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Črtomir Šiškovič & Luca Ferrini - Tartini's Violin - Sonatas for Violin and Basso Continuo (2016)

Črtomir Šiškovič & Luca Ferrini - Tartini's Violin - Sonatas for Violin and Basso Continuo (2016)
  • Title: Tartini's Violin - Sonatas for Violin and Basso Continuo
  • Year Of Release: 2016
  • Label: Dynamic
  • Genre: Classical
  • Quality: flac lossless (tracks) +Booklet
  • Total Time: 00:50:27
  • Total Size: 263 mb
  • WebSite:
Tracklist

01. Violin Sonata in G Minor, Op. 1 No. 10, B.g10 "Didone abbandonata": I. Affettuoso
02. Violin Sonata in G Minor, Op. 1 No. 10, B.g10 "Didone abbandonata": II. Presto
03. Violin Sonata in G Minor, Op. 1 No. 10, B.g10 "Didone abbandonata": III. Allegro
04. Violin Sonata in G Minor, B.g5 "Trillo del diavolo": I. Andante
05. Violin Sonata in G Minor, B.g5 "Trillo del diavolo": II. Allegro
06. Violin Sonata in G Minor, B.g5 "Trillo del diavolo": III. Andante - Allegro
07. Violin Sonata in A Major, Op. 1 No. 13, B.A16 "Pastorale": I. Grave
08. Violin Sonata in A Major, Op. 1 No. 13, B.A16 "Pastorale": II. Allegro (Segue subito)
09. Violin Sonata in A Major, Op. 1 No. 13, B.A16 "Pastorale": III. Largo - Presto
10. Violin Sonata in B-Flat Major, B.B3 "Staggion bella": I. Andante cantabile
11. Violin Sonata in B-Flat Major, B.B3 "Staggion bella": II. Allegro
12. Violin Sonata in B-Flat Major, B.B3 "Staggion bella": III. Giga. Allegro

Črtomir Šiškovič & Luca Ferrini - Tartini's Violin - Sonatas for Violin and Basso Continuo (2016)


Of all the great 18th-century Italian composers of instrumental music, Giuseppe Tartini stands out for having focused his entire creative output on his favourite instrument, the violin. His works include an astounding set of 125 violin concertos and some 200 sonatas for violin and basso continuo. The sonatas reveal a more intimate side of Tartini’s artistry, in contrast to the more virtuosic concertos. Taken together, they present a complete picture of Tartini’s artistic personality. Rich in creative flair and splendid lyrical passages, the sonatas are technically no less difficult than the concertos, and contain frequent literary references for their interpretation.

Of all the items contained in the legacy now resting in his birthplace's museum, Tartini's own violin is the most historically significant. Attributed to Don Nicolò Amati, violin-maker from Bologna, the signature «p. Nicolò Amati fece in Bologna» appears inside both the violin and the museum's inventory book. The instrument has been dated to the period between 1715 and 1725.



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  • User offline
  • jascha
  •  wrote in 14:31
    • Like
    • 1
Thanks so much for all Šiškovič albums!
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  • Cantor
  •  wrote in 20:30
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    • 0
Gracias!!!
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  • platico
  •  wrote in 01:08
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gracias...