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VA - Prisma: Contemporary Works for Orchestra (2018) [Hi-Res]

VA - Prisma: Contemporary Works for Orchestra (2018) [Hi-Res]

BAND/ARTIST: Various Artists

  • Title: Prisma: Contemporary Works for Orchestra
  • Year Of Release: 2018
  • Label: Navona Records
  • Genre: Classical
  • Quality: FLAC (tracks) [44.1kHz/24bit]
  • Total Time: 51:16
  • Total Size: 485 / 232 MB
  • WebSite:
Tracklist:

1. Moravian Philharmonic Orchestra & Petr Vronský – Time of the Comet, Op. 25 (12:34)
2. Prague Radio Symphony Orchestra & Robert Ian Winstin – Reflective Thought Patterns (15:54)
3. Moravian Philharmonic Orchestra & Petr Vronský – Among the Hidden (11:18)
4. Jonathan Helton, Chicago Arts Orchestra & Javier Jose Mendoza – Fastidious Notes (11:28)


Navona Records is proud to present PRISMA, a compilation featuring four contemporary composers from the United States and England including Lionel Sainsbury, Clive Muncaster, Patricia Julien, and J. A. Kawarsky. PRISMA spans the spectrum of unique styles of composition, from the grandiose and triumphant to the fragile and tender. This compilation captures a journey through colorful orchestral elements in a singular listening experience that builds into a thrilling sound.

PRISMA opens with triumph in Sainsbury’s “Time of the Comet.” Written in 1997, the piece was inspired by the visual presence of the Hale-Bopp comet. Sainsbury translated his vision into a grand composition featuring a proud and virtuous introduction that transitions between allegro and slow sections concluding with prevailing optimism and possibility.

Muncaster’s “Reflective Thought Patterns” builds in arch form to its central section and then literally reflects itself in reverse order. The composition starts with brass and timpani, transitioning its melody patterns on woodwinds, marimba, vibraphone, and French horn until the piece comes together at the end echoing the opening this time with a full orchestra.

“Among the Hidden” by Patricia Julien, introduces an eerie, darker shade to the PRISMA collection. Building off a circular, three-note piano melody, the moodiness of the composition creates a stark, yet refreshing contrast to the bright, brave orchestral performance of the other composers.

Lastly, Kawarsky’s “Fastidious Notes” draws in the ear of the listener with its unusual 5/4 metrical setting. The composition, based on a reworking of the American folk-song “Goodbye Old Paint,” features a sound borrowed right from the school of 20th century American classical music. As the compilation end, the four songs touch every emotion resulting in a conclusive listener experience.


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