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Simon Passmore - Passacaglia on a theme of Benjamin Britten and other organ works (2022) Hi-Res

Simon Passmore - Passacaglia on a theme of Benjamin Britten and other organ works (2022) Hi-Res

BAND/ARTIST: Simon Passmore

  • Title: Passacaglia on a theme of Benjamin Britten and other organ works
  • Year Of Release: 2022
  • Label: ASC Records / Prima Facie
  • Genre: Classical
  • Quality: FLAC (tracks) / FLAC 24 Bit (44,1 KHz / tracks)
  • Total Time: 92:06 min
  • Total Size: 369 / 830 MB
  • WebSite:
Tracklist:

1. Passacaglia on a Theme of Benjamin Britten
2. A Sequence for St George I …for theirs is the Kingdom of Heaven
3. A Sequence for St George II ...for they shall inherit the earth
4. A Sequence for St George III ...for they shall be comforted
5. A Sequence for St George IV ...for they shall be filled
6. A Sequence for St George V ...for they shall obtain mercy
7. A Sequence for St George VI ...for they shall see God
8. A Sequence for St George VII ...for they shall be called children of God
9. A Sequence for St George VIII...for he is the Lord our God
10. A Sequence for St George IX ...for they shall have joy
11. A Sequence for St George X ...for great is your reward in heaven
12. A Sequence for St George XI ...for thou shalt eat the labours of thine hands
13. A Sequence for St George XII ...for his mercy endureth for ever
14. Chorale Prelude – ‘Werde munter, mein Gemuete’
15. Trio Sonata No. 1 - I
16. Trio Sonata No. 1 - II
17. Trio Sonanta No. 1 - III
18. Voces Organi - Advent
19. Voces Organi - Christmas
20. Voces Organi - Lent
21. Voces Organi - Easter
22. Voces Organi - Pentecost
23. Voces Organi - Trinity
24. Two Short Pieces for Organ - I
25. Two Short Pieces for Organ - II

With the exception of the Two Short Pieces for Organ which closes disc 2, the works presented here are all more recent works of Richard Pantcheff. It is therefore not difficult to see them somewhat as a summation of the composer’s stylistic development to date. Thus, the rather modal musical language of the earlier organ works (e.g. the Four Communion Preludes of 1994) has here developed into something more linear, direct, and economical. There are occasional uses of serial technique. A similar trend is evident also in the significant amount of chamber music that the composer has written in recent years.

Given the advice and encouragement that Benjamin Britten (1913-1976) had given to Richard Pantcheff in the formative years of the younger composer’s life, it was not altogether surprising that the prospect of Britten’s centenary celebrations in 2013 would lead to Richard Pantcheff being commissioned to write a new work in tribute.

Two extraordinary and unconnected events conspired to enable the composition and premiere of the resultant Passacaglia on a Theme of Benjamin Britten (Opus 87).


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