Mieneke van der Velden - Musickes Sweetest Joyes (2004) [Hi-Res]
BAND/ARTIST: Mieneke van der Velden, Fred Jacobs, Jaap ter Linden, Peter Kooij, Johannette Zomer
- Title: Musickes Sweetest Joyes
- Year Of Release: 2004
- Label: Channel Classics Records
- Genre: Classical
- Quality: FLAC (tracks, booklet) [192kHz/24bit]
- Total Time: 1:10:42
- Total Size: 2.24 GB / 357 MB
- WebSite: Album Preview
Tracklist:
1. Mieneke va der Velden – Prelude in D (01:44)
2. Mieneke va der Velden – Divisions upon a ground (05:05)
3. Mieneke va der Velden – A Pavin (05:35)
4. Mieneke va der Velden – Coranto (01:20)
5. Mieneke va der Velden – The Punckes Delight (02:17)
6. Mieneke va der Velden – Cease leaden slumber (04:07)
7. Mieneke va der Velden – Good againe (05:31)
8. Mieneke va der Velden – What greater griefe (02:47)
9. Mieneke va der Velden – Suite in C Minor/Major: I. Fantazie (01:30)
10. Mieneke va der Velden – Suite in C Minor/Major: II. Courant (01:18)
11. Mieneke va der Velden – Suite in C Minor/Major: III. Fantazie (01:16)
12. Mieneke va der Velden – Suite in C Minor/Major: IV. Fantazie (01:46)
13. Mieneke va der Velden – Suite in C Minor/Major: V. Saraband (00:52)
14. Mieneke va der Velden – Preludium (01:06)
15. Mieneke va der Velden – Go nightly cares (06:41)
16. Mieneke va der Velden – A Piece without a title (01:40)
17. Mieneke va der Velden – Coranto (01:24)
18. Mieneke va der Velden – Lasso vita mia (03:32)
19. Mieneke va der Velden – Prelude in E (02:13)
20. Mieneke va der Velden – Divisions upon a ground (07:46)
21. Mieneke va der Velden – Like hermit poor (03:17)
22. Mieneke va der Velden – A Polish Ayre (01:03)
23. Mieneke va der Velden – Fain would I change that note (01:40)
24. Mieneke va der Velden – A Pavin (03:21)
25. Mieneke va der Velden – Coranto (01:45)
1. Mieneke va der Velden – Prelude in D (01:44)
2. Mieneke va der Velden – Divisions upon a ground (05:05)
3. Mieneke va der Velden – A Pavin (05:35)
4. Mieneke va der Velden – Coranto (01:20)
5. Mieneke va der Velden – The Punckes Delight (02:17)
6. Mieneke va der Velden – Cease leaden slumber (04:07)
7. Mieneke va der Velden – Good againe (05:31)
8. Mieneke va der Velden – What greater griefe (02:47)
9. Mieneke va der Velden – Suite in C Minor/Major: I. Fantazie (01:30)
10. Mieneke va der Velden – Suite in C Minor/Major: II. Courant (01:18)
11. Mieneke va der Velden – Suite in C Minor/Major: III. Fantazie (01:16)
12. Mieneke va der Velden – Suite in C Minor/Major: IV. Fantazie (01:46)
13. Mieneke va der Velden – Suite in C Minor/Major: V. Saraband (00:52)
14. Mieneke va der Velden – Preludium (01:06)
15. Mieneke va der Velden – Go nightly cares (06:41)
16. Mieneke va der Velden – A Piece without a title (01:40)
17. Mieneke va der Velden – Coranto (01:24)
18. Mieneke va der Velden – Lasso vita mia (03:32)
19. Mieneke va der Velden – Prelude in E (02:13)
20. Mieneke va der Velden – Divisions upon a ground (07:46)
21. Mieneke va der Velden – Like hermit poor (03:17)
22. Mieneke va der Velden – A Polish Ayre (01:03)
23. Mieneke va der Velden – Fain would I change that note (01:40)
24. Mieneke va der Velden – A Pavin (03:21)
25. Mieneke va der Velden – Coranto (01:45)
Musickes sweetest joyes ‘For now my soule delights in heavenly noyse of musickes sweetest joyes’* Because of the gentle melancholy which underlies the instruments sound, the viola da gamba was the instrument par excellence for the music which became fashionable in 17th-century England,.
Sadness was the prevailing tone in compositions of the period, as can be heard not only in many of the song texts (Go nightly cares, Like hermit poor) but also in the stately beauty of instrumental works like the Pavins. Fortunately, not all of the music of this period is gloomy or melancholy; many of the suites, with their light-footed dance movements, as well as folk song settings or grounds, provide a welcome contrast.
As you study the English repertoire, you are quickly overwhelmed by the vast quantity of glorious music written for the viola da gamba, and curiosity spurs you on to continue reading through new pieces. In England, the gamba was used in various ways and in all sorts of different combinations, so that the instrument’s possibilities and possibilities for tone color were put to their best use……
Sadness was the prevailing tone in compositions of the period, as can be heard not only in many of the song texts (Go nightly cares, Like hermit poor) but also in the stately beauty of instrumental works like the Pavins. Fortunately, not all of the music of this period is gloomy or melancholy; many of the suites, with their light-footed dance movements, as well as folk song settings or grounds, provide a welcome contrast.
As you study the English repertoire, you are quickly overwhelmed by the vast quantity of glorious music written for the viola da gamba, and curiosity spurs you on to continue reading through new pieces. In England, the gamba was used in various ways and in all sorts of different combinations, so that the instrument’s possibilities and possibilities for tone color were put to their best use……
Classical | FLAC / APE | HD & Vinyl
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