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Blossoms - Blossoms (Extended Edition) (2016)

Blossoms - Blossoms (Extended Edition) (2016)

BAND/ARTIST: Blossoms

Tracklist:

1. Charlemagne (02:46)
2. At Most a Kiss (02:58)
3. Getaway (02:59)
4. Honey Sweet (03:35)
5. Onto Her Bed (02:35)
6. Texia (03:27)
7. Blown Rose (03:10)
8. Smashed Pianos (03:18)
9. Cut Me and I’ll Bleed (03:20)
10. My Favourite Room (03:30)
11. Blow (03:38)
12. Deep Grass (04:45)
13. Winter Kiss (03:49)
14. Madeleine (03:29)
15. Smoke (04:35)
16. Stormy (02:33)
17. Across the Moor (02:52)
18. Polka Dot Bones (03:44)
19. For Evelyn (03:06)
20. Wretched Fate (03:09)
21. Fourteen (03:00)
22. Misery (02:03)

When it’s not enjoying an imperial phase, guitar music does well to cosy up to pop. So, in 2016, Catfish do pop with a Liam Gallagher snarl. The 1975 do pop with Tame Impala’s breadth. Bastille, meanwhile, just do straight-up pop. Enter Stockport five-piece Blossoms – this year’s biggest guitar-pop shooting stars, named after a pub and looking like snake-hipped garage rockers from the wrong side of Scarysex Central – occasionally sounding like Ellie Goulding. Tipped for greatness by the BBC Sound Of 2016 poll, they’re cunningly making a stealth assault on chart territory.

Their debut album opens as radio-friendly as it can be; the irrepressible ‘Charlemagne’ is built around ‘Running Up That Hill’ rhythms, clubland synthpop and a hook worthy of Hall & Oates, A-ha and, yes, The 1975. Over at ‘Getaway’, ‘At Most A Kiss’ and ‘Honey Sweet’, they pay homage to ’80s funk electropop, Duran Duran, Pet Shop Boys, Hurts, The Wombats, Jane Wiedlin and (ahem) The Script. It’s tuneful, romance-based radio pop with slivers of guitar for decoration.

Then something interesting happens. Midway through glacial, nostalgic piano ballad ‘Onto Her Bed’, the song dissolves in a swarm of poltergeist atmospherics before it hits the chorus and Blossoms begin exposing roots, prodding boundaries. ‘Texia’ and ‘Cut Me And I’ll Bleed’ embrace New Order’s murder-on-the-dancefloor aesthetic. ‘Blown Rose’ finds singer Tom Ogden celebrating ‘the stately homes of England’ from amidst a foliage of bristling electro-jangle reminiscent of Bernard Sumner and Johnny Marr’s Electronic – at points you can even hear it tipping its ‘Hatful Of Hollow’.

By the end they’re ripping open their disco shirts and beating their hairy indie-rock chests like tight-trousered Tarzans – ‘My Favourite Room’ is their take on the howling-at-mountains acoustic Noelrock of the late ’90s, and ‘Blow’ and ‘Deep Grass’ delve into full-on psychtronic blues scree. Ultimately, Blossoms leap from their chart-bound Trojan horse as modernist rock heroes.


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