André Marchal - Homage to André Marchal (2012) [Hi-Res]
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BAND/ARTIST: André Marchal
- Title: Homage to André Marchal
- Year Of Release: 2012
- Label: Solstice
- Genre: Classical Organ
- Quality: flac lossless (tracks) / flac 24bits - 96.0kHz +Booklet
- Total Time: 02:14:34
- Total Size: 635 mb / 2.31 gb
- WebSite: Album Preview
Tracklist
CD1
01. Partita on “Sei gegrüsset, Jesu gutig” in G Minor, BWV 768
02. Messe Cunctipotens genitor Deus (Premier Livre d’Orgue): IV. Récit de tierce en taille (Gloria)
03. Messe Cunctipotens genitor Deus (Premier Livre d’Orgue): II. Fugue à 5 (Kyrie)
04. Messe des paroisses (Kyrie): I. Plain-Chant
05. Messe des paroisses (Kyrie): III. Récit de cromorne
06. Messe des paroisses (Kyrie): II. Fugue sur les jeux d’anches
07. Pièce
08. 24 Fantasy Pieces for Organ (Suite III), Op. 54: II. Impromptu
09. Symphony for Organ No. 4 in G Minor, Op. 32: I. Prelude
10. Symphony for Organ No. 4 in G Minor, Op. 32: II. Allegro
11. Symphony for Organ No. 4 in G Minor, Op. 32: III. Menuet
12. Symphony for Organ No. 4 in G Minor, Op. 32: IV. Romance
13. Symphony for Organ No. 4 in G Minor, Op. 32: V. Final
CD2
01. 3 Pièces, Op. 7: III. Toccata
02. Office de l’Épiphanie, Op. 55 No. 7: I. Prélude à l’Introït
03. Office de l’Épiphanie, Op. 55 No. 7: II. Offertoire
04. Office de l’Épiphanie, Op. 55 No. 7: III. Élévation
05. Office de l’Épiphanie, Op. 55 No. 7: IV. Communion
06. Office de l’Épiphanie, Op. 55 No. 7: V. Fantaisie
07. Deux Danses a Agni Yavishta: Deux danses à Agni Yavishta
08. Postlude pour l’Office des Complies, Op. 21
09. Litanies, Op. 79
10. Improvisation (Saint-Merri, 1973)
11. Improvisation on a theme in the Renaissance character
12. Improvisation in private
13. Improvisation (Saint-Eustache, 1957)
14. Improvisation on “Nous n’irons plus au bois”
15. Improvisation on a theme by Sir George Dyson
By undertaking this ’Homage to André Marchal’, we had a dual concern: first of all, that of choosing, from the archives of the INA (National Audiovisual Institute) and from our own, the recordings that, in spite of the ravages of time, would allow for satisfying listening ; and also of offering, amongst his legendary interpretations, the broadest palette on as many instruments as possible.To conclude, we could not omit paying tribute to the great improviser that he was. These ’works of the instant’ of which he was lavish, you will find here a bouquet, admittedly modest but suitable for perpetuating his memory.
CD1
01. Partita on “Sei gegrüsset, Jesu gutig” in G Minor, BWV 768
02. Messe Cunctipotens genitor Deus (Premier Livre d’Orgue): IV. Récit de tierce en taille (Gloria)
03. Messe Cunctipotens genitor Deus (Premier Livre d’Orgue): II. Fugue à 5 (Kyrie)
04. Messe des paroisses (Kyrie): I. Plain-Chant
05. Messe des paroisses (Kyrie): III. Récit de cromorne
06. Messe des paroisses (Kyrie): II. Fugue sur les jeux d’anches
07. Pièce
08. 24 Fantasy Pieces for Organ (Suite III), Op. 54: II. Impromptu
09. Symphony for Organ No. 4 in G Minor, Op. 32: I. Prelude
10. Symphony for Organ No. 4 in G Minor, Op. 32: II. Allegro
11. Symphony for Organ No. 4 in G Minor, Op. 32: III. Menuet
12. Symphony for Organ No. 4 in G Minor, Op. 32: IV. Romance
13. Symphony for Organ No. 4 in G Minor, Op. 32: V. Final
CD2
01. 3 Pièces, Op. 7: III. Toccata
02. Office de l’Épiphanie, Op. 55 No. 7: I. Prélude à l’Introït
03. Office de l’Épiphanie, Op. 55 No. 7: II. Offertoire
04. Office de l’Épiphanie, Op. 55 No. 7: III. Élévation
05. Office de l’Épiphanie, Op. 55 No. 7: IV. Communion
06. Office de l’Épiphanie, Op. 55 No. 7: V. Fantaisie
07. Deux Danses a Agni Yavishta: Deux danses à Agni Yavishta
08. Postlude pour l’Office des Complies, Op. 21
09. Litanies, Op. 79
10. Improvisation (Saint-Merri, 1973)
11. Improvisation on a theme in the Renaissance character
12. Improvisation in private
13. Improvisation (Saint-Eustache, 1957)
14. Improvisation on “Nous n’irons plus au bois”
15. Improvisation on a theme by Sir George Dyson
By undertaking this ’Homage to André Marchal’, we had a dual concern: first of all, that of choosing, from the archives of the INA (National Audiovisual Institute) and from our own, the recordings that, in spite of the ravages of time, would allow for satisfying listening ; and also of offering, amongst his legendary interpretations, the broadest palette on as many instruments as possible.To conclude, we could not omit paying tribute to the great improviser that he was. These ’works of the instant’ of which he was lavish, you will find here a bouquet, admittedly modest but suitable for perpetuating his memory.
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