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Ksenia Bashmet, Moscow Soloists, Yuri Bashmet - Bach: Keyboard Concerto, BWV 1052 - Shostakovich: Piano Concerto No. 1 - Schnittke: Concerto for Piano & String Orchestra (2008)

Ksenia Bashmet, Moscow Soloists, Yuri Bashmet - Bach: Keyboard Concerto, BWV 1052 - Shostakovich: Piano Concerto No. 1 - Schnittke: Concerto for Piano & String Orchestra (2008)
  • Title: Bach: Keyboard Concerto, BWV 1052 - Shostakovich: Piano Concerto No. 1 - Schnittke: Concerto for Piano & String Orchestra
  • Year Of Release: 2008
  • Label: Quartz Music
  • Genre: Classical
  • Quality: flac lossless (tracks)
  • Total Time: 01:10:05
  • Total Size: 291 mb
  • WebSite:
Tracklist

01. Piano Concerto No. 1 in D Minor, BWV 1052: I. Allegro
02. Piano Concerto No. 1 in D Minor, BWV 1052: II. Adagio
03. Piano Concerto No. 1 in D Minor, BWV 1052: III. Allegro
04. Concerto for Piano & String Orchestra
05. Piano Concerto No. 1 in C Minor, Op. 35: I. Allegro moderato
06. Piano Concerto No. 1 in C Minor, Op. 35: II. Lento
07. Piano Concerto No. 1 in C Minor, Op. 35: III. Moderato
08. Piano Concerto No. 1 in C Minor, Op. 35: IV. Allegro con brio

Ksenia Bashmet, Moscow Soloists, Yuri Bashmet - Bach: Keyboard Concerto, BWV 1052 - Shostakovich: Piano Concerto No. 1 - Schnittke: Concerto for Piano & String Orchestra (2008)


Joining these three concertos for keyboard and strings - Bach's D minor Concerto, BWV 1052; Shostakovich's Concerto No. 1; and Schnittke's Concerto from 1979 - was an inspired idea that allows the listener to compare and contrast the composers' very different approaches to the medium. Bringing pianist Ksenia Bashmet together with her father Yuri was equally inspired. Though no Richter, Bashmet junior is still a fine pianist with a dexterous technique, a bright tone, an expressive way of phrasing, and a wonderful way of building a slow movement's climax, and her playing here is always interesting. Similarly, Bashmet senior knows how to get the best playing out of the Moscow Soloists and how to best support his daughter's keyboard artistry. Though one can certainly think of finer performances of all three works, the chance to hear them all together executed with such style and sympathy may be irresistible to some listeners. Quartz's digital sound is a clear and clean, but oddly lacking in depth of field.



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