
11. Quartet for Keyboard, Flute and Viola In a Minor, Wq. 93, H. 537: II. Largo e Sostenuto
12. Quartet for Keyboard, Flute and Viola In a Minor, Wq. 93, H. 537: III. Allegro Assai

This disc of chamber music by Carl Philipp Emanuel Bach is one of those releases that are worth acquiring for a single included item - and now, with download media finally coming to grips with how to transmit classical music, users may wish to do just that. The standout find on this release by the Montreal chamber group Les Boréades is the Trio Sonata in C minor for two violins and continuo, subtitled "Sanguineus und Melancholicus" (1749). The subtitle indicates that the work depicts or embodies a debate between a hopeful speaker and a melancholy one, thus taking the general notion of chamber music as a dialogue to an unusually specific degree of realization. An unusual opening movement that alternates between little fast and slow chunks gets your attention -- and then you wonder how the composer will sustain his concept over three movements and reconcile it with the outer conventions of the multimovement classical sonata idea without repeating himself. The short answer is that some very subtle contrapuntal writing, worthy of the ingenuity of C.P.E.'s father J.S. Bach, is brought to bear in the last two movements; a fuller answer awaits the happy listener. Bach's own program reads like this: "It is a conversation between a sanguine and a melancholic who both try to convince the other until the end of the second movement, at which point the melancholic sides with the other's point of view." The other three w

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  • olga1001
  •  wrote in 10:13
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Booklet is on Label

https://atmaclassique.com/wp-content/uploads/livret/ef80a303-f38c-42d2-90b2-a3ccdff82317_2322_livret.pdf
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  • platico
  •  wrote in 01:59
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gracias...